Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2018)
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The biggest problem with "Jeannette," beyond what some may consider the blasphemous elements, is that Dumont limits his story to the less compelling parts of Joan's life - before she took on the British occupiers.
"Jeannette: The Childhood of Joan of Arc" is very likely the first medieval heavy-metal musical ever to grace the silver screen. Sadly, it's not quite as fun as that sounds.
A challenging arthouse drama that has a slippery sense of humor and a whole lot of chutzpah.
"Jeannette" throws the modern back at the medieval, making no distinction between religious ecstasy and that experienced in certain contemporary contexts of music and ritual.
Dumont's early work suggested a director who wanted to be the heir to Robert Bresson and the aforementioned Dreyer, titans of formal discipline and transcendent doubt. Now he wants to be Andy Kaufman.
Jeannette succeeds in its earnestness, adapting its words from Charles Peguy's works, but countering it with the pure, joyous silliness of its presentation.
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