Mary Poppins Returns
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All Critics (10)
| Top Critics (5)
| Fresh (10)
| Rotten (0)
Just relax, and let Yuasa take you wherever the hell he wants.
With imaginative handling, this freewheeling juggernaut of a head-trip, its assorted visual treatments rendered in relative degrees of awkwardness and artfulness, could catch on with hip auds worldwide.
A fantastically executed assemblage of animated flotsam punctuated with moments of dry humour and a heartbreaking final montage which gives the film its message - make every moment count.
A sometimes enthralling, sometimes exhausting tour de force.
A virtuoso narrative loop-the-loop that travels through a phantasmagoric catalog of animation styles.
Cult-classic anime has lots of violence, language.
But for all the insanity-smoking koi, giant talking flowers living on dinosaur poop... there's also a beautiful poetry to Mind Game.
One of the essential animated features in the last 15 years.
If the film's pop-psychedelic noodling about fate, self-determination and the power of love looks muzzy-headed on closer consideration, its dense barrage of images richly repays second and third viewings.
The best animated film of the year.
This is one of those films that's more of a visual feast than it is a film that focuses on a variety of different surreal visuals and animation styles to accompany them as opposed to telling a focused story. Essentially, the story, if you can even call it that, focuses on a graphic artist saving the woman his loves and his sister from yakuza loan sharks. That's the film explained in simple terms. But the film features the protagonist being killed by being shot through the asshole, him going to heaven and then fighting his way back to life before he was murdered in order to prevent his own death. While escaping from the yakuza during a car chase, the car he's driving with the sisters ends up driving off a bridge and straight into the mouth of a giant whale. They, of course, survive this encounter and come across an old man that has been surviving inside the whale for 30 years now. Our protagonists end up befriending the old man and they find various ways to entertain themselves while trying to come up with ways to escape the whale. Sounds pretty nuts, right? That's because it is. It pretty much runs the gamut of wildly imaginative and clever usage of visual storytelling. Let's be honest here, for this to make sense, you'd probably have to ingest a whole lot of acid. Because the film is certainly out there. I got no idea where the film was going or what the point of it was, and I'm sure that was done by design. I'm sure there's someone out there that would say that, if looked on a deeper level, it actually makes sense, but I don't think the film does a lot to invite deeper inspection. It's just weird for the sake of it, honestly. Not that there's anything wrong with, mind you, because I really enjoyed the visual insanity taking place here. There's some funny bits in the film. But, honestly, and this is just me, this is pretty much a one-note film in that it doesn't do anything but be weird and that might work for some people, but it doesn't work for me. I mean it works to a certain point. I just think the lack of a focused narrative really held it back and the ending, seemingly, went on forever and featured random flashbacks to random points of the lives of the characters in the film. It went on forever and it was shown completely out of order. Not that I have much problem with the latter, Pulp Fiction is not in chronological order and that was an amazing film. I have more of a problem with the former, these flashbacks going on way too long, to the point that they show the film's title leading twice. Obviously assuming that the film is over when they first show they title, they actually go back into another lengthy sequence with even more flashbacks. It honestly really brought the film down and it felt like an exercise in pretension. Like they did it just because they could. It makes sense with the film's surreal visual style and structure, but it was needlessly long. That's just me. And it's just a movie that takes a while before you can get into. It's not that the weirdness is too much to take, it's just that the film isn't really that interesting or entertaining until Nishi is murdered the first time before coming back and fixing his mistake. The film is bookended by segments that aren't as interesting or as intriguing as anything that's done inside of the whale. That's just me. The animation is, likely, meant to distract you from these weaker aspects of the film, but it is what it is. Don't get me wrong, the animation is excellent, even for a film that's 11 years old, it still looks vibrant today. But deep down, even though I gave the film 3 stars, this isn't actually what I would call a good movie. I found myself entertained by the film, but it lacks structure and focus, so I can't say it's a good film. I mean I'd recommend it because it is a pretty wild ride, but it's not a good film when you inspect it deep down.
Breathtaking and extraordinary. The film is all kinds of crazy, but it doesn't feel pointless; the characters are faced with some rather unrealistic situations, but they themselves always remain very human and act accordingly; there are scenes that look confusing, but they really aren't. Everything is a lot of fun and the animation is fantastic.
Fun & inventive animation, Gets a bit too random at times but overall a refreshing & impressive experience
Sometimes an artistic film can come off as empty, pretentious and utterly unnecessary. See Angel's Egg. On rare occasions, however, that movie can be bursting with depth and wonder, a testament to the brilliance of whoever came up with it. See Mind Game.
In just a few words, this movie completes in an hour and a half what most 52-episode series could only dream of doing. We are treated to four characters who all undergo their own full-blown metamorphosis, in many more ways than one. We see a complete moral turnaround in Nishi, a dull and unambitious man who becomes liberated and self-actualized. We see an older man who seems to have given up on life, but after that same revelation finds a new vigor within himself, willing to start over. We see two women who each fulfill dreams long suppressed by a boring, day-to-day life and the wishes of their father. And we are shown these transformations through the most bizarre way possible.
See, these four characters were all swallowed by a whale. Doesn't really seem like the ideal place for a human transformation, but the development that lies ahead is absolutely astonishing. From the point in which the three are eaten (they meet up with the old man later), everything about the movie completely changes. Animation style, narrative, sound...not only is the change displayed in the cast, but also holistically as well.
But it's hard for me to say much more. Mind Game is a work that absolutely must be seen to be believed or even quantified. Download it and show it to everyone you know -- unless you can't get through the occasional rare slow spot, then you won't at all regret it.
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