Mary Poppins Returns
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The lurid display of camp soon turns tedious.
The lurid display of camp soon turns tedious.
All Critics (79)
| Top Critics (31)
| Fresh (23)
| Rotten (56)
| DVD (2)
There isn't an ounce of genuine affection on display.
It's the drunk-guy- at-the-party syndrome: The only one truly entertained by the clown with the lamp shade on his head is the clown with the lamp shade on his head -- or folks similarly inebriated.
We begin the film not knowing what brought Michael and James together. We end, after a too-long 98 minutes, precisely the same way.
In the end, for all the vibrancy, there's not much there there. Maybe that's the point, but I doubt it.
You haven't seen this many outrageous costumes since the Halloween parade on Cedar Springs.
... shows that there's a lot more to this sordid story than first meets the jaundiced eye.
Rule No. 1: If you use black humor in a film about real-life characters and events, make sure you have a feel for it first.
Culkin se esforça, mas não convence como o bissexual Michael Alig. Em contrapartida, Seth Green rouba o filme com sua ótima performance.
So awful, it's almost good.
Never has the Manhattan club scene ever looked so tedious; this film makes a powerful argument for staying home and renting a movie.
Perhaps Party Monster's limited distribution will keep this clunker from interrupting Seth Green's rise to the top of the Hollywood food chain.
Like a car wreck, it's hard to stop watching this freakish movie. Macaulay Culkin - like you've never seen him before. Great music! Seth Green is hilarious too. Great costumes! It shows the damage which drugs can do to the lives of the party-kids who use them. It's a fun but wasted lifestyle. Stupidity has its consequences. There was much frivolous gaeity, but no acts of homosexuality are shown. Great stuff for a low-budget film! A classic on my list.
Favorite Scene: When the Rat explains to Seth Green what really happened; accompanied by pounding techno music.
The main word that truly describes this film is gross. Everything about this film is off-putting, over-the-top, and frightfully grotesque. This ranges from the digital format and lack of cinematography to the animatronic performances from the cast. The first thing that you're hit with is the bothersome way both Alig (Culkin) and St. James (Green) are represented in the film. Both of them have airy, worthless personalities, and are shown as dramatic homosexuals at every turn. Their costumes, makeup, and love for the disgusting and dramatic isn't indicative of this assessment, but the personalities of Alig and St. James are non-existent except for catty remarks. Culkin flies through the entire film without really showing who Alig was. Though he becomes drug addled, star struck, and obviously malicious in the way he grapples to the top of the food chain, there isn't any base for where his motivations come from. He hinders the plot at most times by being petty and doesn't like to be vulnerable, yet we as the audience aren't sure where that weakness stems from. St. James and Alig's relationship is mostly impeded by their own pride and haughty attitudes towards each other, and while they pretend to be calculating and mean, they come off as trashy drag queens throughout. The party atmosphere of the eighties and nineties was represented in costuming and club scenes, but because of the shoddy way they shot this film there's no real setting. You get a general understanding of how Alig operated, why he was paid such large sums of money, and why he rose to prominence, but his actual reach throughout the club scene was not shown. This film needed to be bigger in order to truly tell this story. The costumes were very ingenious and interesting, but because of the lack of cinematography they looked like homemade Halloween costumes. The end of the film really baffles, because it neither explains what really happened to Alig and St. James (who are real people) or why we should care. It's a very convoluted and annoying kind of film, and felt longer than it actually was. This film does not reflect what it was trying to say, and the people trying to say it weren't all that talented to begin with.
Based on the true life story of infamous "club kid" Micahel Alig, this film saw Macaulay Culkin return to films after a long absence, ready to put his child star image to rest.
In that regard, this is a successful film, and his performance is quite good. The other performances aren't too shabby either, and the cast has lots of recognizables in it, including a small appearance by a delightfully nutty Marilyn Manson.
As a bio pic, this is some fairly standard stuff, and not all that remarkable. The film has a nice visual style, and the costumes and makeup are pretty top notch. Had things not been quite so by the numbers, this would be a far better film. As it stands though, this is a decent, but largely unremarkable film, saved mostly by the performances, which is the primary reason you should give it a watch.
When I started to watch this movie I wasn't at all aware what it was about. I just saw that MaCaulay Culkin and Seth Green were in it and thought, "Cool! Maybe this'll be good." A lot of people say this movie was bad, that it was horribly acted, but I think they just couldn't get past Culkin's shortcomings. I don't believe he was a bad actor, I simply believe he got stuck on the idea of how he had to humanize his character, and that was his ultimate downfall (in the special features he explained this was something he wanted to bring to the character).
Seth Green, as always, is adorable and can completely immerse himself into a character and really bring him to light. Marilyn Manson played Christina wonderfully, if only for a short time. Wilmer Valderrama was terrific as Keoki and it was a disappointment to see he was only in such a little portion of the film.
All in all, this movie was great. It had a great cast and a great script. The movie was meant to poke fun, not to make you think about any hidden meanings or to wonder why they were acting so strange. Club Kids were all about glamour, mocking celebrities, and, in the end, drugs. They didn't want to grow up, and they certainly didn't want to live a normal life.
Culkin had his moments where he pulled Alig off well, and in others, you could tell he was trying to stretch the character into places he wasn't meant to go. And if he was, Culkin certainly wasn't the actor to do it.
All in all, a "fabulous" film. Highly recommended if you're interested in how some of the 80's really played out.
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