The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Jaws is what The French Connection and The Exorcist only posed as -- a horrific action story redeemed by inspired filmmaking. Jaws aims for the gut, but it doesn't insult the intelligence on the few occasions when it is required.
This pop-culture masterpiece is more than simply a well-tooled thriller. Spielberg brings a sense of community, family, and humanity to the supermarket thriller from Peter Benchley, a book more designed than written.
Jaws is a splendidly shrewd cinematic equation which not only gives you one or two very nasty turns when you least expect them but, possibly more important, knows when to make you think another's coming without actually providing it.
I don't think there's a more exciting talent at work right now than Spielberg, an authentic moviemaking prodigy, and perhaps his worst problem from June 20, 1975, on will be preventing success from making a nervous or artistic wreck of him.
It may be the most cheerfully perverse scare movie ever made. Even while you're convulsed with laughter you're still apprehensive, because the editing rhythms are very tricky, and the shock images loom up huge, right on top of you.