Good Boys
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No consensus yet.
All Critics (14) | Top Critics (4) | Fresh (8) | Rotten (6)
It's an oddity in some ways, and its brief appearance in cinemas can only be the precursor to a DVD release, which is how it will mostly be seen. It's a smart, sharp piece of work, however big the screen. Jun 22, 2007 | Rating: 3/5 | Full Review…
It's an oddity in some ways, and its brief appearance in cinemas can only be the precursor to a DVD release, which is how it will mostly be seen. It's a smart, sharp piece of work, however big the screen.
Peter Bradshaw
Johnny To favours atmosphere above plotting and though it looks tremendous it won't keep you on the edge of your seat Jun 22, 2007 | Rating: 2/5 | Full Review…
Johnny To favours atmosphere above plotting and though it looks tremendous it won't keep you on the edge of your seat
The point of the exercise is really the unfolding of sundry edgy night-time encounters and action set-pieces, each constructed with To's customary patience, while his vision of Hong Kong after dark exudes an eerie calm that's cumulatively hypnotic. Jun 22, 2007 | Full Review…
The point of the exercise is really the unfolding of sundry edgy night-time encounters and action set-pieces, each constructed with To's customary patience, while his vision of Hong Kong after dark exudes an eerie calm that's cumulatively hypnotic.
Trevor Johnston
Mr. To is a master of the game, and his command supplies pleasure, even when there are no surprises. Oct 16, 2003 | Rating: 3/5
Mr. To is a master of the game, and his command supplies pleasure, even when there are no surprises.
Elvis Mitchell
An enjoyable, high-energy romp. Jun 25, 2007 | Rating: 3/5 | Full Review…
An enjoyable, high-energy romp.
Amber Wilkinson
The droll opening, set in a restaurant where the pecking order is rigorously observed, gives way to a complicated but uninvolving cat-and-mouse game between the police and rival gangs. Jun 22, 2007 | Rating: 2/5 | Full Review…
The droll opening, set in a restaurant where the pecking order is rigorously observed, gives way to a complicated but uninvolving cat-and-mouse game between the police and rival gangs.
Anthony Quinn
Characterisation, always a hit and miss affair in To's films, is deliberately rather thin. Instead, To and his cinematographer, Cheng Siu Keung, make the greasy, near-abandoned streets of the Hong Kong capital come alive Jun 22, 2007 | Full Review…
Characterisation, always a hit and miss affair in To's films, is deliberately rather thin. Instead, To and his cinematographer, Cheng Siu Keung, make the greasy, near-abandoned streets of the Hong Kong capital come alive
Sukhdev Sandhu
A conclusão interessante não compensa os 80 minutos necessários para contar um fiapo de história aborrecida. May 14, 2005 | Rating: 2/5
A conclusão interessante não compensa os 80 minutos necessários para contar um fiapo de história aborrecida.
Pablo Villaça
...all the moody cinematography in the world can't disguise the inherently dull screenplay... Jul 4, 2004 | Rating: 1.5/4 | Full Review…
...all the moody cinematography in the world can't disguise the inherently dull screenplay...
David Nusair
Fresh situations, haunting long takes, and a final showdown that is much more interesting than anything in Tarantino's Kill Bill make this film ... purely enjoyable. Oct 22, 2003 | Rating: 3.5/5 | Full Review…
Fresh situations, haunting long takes, and a final showdown that is much more interesting than anything in Tarantino's Kill Bill make this film ... purely enjoyable.
Jurgen Fauth
The characters are all defined by their place in the plot._They don't come alive organically, but seem distant and abstract. Oct 16, 2003 | Full Review…
The characters are all defined by their place in the plot._They don't come alive organically, but seem distant and abstract.
George Wu
Has a very promising start and a big, noisy shootout of a finale, but everything in between has been done before and better. Sep 20, 2003 | Rating: 5/10
Has a very promising start and a big, noisy shootout of a finale, but everything in between has been done before and better.
Jon Popick
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