The Mole People (1956)
Critic Consensus: No consensus yet.
as Dr. Roger Bentley
as Adad Gizelle
as Dr. Jud Bellamin
as Elinu High Priest
as Prof. Etienne Lafarge
as Dr. Paul Stuart
as First Officer
as Arab Foreman
as Arab boy
Critic Reviews for The Mole People
Give me a Universal horror flick from the '50s any time, and include John Agar.
Not very good last gasp Universal horror film
Audience Reviews for The Mole People
Only the cinematic era of the 50's could come up with a movie like this, a movie about actual mole humanoids (or humanoid moles). As I've said before, within this decade they pretty much used every kind of insect and animal they could think of to besiege humanity. The movie starts off in a unique way by having a science and history lesson. And by that I mean an actual Californian professor (Dr. Frank Baxter) talks and explains to the viewer about various old theories of a hollow Earth and how this movie is a fictional representation of those theories. Although I enjoyed this amusing little snippet from a stereotypical looking 1950's professor in his stereotypical 1950's looking study, it all seemed rather bizarre to me. What was the need for this? Did the audience back then really need confirmation that the movie was fantasy?? Did they need to have a professor talking about ancient hollow Earth theories? [i]'Primitive man, going into caves, reaching back and back and down and down, wondered what lay beyond. Then in terror he fled out!'[/i] Is this proper English, Mr. English professor? Who wrote this?? Its terrible geez! Any way the plot is what you might expect. Some archaeologists are digging around somewhere in Asia and discover ancient relics that are apparently Sumerian. One thing leads to another and before you know it they're up a mountain discovering a temple, then the ground opens up and some bloke falls down into a deep cave. Well I guess you know what comes next, down the hole they go and piff paff poof! They end up discovering a lost Sumerian civilisation beneath the Earth. These people are of course way behind the times worshiping ancient gods. They are albino, can be killed by sunlight, oh and they also enslave a race of mole people to harvest fungi which they eat. So first off let me just point out the casting of Alan Napier here as Elinu the High Priest. Yes that Alan Napier of the campy classic 1966 [i]Batman[/i] series with Adam West. The rest of the cast are pretty much your standard affair truth be told. There is nothing special about any of them. A couple stout white blokes, a sexy blonde bit of totty for them to rescue...and of course fall in love with. All the native actors are of course white and generally terrible at acting in a charming kind of way. But then you have Alan Napier, clearly a class act, clearly on another level in terms of talent and experience. The man gives this movie credibility it does not deserve. Whilst the rest of the crew are merely meh, Napier's campness is fecking marvelous! When a native girl starts her ritual dance before, what I presume to be virgins, are sacrificed to the light; the girl flirts her way over to Napier's High Priest. She starts to seductively jiggle before him which results in the most brilliant look of disgust, disapproval and exasperation from Napier's priest. Effects wise its what you have come to expect from these movies. The first opening shot of the lost Sumerian city is a nice matte painting back-projected against some live action of the actors. Again bog standard fair but it looks relatively acceptable, some nice depth. All the caves are generally very basic looking whilst the very clean and in good condition temple areas (they are supposedly 5000 years old) are clearly sets that look more like a theatrical stage productions (although large). As with many of these black and white movies the lack of colour helps sell the effect because it hides the joins so to speak. All the natives are wearing rather hokey medieval/Arabian looking outfits that look more like Halloween costumes. But surprisingly the mole humanoids (or humanoid moles) actually look pretty good. It does appear that maybe the budget was maybe spend on getting the mole masks looking as terrifying as possible...and it was worth it! Obviously they are just men in suits with big rubber claws and rubber masks but they do work. I must also point out how effective it was seeing these mole people rise from the earth like the undead (hmmm). Its a simple effect for sure but very eerie and again it works wonders here, I'm sure the audience would have been scared shitless seeing this. But like I said, other than the mole people its all a bit average really, stereotypical ancient tribal stuff. Everyone is albino so they're simply painted white from head to toe. The characters generally don't seem fazed by anything such as finding mole people, finding a Sumerian civilisation and vice versa them finding modern humans. The heroes take it all in their stride whilst the natives just wanna sacrifice everyone to their God. Final mention to the native dancing girl for the most obviously made-up native dance ever; plus the actress looks to be Asian as in possibly Chinese or Southeast Asian, whoops! Lets also just overlook how they managed to get so much metal and precious stones down there, surely the mole people could only mine so much in that region. Oh and how they made their clothes, why they sacrifice young women and not die out, how they only live on mushrooms, and how this civilisation never ventured back to the surface in 5000 years! I suppose I should also mention that the mole people are actually not required in this movie despite being awesome. They have no real point to the plot other than to scare the audience, plus we never find out what they are or how they came to be. You could of quite easily just had a movie about the explorers in this subterranean world. So the movies title is a bit cheeky. I'm also unsure as to how exactly the Sumerians managed to keep the mole folk in slavery for so long with only whips and swords. The mole people aren't allergic to light so that gave them an advantage. But I think one of the most surprising aspects in this movie (other than the excellent looking mole monsters) is the fact they used a real ancient civilisation. I'm sure I wouldn't be alone in expecting them to just make up some ridiculous sounding ancient race like 'Zynapians' or something (I Googled that word and its definitely not an ancient race). But on the other hand that means they would have had to get the Sumerian culture visually correct, did they? I don't know not being up on my Sumerian culture, but kudos for going there I guess. I suppose we should all just be thankful they didn't resort to using ancient Greek or Roman costumes. This movie is good fun in the usual schlocky way; its certainly engaging with its natives, moles and crazy Fu Manchu priest. Just don't expect anything to be explained much, it all just happens because.
I don't remember the story of this movie, or even if there was a story, but as you can see from the title it's about people who live underground like moles. If that interests you, check it out, if not, stay away.
Ward Cleaver journeys to the center of the earth to do battle with a race of albinos living on mushrooms (I'm not kidding). This is science fiction at it's corny, campy best. I love this stuff (I'm not kidding). *Kudos to the makeup and special effects artists at Universal Studios. Not once did I notice a single zipper.
The Mole People Quotes
There are no approved quotes yet for this movie.