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Movie Info
Hard-nosed private investigator Harry Moseby (Gene Hackman), to distract himself from a rapidly deteriorating marriage, takes a case from an aging B-movie queen (Janet Ward) to locate her runaway daughter, Delly (Melanie Griffith). His search takes him to the Florida Keys, where the girl has been hiding out with her stepfather, Tom (John Crawford), and Tom's lover, Paula (Jennifer Warren). Harry initiates an affair with Paula and soon learns the case is more complex than he first assessed it.
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Rating: R
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Genre: Mystery & thriller
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Original Language: English
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Director: Arthur Penn
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Producer: Robert M. Sherman
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Writer: Alan Sharp
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Release Date (Theaters): original
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Release Date (Streaming):
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Runtime:
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Production Co: Warner Bros.
Cast & Crew
Critic Reviews for Night Moves
Audience Reviews for Night Moves
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Even if the domestic problems plaguing Hackman's character seem a bit forced, all the stuff about him trying desperately to inhabit the role of a hard boiled Private Eye and failing is fascinating. Also, its got one hell of an ending.
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"Night Moves" is worth a watch simply because of its noir-like plot and impressive lead performance from Gene Hackman. Arthur Penn's direction is unbalanced in areas and his overall treatment of an otherwise decent screenplay isn't outstanding, but the film has individual moments where it shines. "Night Moves" is muddled and technically subpar, but it's one of those 70s relics that's worth at least a single viewing.
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Noir is such a provocative genre. There are so many likable characteristics about it. Each noir film has an underlying meaning, and they all deal with dark themes: greed, murder, corruption. It's impossible not to enjoy watching a mystery as it unfolds. Arthur Penn's Night Moves is good example of noir, but it isn't a fantastic film. Why? The story is intriguing enough and it certainly holds many of the traits found in film noir, but it just doesn't have the "oomph" that it needs. You understand what I mean? Night Moves is a good film, but it needs to be a great film. With a story like this, it has to be. I don't blame the cast or really even the direction. In fact, I'm not sure who to blame. Just know that the blame goes to someone, even if that someone doesn't have a face. This film is just a slight tick above average, when it should be powerful. It's a film about morals, family morals. The message is there, black and white. But Night Moves just doesn't have the... Well, I'm done trying to explain. Gene Hackman continues to impress me with these younger roles. He is a fine actor and I see that now. His work nowadays doesn't really even being to compare with his 70's and 80's filmography. Here in Night Moves, his performance is one of the most attractive things. It's one of the best things that this film has to offer. Just don't go into Night Moves with high expectations, like the critics will get you to believe with their 4/4 star ratings. This is not a fabulous picture. This is not even a great noir. It's a good noir, and watch it because of that. There's no real mystery to look for. It's just all in the message. And that's what counts.
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An interesting neo-noir thriller but that is not near the masterpiece some critics make it be. Doesn't hold a candle to Arthur Penn's real masterpiece, "Bonnie and Clyde"
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