The Holy Mountain

Critics Consensus

A visual treat rich in symbolism, The Holy Mountain adds another defiantly idiosyncratic chapter to Jodorowsky's thoroughly unique filmography.

82%

TOMATOMETER

Total Count: 22

89%

Audience Score

User Ratings: 12,982
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Movie Info

The most powerful individuals in the solar system are out to become gods and rule the universe.

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Critic Reviews for The Holy Mountain

All Critics (22) | Top Critics (8)

  • Not even Buñuel with a brainful of Woodstock's bad brown acid could have made something this gloriously screwy.

    Apr 21, 2007 | Rating: 3/6 | Full Review…

    David Fear

    Time Out
    Top Critic
  • Alejandro Jodorowsky's Holy Mountain is a dazzling, rambling, often incoherent satire on consumerism, militarism and exploitation.

    Apr 18, 2007 | Rating: 3/5
  • This is an extraordinary visual concoction, loaded with stunning primary colors, anti-religious caricatures drawn from Diego Rivera and a succession of dreamlike, grotesque vistas worthy of Dalí at his most deranged.

    Apr 11, 2007
  • Jodorowsky loves to confront the viewer with endless brutality and grotesque decadence and degradation, but here he expresses it with a rich, densely visual imagination.

    Mar 16, 2007 | Rating: 4.5/5 | Full Review…
  • Neither for the faint of heart or the linear of thinker, The Holy Mountain qualifies both as a fascinating period relic and an enduringly transfixing jaw-dropper.

    Feb 2, 2007 | Rating: 3/4 | Full Review…
  • Halfway through we're introduced to nine industrialists and politicians -- they narrate their heinous biographies in Godardian voiceover -- who embark up the title mountain to become immortal. Dude.

