Jeannette: The Childhood of Joan of Arc

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Cast & Crew

Lise Leplat Prudhomme
Jeannette

Lucile Gauthier
Hauviette

Jeanne Voisin
Jeanne

Aline Charles
Sainte Marguerite

Elise Charles
Sainte Marguerite

Nicolas Leclaire
Durand Lassois

Régine Delalin
Isabeau d'Arc

Anaïs Rivière
Saint Michel

Bruno Dumont
Director

Bruno Dumont
Screenwriter

Rachid Bouchareb
Producer

Jean Bréhat
Producer

Muriel Merlin
Producer

Guillaume Deffontaines
Cinematographer

Basile Belkhiri
Film Editor

Bruno Dumont
Film Editor

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News & Interviews for Jeannette: The Childhood of Joan of Arc

Critic Reviews for Jeannette: The Childhood of Joan of Arc

Audience Reviews for Jeannette: The Childhood of Joan of Arc

• Jan 05, 2012

  I didn't know a word about this case before plunging onto this movie. As against my expectations, my ignorance didn't turn out to be in the favor of movie. It assumes that we have the background knowledge and focuses only on trial. Maybe people in general have enough historical knowledge, but unfortunately I'm an exceptional case. I thought that the movie would be interesting as it's based on the transcripts of the case, but except for a few dialogues, it was quiet boring. Even 65 minutes seemed too long to sit through. I appreciate the director's intentions, but not much the film. Needless to say, it serves as an informative piece of work to an extent, but not entertainment.
  familiar s Super Reviewer
• Mar 16, 2011

  This Robert Bresson film is reportedly taken from the transcripts from the Joan of Arc's trial. And it's a well-done film that suffers from one major flaw -- I saw Karl Dreyer's version of Joan's story PASSION OF JOAN OF ARC first. Florence Carrez portrays Joan with stoic determination. She knows she's right and no one will change her mind. Because of this portrayal, the scene where Joan signs the confession riings a bit false. On the other hand, Renee Maria Falconetti's portrayal is of a terrified 19-year-old girl, being held in prison for her beliefs that seem so right and true to her, and totally unable to comprehend how and why she is being portrayed as evil, when everything she does is for God and her country. Her performance is heartbreaking. Carrez' in-your-face attitude is probably more historically accurate -- Joan WAS a warrior after all -- but I like Falconetti better. And I just like Dreyer better as a director than Bresson. Bresson's direction is spare and minimalist, and it leaves me a bit cold. Dreyer's work never fails to move me, especially in the way he gets such real emotion out of his actors. I'll admit to being brought to tears by more than one of his films. Bresson claims that he made his Joan more of a modern 1960's woman so younger people would identify with her, He gave her a somewhat modern hairstyle and wardrobe. Once again, I prefer Dreyer's Joan, who was even stripped of her hair for the role. One good thing about seeing both films is that I now have a bigger picture of what Joan went through during her trial. Dreyer also used the original transcripts, and the dialogue reflects that, matching word for word in several places. But in many cases they concentrated on different sections of the transcriptions, so seeing Bresson's film filled in the gaps from the Dreyer film.
  Cindy I Super Reviewer
• Apr 11, 2008

  At just 60 odd minutes the premise of this film doesn't push itself. Yes it is mostly people sitting round and talking but the sublime craft rises it to fantastic heights. A certain amount of emotionless performances make this blunt and to the point. It's a real dissection of Joan herself. Unfortunately this is no Passion of Joan of Arc but it is still a brilliant piece of cinema.
  Luke B Super Reviewer

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