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Critics Consensus: Manolo will please fashion fans, though its size and scope may not be a perfect fit for all viewers.
Critic Consensus: Manolo will please fashion fans, though its size and scope may not be a perfect fit for all viewers.
All Critics (30) | Top Critics (11) | Fresh (20) | Rotten (10)
Recreations of the master's past are laughably bad: a numbing state of self-congratulatory and overly theatrical theatricality appears to have stricken all participants. So why was I never bored?
You may not be able to afford the shoes, but Michael Roberts' documentary Manolo: The Boy Who Made Shoes for Lizards may bring you almost as much delight.
Talking-head interviews interspersed with reenactments reminiscent of cheap true-crime shows are the filmic equivalent of a polo shirt and khakis: blandly acceptable but uninspired.
As an interview subject, Blahnik can be elusive, although his descriptions of his favorite creations throughout the years will no doubt be extracted as brand poetry for future advertising campaigns.
The movie is extraordinary for its access to [Manolo] Blahnik, who is arch and funny and sweet beyond words.
Frothy but entertaining.
For those who like to indulge in the escapism and fantasy of fashion, Manolo is for you.
A film for fans of the designer... [Full review in Spanish]
Eschewing the storied elegance of recent European fashion documentaries, Michael Roberts' film is as joyous and dishy as the now 75-year-old Spaniard who released his first collection in 1971.
Ultimately, Manolo: The Boy Who Made Shoes For Lizards is better at capturing the tones of the times visited rather than proving the significance of its subject.
Those who are sceptical shoes can be an art form may not quite be won over, yet to see the septuagenerian Blahnik at his drawing board is to witness inspiration at work.
For the legions of fans who will see "Manolo," the film's drawbacks may not be an issue, except that they take away from the time spent showcasing the shoes.
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