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Critics Consensus: No consensus yet.
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Critic Consensus: No consensus yet.
All Critics (9) | Top Critics (4) | Fresh (9) | Rotten (0)
You have to be the victim of a certain state of mind to appreciate the humor and truth of Makavejev.
Given that four of Makavejev's first five features are essentially the same film, it seems increasingly unlikely that he'll ever improve on this, his second movie, the most interesting and concentrated treatment of his recurrent themes.
This is a charming picture, a subtle and sophisticated spoof of organized social education and of the modern-day sex comedy, right up to the point where it goes mawkish and turns into a melodramatic brawl over a pregnancy.
It's very funny and, with its ragged arrangement of warring styles and ideologies, very original: it's like a smutty, sticky-fingered Godard.
Celebrates the force of sexuality even as it clashes, tragically, with traditional ideology
A tender, sweet, and ultimately very sad film.
In this, Makavejev's second major film, the Yugoslavian's wry sensibilities about love and communism our laid out with little fanfare or apology.
It's a jarring and thought-provoking examination of personal tragedy and social commentary.
It's Godardian skittishness, Yugoslav style, as director Makavejev tarts up his perfectly tight and serviceable account of love and deception.
This early Dusan Makavejev film is short on budget and acting talent, but is an interesting pointer to the director's later works. Typically, its tone is wildly eclectic -- the narrative breaks up a doomed tale of misfit romance with academic talk from a sexologist, a cooking segment, the history of the grey rat, satirical nods to propaganda film (patriotic marches everywhere) and a daring amount of nudity. There's also a crucial sex scene that's inexplicably symbolized via sort of a rotating tableau vivant that looks borrowed from a surrealist silent. And all this happens within a brisk 70 minutes. Despite the dour plot, Makavejev's gleefully anarchic style creates a mood that's more droll than sad. Cineastes will appreciate his unique quirks, but viewers expecting a character study may complain that the director's whims undercut the story's emotional pull.
Super Reviewer
"Love Affair, or the Case of the Missing Switchboard Operator" opens with Dr. Aleksandr DJ Kostic extolling the virtues of a healthy sex life. That's a path that best friends Izabela(Eva Ras) and Ruza(Ruzica Sokic) pursue enthusiastically while escaping from their dreary jobs. During their socializing, Izabela hooks up with Ahmed(Slobodan Aligrudic). If for no other reason than to act as buzzkill, along comes Dr. Zivojin L. Aleksic, a criminologist, to narrate an episode of "CSI: Belgrade," as the police retrieve Izabela's body, three months pregnant, from the sewers. Therefore, it would seem that life is short, so don't take anything for granted. But that's what the Communist government of Yugoslavia did, even if their time does not come for another couple of decades. But at this point, patriotic songs play everywhere, somewhat ironically.(This might be the first time anybody has ever gotten sexually excited watching a propaganda film but it is anti-clerical, which does make a weird sort of sense.) That's not the only part of the film that is dated, as some of the movie's once daring elements such as interracial relationships(Izabela is Hungarian while Ahmed is Turkish), premarital sex and nudity(although some people still do have a problem with this) are now wonderfully quaint.
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