Mary Poppins Returns
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All Critics (46)
| Top Critics (13)
| Fresh (44)
| Rotten (2)
A meditation on death and sex, it's a melancholy and touchingly profound folk tale, though also deeply weird in places - pagan vajazzling, anyone?
It's lovely and slow and melancholic and short - 75 minutes, yet you feel you've been gone for an epoch or two.
An astonishing, haunting, sensual, lyrical, bleak and ultimately beautiful road-trip movie.
Rife with earthy details and poetic associations, the movie often advances like a daydream.
This profound and immensely touching film in only 75 perfect minutes achieves the profundity of an epic.
The Russian drama unfolds as a series of perplexing, fascinating snapshots, yet the predominant story about saying goodbye - to people and customs - are universal.
Grief is handled here in a such a restrained and unusual way that is rarely seen in cinema.
[Silent Souls] is whimsical, melancholy and utterly beautiful.
... slow and introspective, paced in long, still shots that seem to drift in time rather than march forward.
Overwhelms us with meaningful silence.
Shot in a series of long single takes in the remote reaches of a chilly landscape the film evokes how the acceptance of loss can bring a sense of peace.
Full of striking visual images and fragmentary half-truths - a dour meditation on love and death that arrests and alienates in equal measure.
In "Silent Souls," Aist(Igor Sergeev) is the son of a famous poet. Having failed to write anything of his own, Aist works in a paper factory. While making time with a female security guard, he is called to the office of Miron(Yuriy Tsurilo), his boss. It's not about that, however. See, Miron's younger wife Tanya(Yuliya Aug) has just died and he needs help in attending to the appropriate funeral rites. Since this might take a few days, Aist, takes along the birds, buntings, that he just bought.
"Silent Souls" is a rather beguiling movie. If it is oddly so, it is perhaps the way an outsider, or the viewer, sees the customs shown which are fading away in this modern world.(The scene in the box store exemplifies this clash of worlds.) In any case, the narration is definitely necessary, as else we might come to a thoroughly different conclusion as to what is really happening.(Like for instance, that Miron murdered the unhappy Tanya which I am not entirely ruling out.) We see all of this mostly over the characters' shoulders which does make it kind of hard to focus on them at times while the movie's deliberate pace does wonders in establishing a keen sense of loneliness. Even with the funereal mood, I am wondering how seriously to take the movie at times, considering the awful poetry, not as bad as Vogon poetry, mind you, but still bad, which is pretty ridiculous.
'Silent Souls'. Long, patient takes, meticulous direction, stunning imagery, and a strange old tale of holding onto the past.
Haunting Russian drama about 2 men bound by the same woman, on a journey to give her a proper burial. Nods to Tarkovsky, lost hopes, and faded dreams converge in this eerily effective study on grief. Weak ending aside, it feels remarkably lived in - a melancholy testament to humanity's quest for immortality.
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