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No consensus yet.
All Critics (46) | Top Critics (19) | Fresh (44) | Rotten (2)
"She's never not performing," says one friend. And the documentary, "Marina Abramovic: The Artist Is Present," confirms it.
Briskly edited and brightly shot.
In place of evenhandedness, the film gives us a full sense of a personality and intelligence so riveting that we begin to comprehend why all those hundreds of thousands lined up at the MoMA.
Marina Abramović emerges from this arresting documentary as the Maria Callas of performance art.
Abramovic is raw and likeable, if mostly inscrutable.
The film's centerpiece is the retrospective devoted to Abramovic at the Museum of Modern Art in the spring of 2010.
A creative film with a fascinating central subject. However, for someone of such a boundary-pushing background as Abramović, the film would have better suited her with a more radical framework.
This insightful, rather than uncritical, documentary justifies its place on the big screen.
It's a shame that the people who really need to see Matthew Akers' transfixing debut documentary, Marina Abramović: The Artist is Present, won't go near it.
Like any good documentary, ""The Artist Is Present" gives insight into the life and work of a truly talented lady. Her works may not be for all tastes she but obviously has an audience if MoMA is any indication.
...for the 2 1/2 month run of the [MoMA] show, Marina would sit completely still in a chair as visitors cued up to sit across from her and look into her eyes. The effect is incredibly and unexpectedly moving.
It demonstrates how cinema can actually make the artist seem present, offering an empathetic fellow consciousness that mirrors one's soul.
A fascinating and surprisingly moving documentary that not only offers us an insight into the work of an artist of great charisma and magnetic presence but also shows a lot about the transforming power of Art and a challenging Art form that is not appreciated as it should be.
Super Reviewer
As humans, we have a tendency to laugh at things we do not understand. Top of that list is performance art. So, it is a good thing that the documentary "Marina Abramovic: The Artist Is Present" has come along to make sense of it in general. The subject is Marina Abramovic, the so-called 'grandmother of performance art' as she is receiving a career retrospective at the Museum of Modern Art where young artists after participating in a three day artists' boot camp at her home in the Hudson Valley recreate some of her pieces. As far as Ms. Abramovic goes, she sits still in a chair for hours, allowing herself to be a 'mirror' to those sitting across from her, including one possibly recognizable actor looking for tips. That same sense of reflection can be extended to Fox News commentators who seem to be in serious need of smelling salts when discussing the nudity in her work. Throughout her career, Abramovic has used her body as a canvas which might possibly shock some. Otherwise, her work reminds me a little of the work of Pina Bausch in being about the relationship between the genders which unlike the cheorographer is more about moving as little as possible. Well, except for the epic piece she did that involved the Great Wall of China. Who knows what the Chinese authorities thought of that?
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