My Life to Live (It's My Life) (Vivre sa vie: Film en douze tableaux) 1962

My Life to Live

Critics Consensus

Anna Karina's arresting performance provides a humanizing anchor to Jean-Luc Godard's stylistically explosive portrait of a prostitute.

90%

TOMATOMETER

Total Count: 31

92%

Audience Score

User Ratings: 7,589
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My Life to Live Photos

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Movie Info

In director Jean-Luc Godard's landmark drama, Nana (Anna Karina), a young Parisian woman who works in a record shop, finds herself disillusioned by poverty and a crumbling marriage. Hoping to become an actress and break into films, Nana is once again disappointed when nothing comes of her dreams, and soon she turns to a bleak life of prostitution. When she meets a man (Peter Kassovitz) who truly cares for her, Nana's hope returns -- but Raoul (Sady Rebbot), her pimp, may have the final word.
  • Genre:
    drama
  • Original Language:
    French (Canada)
  • Director:
    Jean-Luc Godard
  • Producer:
    Pierre Braunberger
  • Release Date (Streaming):
  • Runtime:
  • Production Co:
    Les Films de la Pléiade [fr]
  • Sound Mix:
    Mono

Cast & Crew

Anna Karina
Nana Kleinfrankenheim
Sady Rebbot
Raoul
Monique Messine
Elisabeth
Guylaine Schlumberger
Yvette
Gérard Hoffman
Le chef
André S. Labarthe
Paul
Paul Pavel
Journaliste
Dimitri Dineff
The Guy
Peter Kassovitz
Le jeune homme
Eric Schlumberger
Luigi
Jean-Luc Godard
Director
Marcel Sacotte
Writer
Jean-Luc Godard
Writer
Pierre Braunberger
Producer
Michel Legrand
Original Music
Raoul Coutard
Cinematographer
Jean-Luc Godard
Film Editor
Agnès Guillemot
Film Editor
Christiane Fageol
Costume Designer
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Critic Reviews for My Life to Live (It's My Life) (Vivre sa vie: Film en douze tableaux)

All Critics (31) | Top Critics (10) | Fresh (28) | Rotten (3)

  • Quote not available.

    November 17, 2011 | Rating: 4/5

    David Fear

    Time Out
    Top Critic

  • Godard frames and edits his shots, moves the camera, uses music, and deploys his actors in ways that still seem radical -- even as several generations of directors since have cribbed and stolen from him.

    November 13, 2008 | Rating: 3.5/4 | Full Review…

    Steven Rea

    Philadelphia Inquirer
    Top Critic

  • Godard mixes titles, unusual use of sound, and long scenes of dialog. He is brilliantly served by his wife, Anna Karina, in this film. Karina gives the girl a ring of truth and depth.

    August 11, 2008 | Full Review…

    Variety Staff

    Variety
    Top Critic

  • Star Anna Karina was in the brutal early rounds of marriage to her director, who was never more doting and egghead-condescending than in this showpiece.

    May 27, 2008

    Nick Pinkerton

    Village Voice
    Top Critic

  • This 1962 film isn't the most stimulating of Godard's early work, but it does show him beginning to pull away from traditional cutting patterns and sequence arrangement.

    October 24, 2007 | Full Review…

    Dave Kehr

    Chicago Reader
    Top Critic

  • Twelve Brechtian tableaux chronicle the life and death of a whore, starting out as a documentary on prostitution, ending as a Monogram B movie.

    January 26, 2006

    Tom Milne

    Time Out
    Top Critic
View All Critic Reviews (31)

Audience Reviews for My Life to Live (It's My Life) (Vivre sa vie: Film en douze tableaux)

  • Aug 04, 2018
    There is a bleakness to this movie, which has a pretty and thoughtful young woman (Anna Karina), living in beautiful Paris, and yet descending into prostitution following a break-up. Director Jean-Luc Godard gives us twelve vignettes that are intentionally simple and unassuming to paint the picture. It's worth seeing, but at least for me, there are better French New Wave pictures, and certainly less depressing ones. Anna Karina is lovely but I don't think she delivered a lot of range in this performance. One major exception early on in her new job is when she desperately tries to avoid a customer's kiss on the mouth. The look in her eyes as she squirms around is heart-rending, and disabuses us of any ooh-la-la fantasies we may have about her in this role. Another nice scene is when she dances to a jukebox song with awkward cuteness, trying to entice the few men watching her. To his credit, Godard is unflinching in his honesty, and there is no sentimentality here. I loved the thoughtful scenes, the one where she's in the theater watching the 1928 Carl Theodor Dreyer film 'The Passion of Joan of Arc', and then later picking an older man's brain about philosophy in a café. The street scenes in Paris were nice to see, though sometimes the film comes close to descending into a home movie project. Godard was making a point about the realities of life, and employing new filmmaking techniques while telling the story. It doesn't always make for great entertainment though, such as the section that's almost a mini-documentary on prostitution in Paris at the time. The ending is also ridiculously abrupt; it is a grand statement but to me borders on pretentiousness. Is it over-compensating for not showing some of the more painful aspects of prostitution along the way? (STD's, being beaten up, being degraded, etc?). Until then, with the exception of the attempted kiss scene, the 'insight' we get is mostly just a beautiful model being bored by her tricks. From Godard, I much preferred 'Masculin Feminin' (1966), so if you're new to him, I would start there instead. You may also try the Truffaut film we see on the marquee of a theater towards the end, 'Jules and Jim' (1962), which was a nice little tip of the cap to his fellow director.
    Antonius B Super Reviewer
  • Nov 10, 2012
    And here it is: the full embodiment of the future Nouvelle Vague stereotype that "Mia Wallace" in Pulp Fiction (1994) would be. Anna Karina brilliantly plays an existentialist shadow wandering around the French rebellious life style, contemplating the reach of our will and control over our lives, which with the aid of the (impactfully shallow and incorrect[!]) take of Godard on German philosophy, helps us to understand that it is unbearably limited. The auteur's trademarks start to gain improvisatory force. 96/100
    Edgar C Super Reviewer
  • Jun 13, 2011
    Godard's most accessible and powerful works of his career. I truly love this film.
    Alex H Super Reviewer
  • Aug 17, 2010
    the list of actresses that are so polarizing on screen that you cant take your eyes off of them is short, but anna karina belongs on the short list with stars like monroe, jolie, and johannson. she is mesmerizing to watch, and in this film the camera never really leaves her. the final scene is completely nonsensical, but the rest of the film leading up to it was interesting enough and the camera angles godard chooses for many of his shots adds an entire element on interest to the film. the plot and dialogue are reductively simple, but overall the film is very watchable, especially for godard or karina fans.
    danny d Super Reviewer
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