Post Tenebras Lux (2013) - Rotten Tomatoes

Post Tenebras Lux (2013)

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

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Movie Info

POST TENEBRAS LUX ("light after darkness"), ostensibly the story of an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction, is a stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world. Reygadas conjures a host of unforgettable, ominous images: a haunting sequence at dusk as Reygadas's real-life daughter wanders a muddy field and farm animals loudly circle and thunder and lightning threaten; a glowing-red demon gliding through the rooms of a home; a husband and wife visiting a swingers' bathhouse with rooms named after famous philosophers. By turns entrancing and mystifying, POST TENEBRAS LUX palpably explores the primal conflicts of the human condition. (c) Strandmore
Rating: Unrated
Genre: Drama, Art House & International, Special Interest
Directed By:
Written By: Carlos Reygadas
In Theaters:
On DVD: Aug 19, 2013
Box Office: $38.9k
Runtime:
Strand Releasing

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Critic Reviews for Post Tenebras Lux

All Critics (51) | Top Critics (18)

Reygadas' jagged, broken-logic drama lurches from fantasy to earthbound complications, though it is often hard to tell one from the other.

Full Review… | July 25, 2013
Seattle Times
Top Critic

The result calls for a viewing as different as looking at a Vermeer against Rothko or de Kooning or multiple other modern painters.

Full Review… | June 17, 2013
The New Republic
Top Critic

Along with Bela Tarr and Terrence Malick, Carlos Reygadas is one of today's few genuinely religious filmmakers.

Full Review… | June 12, 2013
Boston Globe
Top Critic

Moviegoers beholden to clean narrative may feel they need their own explanatory GPS and audio guide. But the richer reward lies in allowing oneself to be led by this gifted director's instinct for lyrical, sensory exploration.

Full Review… | June 6, 2013
Los Angeles Times
Top Critic

This one delivers a grand pictorialism and piercing existential moments that float atop the maundering narrative like noodles in soup.

Full Review… | May 24, 2013
Chicago Reader
Top Critic

It's as if Reygadas started with a sprawling cache of visual ideas and then tried to find some way to organize them all. The effect can be frustrating at times, but also surprising and beguiling.

Full Review… | May 3, 2013
NPR
Top Critic

Audience Reviews for Post Tenebras Lux

½

Wow. Another bad avant-garde film. Two thousand thirteen is so far the worst year in living memory for avant-garde film.

Bill D 2007
William Dunmyer

Super Reviewer

½

This experimental film of powerful imagery and evoking atmosphere may be intriguing at first, but soon it becomes pretty clear that Reygadas is not really interested in saying anything consistent in this aimless series of unrelated scenes that hardly come together.

blacksheepboy
Carlos Magalhăes

Super Reviewer

½

While greatly appreciating Carlos Reygadas' two previous artistic conflicts of the body and the spirit, I am admittedly less than thrilled with his latest, "Post Tenebras Lux," despite its Latin title, cameo from Satan himself, beautiful scenery and one thing I have never seen in a film before. The problem arises from attempting to do a stream of consciousness movie which only manages to confuse matters behind any comprehension.

What we do know is that Juan(Adolfo Jiminez Castro) and Natalia(Nathalia Acevedo) are a pair of wealthy landowners, who have a couple of infant children, Rut and Eleazar. In one graphic scene, Juan shows that he does not mind getting his hands dirty before attending an evangelical service in the woods with some of his workers where he confesses to his internet use which is nothing compared to the highbrow bathhouse orgy him and Natalia attend in France with rooms named for Hegel and Duchamp.

That's the reality. The dreams are a little bit more tricky, as they are referenced a couple of times, first with a dream of Rut's and then when Natalia is later pounding out a Neil Young song on the piano. Everything else is a little less clear, as it all may circle back to a key incident late in the film, including flashforwards to Rut and Eleazar being older, first at a party and then maybe Eleazar at a boarding school in England playing rugby. Confusing matters beyond all despair are the occasional photographic distortions which could mean it's all a dream or maybe not. You decide.

Harlequin68
Walter M.

Super Reviewer

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