Like a Fassbinder or Douglas Sirk movie made by John Waters, it is a mess with all his trademark filth, irritating overacting and ridiculous lack of structure and focus, and I guess it would be only amusing and worth seeing in the cinema for the Odorama scratch-and-sniff gimmick.

I think that "Polyester" is John Waters' best movie. "Female Trouble" may have been funnier, but I prefer the elements in this softer creation to that earlier, meaner-spirited film. "Polyester" was the director's bridge between his last bad taste epic, "Desperate Living" (which was also great) and his first attempt at something mainstream, "Hairspray". So, what I think happened was a decrescendo of creative emotion. John Waters still has something to say about the lower middle-class here, but he used up the angry parts of his perspective when he was younger. Still, he wasn't quite ready for parody... In "Polyster", I suspect that the director wanted to utilize aspects of the culture that he had affection for. For one thing, Divine never played a more sympathetic character, and she was teamed up with Edith Massey, who was, in my opinion, the most memorable and lovable and enjoyable of all of the Waters' group. I think it's closer to call "Polyester" a tongue in cheek comedy than a satire. What's so funny about "Polyester" is how everybody acts around Francine, who is extremely kind, but ineffectual and dopey. Why is everybody so pre-occupied with tormenting her? I love how LaRue gets increasingly demented. And nobody can act humiliated and put-upon like Divine... Also, the sets are very warm and pleasant - I actually loved the Fishpaw house. Warm, funny, funny movie...