Kids Return

Kids Return Photos

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Cast & Crew

Ken Kaneko
Masaru

Masanobu Andô
Shinji

Leo Morimoto
Teacher

Hatsuo Yamaya
Boxing Club Manager

Mitsuko Oka
Coffee-shop Owner, Sachiko's Mother

Ryo Ishibashi
Local Yakuza Chief

Susumu Terajima
No 2 In Local Gang

Koichi Shigehisa
Trainer

Michisuke Kashiwaya
Hiroshi

Yûko Daike
Sachiko

Atsuki Ueda
Reiko

Ren Ôsugi
Taxi Passenger

Masami Shimojo
Yakuza Godfather

Kyosuke Abe

Satoru Abe

Makoto Ashikawa
Teacher Hashida

Takeshi Azuma

Jukanji Baiken

Kentaro Fujigami

Peking Genji

Takeshi Kitano
Director

Takeshi Kitano
Writer

Masayuki Mori
Producer

Yasushi Tsuge
Producer

Takio Yoshida
Producer

Katsumi Yanagijima
Cinematographer

Takeshi Kitano
Film Editing

Joe Hisaishi
Original Music

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Audience Reviews for Kids Return

• Jul 11, 2013

  Ideologically similar to 'Sonatine' yet structurally and thematically very different, 'Kids Return' sees auteur Takeshi "Beat" Kitano weave an occasionally beautiful story that strays from his usual self-immolating themes in order to focus more on the aspirational nature of life. The plot focuses on two teenage delinquents Masaru and Shinji as they try to understand their calling in life and separately experiment with both the Yakuza and boxing. Cinematically Kitano is once again very self-referential, drawing on his past as both a delinquent and one half of the comedy duo 'The Two Beats' in order to create believable and entertaining scenarios. The idea of 'mono no aware' is also visited again and the impermanence of childhood is one of the film's more interesting and heartfelt themes. It's no question 'Kids Return' is the work of a well seasoned and refined auteur, Kitano utilises the minimalistic steady camera style that has become a trademark of his work and allows composer Joe Hisaishi to create a beautiful soundtrack that flawlessly accompanies the film's exceptional visual flare. On the downside tough there are moments where the script seems somewhat drawn-out (un-deliberately) and, although entertaining, the moments in which Shinji and Masaru take a back seat in order for the film to focus on the lives of other teens pale in comparison to the rest of the film. Where 'Kids Return' suffers when placed amongst the likes of 'Sonatine' and 'A Scene At The Sea' , two of Kitano's best is with it's potency, and, although the ending feels like the best and most natural amalgamation of the events that preceded, in retrospective it lacks the same poignancy.
  

  Cameron S Super Reviewer
• Aug 05, 2009

  2 school boy layabouts get into boxing, and thats where friendship goes seperate ways, a well acted drama, some nice moments,and acting from the two leads
  scott g Super Reviewer
• Aug 03, 2009

  Takeshi Kitano captures, perfectly, that youthful fear of the unknown. Perhaps a fear that never truly goes away. This is the tale of adolescents that are conditioned to aim towards something from an early age, so early in fact, that the desire to change course is often ignored. In a very short amount of time these kids want to be baseball players, comedians, gangsters and boxers. Things go right, things go wrong, things go right and then wrong etc. It's all shot with Kitano's complete lack of sentimental crap and his beautiful subtlety. The boxing "montage" scene isn't like others, where the music swells and we see slow motion punching. It's a simple, but powerfully edited moment, where Ando keeps knocking people down. Kitano's trademark sudden violence and humour also make small, but memorable appearances. An excellent, thoughtful and moving film.
  Luke B Super Reviewer
• Apr 09, 2007

  For some reason i keep forgeting that i even own this movie, when it's such a great film for all the right reasons. A "coming of age" story without all the usual cliches and bullshit of those type of movies. The fear anyone has to the "adult life", to become just what everyone told us we should become, instead of taking the risk of trying to be something made by ourselfs. All this is put together by Kitano with a great precision and attention to detail. In these days of "Juno" and other assorted artificial "teen" movies this is the type of movie the world needs more often.
  Tsubaki S Super Reviewer