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Cast

Audrey Hepburn
as Ariane Chavasse

Gary Cooper
as Frank Flannagan

Maurice Chevalier
as Claude Chavasse

John McGiver
as Monsieur X

Van Doude
as Michel

Lise Bourdin
as Mme. X

Paul Bonifas
as Commissioner of Police

Audrey Wilder
as Brunette

Gyula Kokas
as Four Gypsy

Michel Kokas
as Four Gypsy

George Cocos
as Four Gypsy

Victor Gazzoli
as Four Gypsy

Olga Valéry
as Lady with Dog

Charles Bouillaud
as Valet at the Ritz

Betty Schneider

Minerva Pious
as Maid at the Ritz

Valerie Croft
as Swedish Twin

Filo
as Flannagan's Chauffeur

Gregoire Gromoff
as Doorman at the Ritz

Moustache
as Butcher

Jacques Ary
as Lover on Right Bank

Gloria France
as Client at Butcher's

Jean Sylvain
as Baker

Leila Croft
as Swedish Twin

Richard Flagy
as Husband

Jeanne Papir
as Wife

Marcelle Praince
as Rich Woman

Guy Delorme
as Gigolo

Olivia Chevalier
as Little Girl in the Gardens

Solon Smith
as Little Boy in the Gardens

Eve Marley
as Tandemist

Jean Rieubon
as Tandemist

Christian Lude
as General

Charles Lemontier
as General

Emile Mylos
as General

Alexander Trauner
as Artist

Bernard Musson
as Undertaker

Michele Selignac
as Widow

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Critic Reviews for Love in the Afternoon

Audience Reviews for Love in the Afternoon

• Mar 13, 2012

  Charming. Gary Cooper is too old for the part, but it works even so.
  Morris N Super Reviewer
• Aug 13, 2011

  Gary Cooper was so old here, he should be Audrey Hepburn's Santa Claus instead of her lover.
  Cita W Super Reviewer
• Dec 12, 2010

  Gary Cooper is a bit too old to play the popular bon-viveur believably, and Audrey Hepburn is here a bit too young to pass for the experienced broad her character is angling for - but all in all, the movie works out because of a quite fun script and some good touches here and there by the hand of the master (Wilder). It does not stand out in the filmography of anyone of the above, but it's a welcome addition.
  Anastasia B Super Reviewer
• Oct 14, 2010

  The premise, that of a gamine and inexperienced French girl infatuated with an American playboy, to the point of enchanting him and foiling a murder attempt, was genius. Audrey Hepburn plays a darling cellist, the daughter of a detective (Chevalier) who comes across a chance to save the dashingly handsome Frank Flannagan (Cooper) from an angered husband. With an air of mystery around her, Hepburn lies about her own sexual prowess in order to drive Flannagan into envy at the thought that the two are evenly matched. Though Wilder made the film into the cute romantic comedy it was meant to be, his own misgivings about the film were correct. Though Hepburn is perfectly cast, Cooper feels a tad out of his element, used to playing the hero in Westerns. Cooper never quite fits in when he's cast in comedies, and his stiff performance seemed the result of yet another awkward casting. The ending (for American audiences) includes an aside by Chevalier that Hepburn and Cooper are not living in sin, but married in New York. It feels patronizing to a modern audience, and if ever there is a director's cut, it should be discarded.
  Spencer S Super Reviewer

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