Juliet of the Spirits (Giulietta degli Spiriti)1965
Juliet of the Spirits (Giulietta degli Spiriti) (1965)
Juliet of the Spirits (Giulietta degli Spiriti) Photos
Movie Info
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Cast
as Giulietta Boldrini
as Giorgio
as Suzy/Iris/Fanny
as Valentina
as Adele
as Sylva
as Bhisma
as Juliet's Mother
as Dolores
as Elena
as Juliet's Maid
as Giorgio's friend
as Masseuse
as Russian Teacher
as Arabian Prince
as Don Raffaele
as Family Lawyer
as Dolores' Model
as Dolores' Model
as Juliet as a Child
as Granddaughter
as Granddaughter
as Grandfather
as Juliet's Maid
as Susy's Grandmother
as Susy's Mother
as Susy's Chauffeur
as Susy's Maid
as Susy's Maid
as Susy's Maid
as Desperate Friend
as Oriental Lover
as Lynx-Eyes
as Lynx-Eyes' Agent
as Lynx-Eyes' Agent
as Lynx-Eyes' Agent
as Bhisma's Helper
as Bhisma's Helper
as Bhisma's Helper
as Psychoanalyst
as Headmaster
as Medium
as Valentina's Lover
as Dolores' Model
as Giorgio's Friend
as Giorgio's Friend
News & Interviews for Juliet of the Spirits (Giulietta degli Spiriti)
Critic Reviews for Juliet of the Spirits (Giulietta degli Spiriti)
All Critics (26) | Top Critics (9) | Fresh (21) | Rotten (5) | DVD (5)
The results are unwieldy, uneven, and overlong to say the least.
Director Federico Fellini has put together an imperial-sized fantasy of a physical opulence to make the old Vincente Minnelli Metro musicals look like army training films.
The overall charm just about carries the glibness of the psychological payoff, and the way that different veins of imagery interlock gives the film a cogency that later Fellini has woefully lacked.
A dazzling technical achievement, from the color to the tracking shots that delight in running down every detail of Juliet's companions.
It never less than dazzling to look at.
A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.
Audience Reviews for Juliet of the Spirits (Giulietta degli Spiriti)
Fellini's first film in color is this brilliant LSD-infused satire that enchants us with its gorgeous art direction and colorful costumes, while using a magnificent symbolism to depict the psyche of a passive woman who needs to break free from the bonfire of her married-life martyrdom.
Super Reviewer
"My wife thinks I'm cheating (and I am, I'm a great artist, I belong to everyone, how can anyone expect me to stay with only one, even my wife?) so I'll make a film, a great film ... it's about a wife who thinks her husband is cheating. Who do I get to play the wife? My wife, of course. It's so twisted, so vain, they'll call it genius." It may not be true, but its what I thought watching this empty exercise in visual overstimulation: this is the lie a cheating husband tells his loyal spouse.
Super Reviewer
Giulietta Masina is a delight to watch.
Super Reviewer
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