Kill Bill: Volume 1 (2003)
Critic Consensus: Kill Bill is admittedly little more than a stylish revenge thriller -- albeit one that benefits from a wildly inventive surfeit of style.
Kill Bill: Volume 1 Videos
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as The Bride/Black Mamba
as O-Ren Ishii/Cottonmouth
as Vernita Green/Copperhead
as Elle Driver/California Mountain Snake
as Hattori Hanzo
as Gogo Yubari
as Sofie Fatale
as Boss Tanaka
as Pai Mei
as Deputy Sheriff Edgar McGraw
as Johnny Mo
as Tommy Plympton
as Boss Koji/Crazy 88 Bodyguard #2
as Boss Ozawa
as Boss Honda
as Reverend Harmony
as Boss Senta
as Pai Mei
as Larry Gomez
as Hanzo's Sushi Bar Assistant
as House Band
as Charlie Brown
as Tokyo Business Man
as Nikki Green Bell
as Crazy 88 Bodyguard #1
as Crazy 88 Bodyguard #3
as Crazy 88 Bodyguard #4
as Crazy 88 Bodyguard #5
as Crazy 88 Bodyguard #6
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Critic Reviews for Kill Bill: Volume 1
A strange, fun and densely textured work that gets better as it goes along.
Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.
It's all bang, bang; no kiss, kiss. But this is still bravura film-making from a prodigious talent, and Thurman may yet prove its saving grace.
There is no ironic overlay in Tarantino's movies, no 'commenting' on the pop schlock he's replicating. He simply wants to remake in his own way the kinds of movies he's always loved, and he's about as uncynical as a movie geek can be.
I would argue that, in a bizarre way, Mr. Tarantino empowers women as no action-genre director before him ever has.
Audience Reviews for Kill Bill: Volume 1
The last 45 minutes of this thing are pure cinematic heaven. The steps taken to get to this point are slightly less satisfying, but ultimately 'Kill Bill: Volume 1'' is a fitting tribute to the various action flicks of the 60's and 70's.
Kill Bill is just another piece of over-hyped fanfare with no real merits. Like many of QT's other products, there is a shock-value installed through violence which does nothing but make the film gratuitously brutal. If you remove all graphic scenes from KB you are left with a sadly inept script, bad acting and a "funky" if not cacophonous soundtrack (sound like Reservoir Dogs?). Luckily for us, QT knows Americans can remember violence much longer than great writing so he can reap his rewards. I'm not even going to compare this film to the thousands of Asian KungFu knockoffs. Everyone knows a Hollywood-produced movie will succeed if it's the first time an American audience "discovers" it (The Matrix, Jackie Chan flicks, etc -- none of which are consdiered novel by HK cinema standards).. Why can't QT make a picture with the qualities of other acclaimed directors like Kubrick, whether it's visual (2001), dialogue-driven (Paths of Glory) or both (A Clockwork Orange)? Leave the violence behind and jump on a more creditable bandwagon. 1/2 star 05-2007 (Updated)
A former member of The Deadly Viper Assassination Squad is betrayed and left for dead on her wedding day and sets about revenging herself upon her erstwhile colleagues. Quentin Tarantino has often been accused of plagiarism in the past, and Kill Bill not only happily acknowledges his many homages it positively revels in them, right from the "Shawscope" intro screen. His films are clearly a labour of love and every reference, every shot, every song on the wittily compiled soundtrack, even every sound effect has been carefully selected. Tarantino's films are not, as many po-faced critical snobs suggest, style over substance because the style IS the substance. This is a movie for the movie lover and Tarantino's skill is in his ability to seamlessly blend so many genres, from anime to martial arts to samurai to film noir to spaghetti western to blaxploitation and create something entirely his own. If his audience dried up, I'm in no doubt that he would continue making films even if it cost him his last dollar, for the sheer pleasure of it and if it ever came down to that, I'd happily chip in.
Kill Bill: Volume 1 Quotes
|The Bride:||Those of you lucky enough to still have their lives, take them with you! However, leave the limbs you've lost. They belong to me now...except you Sofie! You stay exactly where you are.|
|The Bride:||This Pasadena homemaker's name is Jeanne Bell. Her husband is Dr. Lawrence Bell. But back when we were acquainted four years ago, her name was Vernita Green. Her code name was Copperhead. Mine, Black Mamba.|
|The Bride:||The bald guy in the black suit and the Kato Mask is Johnny Mo, the head general of O'ren's personaly army,the crazy 88. And just in case you were wondering how could a half breed Japanese-Chinese American become the boss of all bosses in Tokyo, Japan, I'll tell you. The subject of O'ren's blood and nationality came up before the council only once. The night O'ren assumed power over the crime council.|
|Elle Driver:||[to an uncounscious Beatrix] You know, I may have never liked you. Point of fact,I despise you. But that shouldn't suggest I don't respect you. [takes a needle injection from her pocket] Dying in our sleep, a luxuary our kind is rarely afforded.|
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