Mary and The Witch's Flower (2018)
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AUDIENCE SCORE
Critic Consensus: Mary and the Witch's Flower honors its creator's Studio Ghibli roots with a gentle, beautifully animated story whose simplicity is rounded out by its entrancing visuals.
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Critic Reviews for Mary and The Witch's Flower
All Critics (53) | Top Critics (13) | Fresh (45) | Rotten (8)
The animators invoke worlds upon worlds in Mary and the Witch's Flower.
With Mary and the Witch's Flower, [Studio Ponoc has] come both too close and not close enough, resulting in an adventure that can never climb out of the uncanny valley it digs for itself.
It shows tremendous promise, even if the movie exists so obviously at the mercy of its influences, and Yonebayashi at his.
A gentle, sweet story, told with painterly artistry.
What Mary and the Witch's Flower lacks in dimensionality, it makes up for in wonderment.
The spell Mr. Yonebayashi casts is effective, but also ephemeral. It's minor magic.
Audience Reviews for Mary and The Witch's Flower
It looks like a Studio Ghibli film, it feels like one and it even sounds like one. Yet... Hiromasa Yonebyashi's latest effort is the first film of a subsequent studio; 'Studio Ponoc' founded from his former employers at Ghibli hence the character designs look so similar honoring their past legacies in this latest animated offering from the Japanese. Funnily enough I saw this film in it's English dub, featuring a cast of talented well known names and adopting a unique audible focus on it's English Countryside setting, which actually fits really well. However, despite the animation being as every bit flawless as you might expect from the Ghibli films of the past, I couldn't help but notice this film taking incidentally taking queues or beats other Ghibli films had done before. Nonetheless, despite this being an adaption of Mary Stewart's 'The Little Broomstick', it's visual palette makes up for more than enough of a satisfying viewing experience, even if it's story makes less of an emotional impact than one might think. While this film might be the lesser of Hiromasa Yonebyashi's films, it still show he's one of the brightest minds working in anime in this day and age. Here's to hoping Ponoc will continue the legacy Ghibli left behind even if the former studio itself won't surface.
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