Juliet of the Spirits (Giulietta degli Spiriti) Photos

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Cast

Giulietta Masina
as Giulietta Boldrini

Mario Pisu
as Giorgio

Sandra Milo
as Suzy/Iris/Fanny

Valentina Cortese
as Valentina

Luisa Della Noce
as Adele

Sylva Koscina
as Sylva

Valeska Gert
as Bhisma

Caterina Boratto
as Juliet's Mother

Silvana Jachino
as Dolores

Elena Fondra
as Elena

Milena Vukotic
as Juliet's Maid

José Luis de Villalonga
as Giorgio's friend

Seyna Seyn
as Masseuse

Edoardo Torricella
as Russian Teacher

Fred Williams
as Arabian Prince

Felice Fulchignoni
as Don Raffaele

Mario Conocchia
as Family Lawyer

George Ardisson
as Dolores' Model

Nadir Moretti
as Dolores' Model

Guido Alberti

Carlo Pisacane

Mino Doro

Alberto Cevenini

Alicia Brandet

Anita Sanders

Jacques Herlin

Alba Cancellieri
as Juliet as a Child

Sabrina Gigli
as Granddaughter

Rosella di Sepio
as Granddaughter

Lou Gilbert
as Grandfather

Elisabetta Gray
as Juliet's Maid

Irina Alexeieva
as Susy's Grandmother

Alessandra Mannoukine
as Susy's Mother

Gilberto Galvan
as Susy's Chauffeur

Yvonne Casadei
as Susy's Maid

Hildegarde Golez
as Susy's Maid

Dina DeSantis
as Susy's Maid

Dany París
as Desperate Friend

Raffaele Guida
as Oriental Lover

Alberto Plebani
as Lynx-Eyes

Federico Valli
as Lynx-Eyes' Agent

Remo Risaliti
as Lynx-Eyes' Agent

Grillo Rufino
as Lynx-Eyes' Agent

Asoka Rubener
as Bhisma's Helper

Sujata Rubener
as Bhisma's Helper

Walter Harrison
as Bhisma's Helper

Anne Francine
as Psychoanalyst

Frederick Ledebur
as Headmaster

Eugenio Mastropietro
as Medium

Massimo Sarchielli
as Valentina's Lover

Bob Edwards
as Dolores' Model

José Luis de Vilallonga
as Giorgio's Friend

Cesarino Miceli Picardi
as Giorgio's Friend

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News & Interviews for Juliet of the Spirits (Giulietta degli Spiriti)

Critic Reviews for Juliet of the Spirits (Giulietta degli Spiriti)

Audience Reviews for Juliet of the Spirits (Giulietta degli Spiriti)

• Nov 06, 2011

  In comparison to Fellini's two previous movies, 'Juliet of the Spirits' is more emotionally resonant - also more structured. In '8 1/2' a filmmaker was going through a surrealist nightmare, this time a woman is going through one (Fellini wrote it for his wife, but it's just Fellini disguised not too subtly), this time in vivacious color, and the surrealist dreams and images are almost as fascinating as those seen in '8 1/2'. The score is classic, too, it's my personal favourite Fellini/Rota collaboration - no matter my undying love for 'La Dolce Vita's' score -, it's peculiar and at times overwhelming. 'Juliet of the Spirits' is an astonishing circus of colours, avant-garde juxtapositions, jokes, surreal mise-en-scenes, extraneous faces and characters, and everything we've come to know as Felini-esque. It's an orgy of delights and tied in second with 'La Dolce Vita' as my favourite Fellini movie, '8 1/2' coming in first.
  

  Jonny B Super Reviewer
• Jul 31, 2011

  "My wife thinks I'm cheating (and I am, I'm a great artist, I belong to everyone, how can anyone expect me to stay with only one, even my wife?) so I'll make a film, a great film ... it's about a wife who thinks her husband is cheating. Who do I get to play the wife? My wife, of course. It's so twisted, so vain, they'll call it genius." It may not be true, but its what I thought watching this empty exercise in visual overstimulation: this is the lie a cheating husband tells his loyal spouse.
  Kevin M. W Super Reviewer
• Jan 01, 2010

  Fellini's first film in color is this brilliant LSD-infused satire that enchants us with its gorgeous art direction and colorful costumes, while using a magnificent symbolism to depict the psyche of a passive woman who needs to break free from the bonfire of her married-life martyrdom.
  Carlos M Super Reviewer
• Jan 19, 2009

  Semi-autobiographical piece put forth by Fellini and his wife, Giulietta Masina. It's the story of Giulietta (Giulietta), the spouse of a wealthy socialite who is forced to come to terms with her fleeting youth and her husband's infidelity. True to his nature, Fellini uses an abundance of symbolism, abstract scripting and flamboyant characters to tell the story. For me, it's all a tad overwhelming. Maybe it's because this was his first color film, but there are so many extravagant visuals that it's hard to pay attention to the characters. I much prefer Fellini's earlier pictures where he cares about the story a little more and the scenery a little less.
  Randy T Super Reviewer

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