The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (14)
| Top Critics (4)
| Fresh (10)
| Rotten (4)
| DVD (1)
Direction by John Huston is resourceful and dynamic as he sympathetically weaves together the often-vague and philosophical threads that mark Tennessee Williams' writing.
No one but Tennessee Williams could have concocted it, but anyone other than John Huston should have directed it.
Films of Tennessee Williams' plays now often look very artificial and overwrought, but with this Huston came up with one of the best.
Mr. Huston has got some scenic beauty of the Mexican coast here and there in black-and-white. But the setting, at the last, becomes monotonous -- just like the all-talk, no-play film.
Though uneven and not as powerful as other Williams-based films, Huston's version benefits from a high-profile cast, headed by Burton, Deborah Kerr, Sue Lyon and best of all Ava Gardner as the lusty hotel owner and Grayson Hall as the repressed lesbian
Alternately fascinating and boring.
Brilliant, apart from some minor plot glitches.
Burton and Gardner star in heavily dramatic John Huston film.
Hot, Hot, Hot!
Would play well on a double-bill with Huston's The Misfits.
This adaptation of the Tennessee Williams play is heavy on melodrama and earnest performances, but weak on dialogue and lasting meaning.
Noteworthy for Burton's acerbic performance and Ava's seen-it-all portrayal of an earthy lady.
The Night of the Iguana is adapted from a play by Tennessee Williams and directed by John Huston. That said, it's almost unnecessary to explain the combination of intense, believable and uninhibited drama and towering performances from all actors. We are told the story of Reverend Shannon, a clergyman gone astray, torn to the bone between his passions and his devotion, who has gone to conduct religious-themed tours across Pacific Mexico after a "spooky" episode during a sermon in his former church. During the tour, an overexcited young girl does her best to take him over the edge and he enters a feverish, almost insane state of mind; from this point on he is left to battle the ill influences of the rest of the tourists, takes refuge at a friend's bungalow complex in Puerto Vallarta, and comes across a world-wandering sketch artist and her poet grandfather.
The character of Shannon is played brilliantly by Richard Burton: an epic performance, one that flows effortlessly and empathetically from the wildest to the most peaceful states of mind. His portrayal of a man fighting his demons, slowly losing track of the limits between the "realistic" and the "fantastic" is perfect. Ava Gardner plays his hotel-owner friend, a smaller but fascinating role, also a collision of passion and frailty. In all truth, everyone, from Sue Lyon and her annoying squeals and Deborah Kerr's quietly dignified bohemian deliver solid work.
However, in spite of all this, the most remarkable aspect of The Night of the Iguana, aside from the lush cinematography and scenery, is the way in which so much emotional turmoil happens in such short episodes. Passion and despair overflow in every scene, in every word -the dialogue is brilliant, absolutely quotable-, all while the film itself, the shots even, are very closed and restrained. It feels as if the entire film is about to implode. I still have to look more into Huston's work but The Night of the Iguana is a remarkable film and completely recommended.
Great acting, great directing and great writing. You can't ask for much more in a drama. This is a lot different than most Southern centric Tennessee Williams plays, but it's actually a warm welcome to me. It just proves that a great writer can change settings and normal trends and still be effective. Richard Burton is at the top of his game, playing a tragic drunkard on the verge of madness. I also think Sue Lyon's performance is a great spin on hers from Lolita. While John Huston may be known for his action adventure movies, this is given just as much effort and skill.
I loved this movie. It has this clammy, sweltering feel to it. Ava Gardner was beautiful in her role as the nervous and passionate Maxine. Richard Burton was just as entertaining as in Who's Afraid of Virginia Woolf.
The movie is based on a play by Tennessee Williams, and perhaps because of that, the words and dialogs are superb (for me personally anyway).
The characters of the three women are antagonistic and that's what makes it a joy to watch.
Another plus: I thought the movie would be about a man lusting for different women, but that's not at all the direction it took!
One thing that fascinates me about John Huston's body of work is the way he sympathizes with his characters, usually men drowned by sorrow and guilt whose dreams blew up on their faces and now only long for self destruction as the only way out.
Yet, this great film is somewhat less pessimistic, more restrained and a lot more hopeful than some of Huston's best exemplifications of inner turmoil.
Richard Burton shows once more the brilliant actor he was.
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