Mary Poppins Returns
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All Critics (16)
| Top Critics (3)
| Fresh (5)
| Rotten (11)
| DVD (2)
Schlondorff's treatment is idly drab and antiseptic, indifferent almost, as though he felt Atwood's vision was cinematic enough.
The early '90s were also not exactly a robust period in political cinema, and the influence of the Moral Majority - so clearly felt in Atwood's text - wasn't as pronounced in the Bush I White House as it had been in Reagan's. But, sadly, it sure is now.
Book-based cautionary tale has violence, sex, and language.
overblown paranoid crap based on same.
Pretentious, self-righteous melodrama about the evils of patriarchy
Harold Pinter's adaptation has its powerful moments, but ultimately the narrowing of the novel's scope dilutes the story's message too much.
This film adaptation of Margaret Atwood's bestselling 1986 novel heralds freedom as a cherished ideal.
Uneven yet still gripping
The best thing to be said about this is that Natasha Richardson is really, really beautiful in the film. What a dull adaptation of a slightly less dull novel.
The screenplay and the film fall short of Margaret Atwood's novel. It seems more like Lifetime porn than a disturbing look at a possible future. Disappointing.
The film adaptation of a dystopian future as envisaged by Margaret Atwood. Part morality tale, and part cautionary, told with a touch of intrigue. Natasha Richardson plays a woman caught in a web of moral rationalization and becomes the chosen vessel for the Commander's (Robert Duvall) seed. His wife (Faye Dunaway) holds the reigns of power. This film does not hold up well, as most tales of the future do not. The prop master is limited in what technology he can predict and therefore the film looks dated. However, the moral and religious climate still makes the basic premise a possibility and for that, the story still resonates. Well done, but this viewer would recommend the book over this. The three main actors do a credible job, as do the supporting actors, Aidan Quinn and Elizabeth McGovern.
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