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Cast

Gene Hackman
as Harry Moseby

Susan Clark
as Ellen Moseby

Jennifer Warren
as Paula

Edward Binns
as Joey Ziegler

Harris Yulin
as Marty Heller

Kenneth Mars
as Nick

Janet Ward
as Arlene Iverson

James Woods
as Quentin

Anthony Costello
as Mary Ellman

John Crawford
as Tom Iverson

Melanie Griffith
as Delly Grastner

Ben Archibek
as Charles

Max Gail
as Tony

Louie Elias

Victor Paul
as Cop

Louis Elias
as Cop

Carey Loftin
as Cop

John Moio
as Cop

Susan Barrister
as Airline Ticket Clerk

Shauna McCullough

Larry Mitchell
as Airline Ticket Clerk

Tim Haldeman
as Delivery Boy

Jacque Wallace
as Man

Dennis Dugan
as Young Man

C.J. Hincks
as Girl

Phil Altman
as Crewman

Bob Templeton
as Crewman

Avril Gentles
as Voice

Sandra Seacat
as Voice

René Enríquez
as Voice

Simon Deckard

Michael Ebert
as Voice

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Critic Reviews for Night Moves

Audience Reviews for Night Moves

• Jun 28, 2014

  Even if the domestic problems plaguing Hackman's character seem a bit forced, all the stuff about him trying desperately to inhabit the role of a hard boiled Private Eye and failing is fascinating. Also, its got one hell of an ending.
  

  Alec B Super Reviewer
• Nov 29, 2011

  "Night Moves" is worth a watch simply because of its noir-like plot and impressive lead performance from Gene Hackman. Arthur Penn's direction is unbalanced in areas and his overall treatment of an otherwise decent screenplay isn't outstanding, but the film has individual moments where it shines. "Night Moves" is muddled and technically subpar, but it's one of those 70s relics that's worth at least a single viewing.
  Stephen E Super Reviewer
• Nov 15, 2011

  Noir is such a provocative genre. There are so many likable characteristics about it. Each noir film has an underlying meaning, and they all deal with dark themes: greed, murder, corruption. It's impossible not to enjoy watching a mystery as it unfolds. Arthur Penn's Night Moves is good example of noir, but it isn't a fantastic film. Why? The story is intriguing enough and it certainly holds many of the traits found in film noir, but it just doesn't have the "oomph" that it needs. You understand what I mean? Night Moves is a good film, but it needs to be a great film. With a story like this, it has to be. I don't blame the cast or really even the direction. In fact, I'm not sure who to blame. Just know that the blame goes to someone, even if that someone doesn't have a face. This film is just a slight tick above average, when it should be powerful. It's a film about morals, family morals. The message is there, black and white. But Night Moves just doesn't have the... Well, I'm done trying to explain. Gene Hackman continues to impress me with these younger roles. He is a fine actor and I see that now. His work nowadays doesn't really even being to compare with his 70's and 80's filmography. Here in Night Moves, his performance is one of the most attractive things. It's one of the best things that this film has to offer. Just don't go into Night Moves with high expectations, like the critics will get you to believe with their 4/4 star ratings. This is not a fabulous picture. This is not even a great noir. It's a good noir, and watch it because of that. There's no real mystery to look for. It's just all in the message. And that's what counts.
  Stephen E Super Reviewer
• Jun 23, 2011

  An interesting neo-noir thriller but that is not near the masterpiece some critics make it be. Doesn't hold a candle to Arthur Penn's real masterpiece, "Bonnie and Clyde"
  

  Matheus C Super Reviewer

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