Supergirl

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Robson C @RT82519826 4d Kara Zor‑El vive em Argo City, uma cidade kryptoniana que sobreviveu à destruição do planeta graças ao omegahedron. Quando o artefato se perde, ela parte em sua busca, chegando à Terra. Aqui, o objeto cai nas mãos de Selena, uma bruxa que pretende usá‑lo para dominar o mundo. Kara assume a identidade de Linda Lee enquanto tenta recuperá‑lo. Se Superman 3 já havia decepcionado ao virar veículo de humor para Richard Pryor, Supergirl aprofunda esse problema: roteiro infantil, personagens rasos, efeitos fracos e desperdício de talentos como Faye Dunaway, Peter O’Toole e Mia Farrow. Helen Slater se esforça, mas não salva o filme. Dunaway exagera, e sua vilã, apesar de poderosa, perde tempo disputando um romance banal. As cenas de bullying no colégio são gratuitas e só servem para encher espaço. Superman 3, Supergirl e Superman 4 arruinaram a franquia, que só voltou aos trilhos recentemente. Resta torcer para que o novo filme da Supergirl faça justiça à personagem See more Andrew H. @Howitzer26 Feb 7 Awful. Dreadful. One of the worst comic book films ever made. See more Owen H @RT12346915 Sep 21 One of my all time favourite films! Yes it is it problems, but is fun, visually great and the music is phenomenal. Dont go into it taking it to seriously and you’ll have a blast! See more Dan S. @stumpd11 Aug 29 Such a waste of a great character! Poorly written and bad effects. Not many redeeming qualities other than it is Supergirl See more CaptainBoulder T @RT57256189 Aug 22 No words can describe how much I hate this movie, it's incredibly boring and corny. This movie doesn't even feel real See more DanTheMan 2 @DanTheMan2150AD Aug 20 More of a misguided Disney send-up than a Superman film, Supergirl suffers from an extreme case of poor internal logic and a plot that feels as if it were procedurally generated, lacking in any sense of urgency. The Girl of Steel herself spends way too much time frolicking about the countryside when it's been established very early on that her city will die in a few days. It's a truly bizarre choice for a story. The script is the film's main handicap, a lead weight that prevents it from ever taking off as it should. Instead of embracing the story's potential for tongue-in-cheek kitsch, director Jeannot Szwarc tried to turn it into a lyrical fantasy and got stuck somewhere in the middle. He's so determined to keep things wholesome that he forgets to make the film funny, exciting or innovatively spectacular. Some of the more complex action scenes are intense, but numerous scenes drag on far too long. You can feel the pacing throughout; time is slowly ticking by, and you are consciously aware of it as the film offers up too many fish-out-of-water moments of supposed comedy rather than character development or action. Helen Slater is terribly sweet as Kal-El's cousin, but constantly tilts her head and widens her eyes to convey emotion with all the range of a plank of wood; her hammy co-stars certainly don't help matters. The real saving grace is unquestionably Marc McClure's Jimmy Olsen, despite having little to do, because the film wastes its numerous other talented cast members with poor dialogue and creepy actions; he's the only one to get off relatively unscathed. Despite a decent Jerry Goldsmith score that somewhat elevates the proceedings, Supergirl is a tough watch anyway you edit it, lacking in ambition and emotional resonance that made the original Reeve film so exceptional. See more Read all reviews

Supergirl

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