    Jan 26, 2007 | Rating: 3/4 | Full Review…

    Ty Burr

    Boston Globe
    Top Critic

Audience Reviews for The Holy Mountain

  • Jul 09, 2014
    Admittedly "The Holy Mountain" is one of the most difficult film I ever had to interpret. Not because it's story is so complicated it demands your full undivided attention to every detail in a frame, but because it draws its inspiration from Tarot cards (thank you Mr. Edogawa for those long lessons), Christian Iconology, Latin American History, futurism, mysticism, politics, astrology in a combination to strange images that correlate together into a difficult to decipher theme. Never do it characters explicitly tell you the significant of the events, but much like the characters it's a journey of enlightenment. It's also one that'll leave you scratching your head until you realize you hit a nerve in your skull. The Holy Mountain gives an omniscient view of what social engineering caused by greed has done to the modern world, but shows us how to live and not give in to a material world. That's one way to put it or more honestly a series of strange visuals, odd metaphors, and a main character who isn't even involved in the ending. Breaking all logic of a traditional narrative being a witness of the journey is not at any point off putting. It speaks figuratively rather than expressing itself through a literal sense. If taken at face value the film will leave you wondering what in the world you just saw. Much in comparison to the thief we follow, the film asks its audience to either go on the journey and be open to whatever is let out of the floodgates of the storyteller consciousness, or if to be closed off then to might as well leave. Visually exploring what is the significant of immorality, religion, and beliefs pondering if reaching enlightenment is more important than the journey to achieve it. Over the top humor pokes fun of the lack of awareness of the form of escapism in surreal ways that ranges from manufacturing art with a fully functioning conveyor belt for butt-imprint paintings to conditioning children to hate specific future enemies. Scenes all of which are a natural representation of escapism either be through photographs, paintings, videos, or anything that mentally makes the subject escape reality. Before reaching the end the figurative meaning behind it images will culminate into a narrative that touches on various themes. Each of which make sense (in this film logic that is) in the surreal manner they are presented in. Once it reaches the abstract ending is where there's a glaring misstep. The ending itself spoon feeds everything the viewer witness in a final dialogue that reaffirms what you just saw was nothing more than it just appeared to be. Misguiding half of the meaning it actually was trying to get across. Then again, from a literal standpoint it goes along with the rest of the film. Alejandro Jodorowsky is the film writer/director/producer/editor/music composer/costume designer/set designer/painter/sculptor/star and his input is on screen all the time. Creating a world that in semblance is no further than our very own, it's just presented in a different form. At times the film looks absolutely gorgeous and it's design are eye popping with surreal designs and bright colors. There is a scene where the thief enters a rainbow room with a single holy man and a camel. A struggle breaks out but the primitive learns that he is not worthy to overcome the much wiser man. Suggesting the brighter the color in the rainbow passage the greater the growth. It's just one of the symbolic nature elements within. This intricate collective designed is sure to challenge the thoughts and translation of the viewer. As well as the set decorations, props, and the costumes and it pays off as the film is gorgeous to look at even if at times it's a little hard to decipher without an innate knowledge of world religions and the occult. The whole film is a literal two hour intellectual LSD trip. In the scene where Axon of Neptune and his healthy young army massacre a town, the montage we see of blood, dust and guts isn't entirely wounds overflowing with deep red or gory close-ups of torn flesh. Instead there are sticky greens and blues bubbling from bodies, obvious red ribbons from the gut and, in a rather touching moment from within the violence, little birds fluttering from the chest of a dead body. This barely scratches the surface of the surreal images you're going to see in the whole film. The Holy Mountain is surreal, deep, and one of the hardest films to make sense off if there's any to be found if we speaking in a literal sense. If taken at face value the series of events will have little correlation, but never is it boring because of it surreal images. It's a difficult film to recommend anyone to see because while it provides no background on everything it tackles. The abstract interpretation on the series of odd images is more than satisfactory for viewers seeking to challenge their minds. That is until it partially misguide viewers toward the end. No matter how the film is interpreted "The Holy Mountain" is never boring for what it bring to the forefront to the viewers that will confuse as well captivate the imagination.
    Caesar M Super Reviewer
  • Mar 28, 2014
    The Holy Mountain stands as the most bizarre film I've ever seen, Jodorowsky's surrealistic piece is best described as a blitzkrieg of imagery. I soon found out it was pointless to analyze what was being shown, so instead I sat back and just acknowledged the religious symbols I spotted. I probably missed a vast majority of the allusions but the spiritual message stands strong. Incorporating such philosophies as "Money is the Root of All Evil", Jodorowsky takes a stand against THE church, but shows importance of spirituality. Similar to Bunuel's Mexican film Simon of the Desert, and stylistically similar to the work of Makavejev, The Holy Mountain criticizes greed with in the church, in the exploitation of the crucifix. The planet segment (representing bureaucracy) was the most fascinating and lively part of the film. The only issue I had was the South Park like humor (menorah gun), was fun and all, but took away from the message of the film. The Holy Mountain explores to many spiritual, sexual, sociological, and psychedelic concepts to understand in one viewing. But with a wicked score the film is grasping even without any search for a meaning. The Holy Mountain is hallucinatory to watch and thought provoking to reflect upon.
    Daniel D Super Reviewer
  • Feb 17, 2013
    I'm all for weird and surreal movies, but The Holy Mountain just really didn't work for me. It's less a movie than it is a series of symbolic images, as there's not exactly a linear story to follow and there's minimal dialogue. It makes absolutely no sense when confronted with the expectations of a conventional movie. I didn't expect it to make sense, but I was still wondering what the point of the movie's imagery was. There's a brief scene where a group of frogs and lizards are dressed as Spanish conquistadors, then suddenly the frogs explode off-screen for no real reason. In another scene, a group of innocent people are shot, but instead of blood coming out of their wounds, birds fly out of the gaping holes in their chests. The Holy Mountain almost feels like psychedelic art in motion, but the beautiful visuals weren't enough to hold my attention. If you're interested in strange cult movies, you might as well give it a shot, but I just didn't find much to keep me interested in The Holy Mountain.
    Joey S Super Reviewer
  • Nov 09, 2011
    This psychedelic, LSD-induced masterpiece is not only visually ambitious, with an impeccable cinematography and editing, but also incredibly imaginative as it makes use of archetypes and symbolism in a brilliant social commentary, and it is wonderful how the fantastic score helps create the perfect atmosphere in every scene.
    Carlos M Super Reviewer

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