The Last Sin Eater (2007)



Critic Consensus: This earnest Christian parable is undone by its pompous dialogue and cheap FX.

The Last Sin Eater Photos

Movie Info

Die Schwester der kleinen Cadi ist gestorben, und Cadi selbst gibt sich die Schuld daran. Weil in dem kleinen, abgeschiedenen Dorf, in dem Cadi lebt, an den Sin Eater geglaubt wird - einen Mann, der nach dem Tod eines Menschen die Sünden von ihm nimmt -, macht sich Cadi mit ihrem Freund Fagan auf die Suche nach ihm. Sie hofft, dass er ihr Gewissen erleichtern kann.
PG-13 (for thematic elements, and some intense sequences of violence)
Directed By:
In Theaters:
Box Office:


Louise Fletcher
as Miz Elda
Henry Thomas
as Man of God
Liana Liberato
as Cadi Forbes

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Critic Reviews for The Last Sin Eater

All Critics (37) | Top Critics (14)

Squanders its good intentions with its numbingly bloated 140-minute running time.

February 14, 2007
Hollywood Reporter
Top Critic

Unfortunately for God-fearing youths in desperate need of counseling on the horrors of sin-eating, [Cadi's] spiritual awakening will likely put audiences to sleep.

Full Review… | February 9, 2007
Time Out
Top Critic

The Last Sin Eater is close to nature and boasts many of the elements we expect from solid family entertainment, albeit with tragic overtones that keep the story grounded in a rich emotional context.

Full Review… | February 9, 2007
Seattle Times
Top Critic

It has the same dramatic flatness of Love's Abiding Joy, which was made by the same filmmakers. Frankly, these folks are more suited to the Hallmark Channel.

February 9, 2007
Orlando Sentinel
Top Critic

What should be a simple parable of redemption takes nearly an unforgivable 2 1/2 hours.

February 9, 2007
Newark Star-Ledger
Top Critic

The special effects look like they were executed on somebody's laptop.

February 9, 2007
New York Post
Top Critic

Audience Reviews for The Last Sin Eater

Between the terrible production quality and the even more terrible score, I just could not sit through this. It went nowhere in the time I spent trying to watch it, and I just did not care how it ended. Don't waste your time.

Amanda Hendsbee
Amanda Hendsbee

NOT your typical sappy cookie-cutter Christian flick. VERY well written script, great acting and directing.

Pete Skeris
Pete Skeris

Based on the novel by Christian-fiction author Francine Rivers, The Last Sin Eater is director Michael Langdon Jr.'s approach to the gothic side of the American frontier drama. Circa 1850, in a Welsh community on the Appalachian territory, the death of her sister Ellen has haunted ten-year-old Cadi Forbes, whose mother, Thea, cannot overcome the grief from the mishap which killed her youngest child. When Cadi's grandmother, Gorawen, dies, the villagers summon the Sin Eater, a chosen-one condemned to purge dead souls by taking their sins upon himself. During the ritual, Cadi commits a forbidden act - looking into the eyes of the Sin Eater, thus tainting her own soul with his being. Consumed by the desire to cleanse her soul of the guilt she feels for Ellen's death, Cadi seeks him out with the help of her friend, Fagan, and Lilybet, an angelic spirit in the form of a child, whom only Cadi can see. Meanwhile, the community is off-set by the arrival of a nameless missionary who defies the commands of Brogan Kai, the self-proclaimed village leader. As she unravels the mystery of the Sin Eater's past, Cadi discovers that he is not the demon whom the villager's fear, but a tender soul tortured by an agonizing duty which separates him from the woman he loves. Only by accepting the word of God and bringing to light the brutal history of her village can Cadi save an innocent man from a shameful sacrifice and relieve her family from the suffering that has plagued them since her sister's death. In parts of feudal Scotland and England, a sin eater was a person, usually a beggar, chosen to cleanse the sins of the dead in a ritual that involved the consumption of bread and wine, which were left on the dead person's breast during their burial. The ritual ended with the recitation of a prayer ("For thy peace, I pawn my own soul"), after which the sin eater would return to his place of solitude until his service was needed once more. In this slow-paced, but emotional film, Peter Wingfield (Highlander) is the Sin Eater, who skulks about the woodlands of Dead Man's Mountain in a drab ensemble likened to the Ghost of Christmas Past. Langdon's attempt at diffusing fear on the audience falls flat, but not without the reservation that perhaps it is not fear that he wishes to achieve, but sympathy for a man ostracized by his fellow men in correspondence with a crude and primitive tradition. Aside from the emotional venue, however, the film lacks, for the most part, one vital element: good acting. This may be the fault of two things: 1) Bad actors or 2) The strained attempts at establishing time and setting by having all the characters speak in the vernacular. Audiences may find the up-lifting soundtrack by composer Mark McKenzie to be a bit easier on the ears. Even Louise Fletcher, in her role as the village elder, Miz Elda, appears unskilled, with a Welsh accent that is laudable only when compared with the almost incomprehensible speech of Stewart Finlay-McLennan, who rubs off as a raging idiot rather than a domineering antagonist. With regards to plot, Henry Thomas (E.T., Legends of the Fall), as the unnamed missionary, appears as a bump in the road with an intruding performance that flows in the written story, but fails to properly adapt to the 117 minutes on camera. Fletcher (an Academy Award winner) and Thomas (a Golden Globe Nominee) are little more than a big name and a not-so-big name used by producers as a promotional tool. One name that should be noted, however, is Liana Liberato, who went from a small part in a episode of CSI: Miami to the role of Cadi Forbes, and is the only believable actor, from her "dunnas" to her "glyns," to overall bearing, in the entire film. Fundamentally, The Last Sin Eater is a garden-variety, verging on dull, production that lovers of religious media will enjoy immensely, but, to the average viewer, is little more than a satisfactory book-to-big screen adaptation.

Deihlia Flett
Deihlia Flett

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