Creed II
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Critics Consensus: No consensus yet.
Critic Consensus: No consensus yet.
All Critics (20) | Top Critics (5) | Fresh (15) | Rotten (5)
The first black director to break into commercial cinema, Van Peebles obviously feels deeply about black oppression. But he has chosen, paradoxically, to make the kinds of unrealistic films for which blacks have justly criticized white film-makers.
Most of the many vignettes are absorbing in themselves, notably an encounter with a white motorcycle gang.
A shrewd and powerful mix of commercial ingredients and ideological intent.
Totally uncompromising and grindingly repetitive, the film nevertheless accumulates a kind of hallucinatory groove, with unexpected shafts of bizarre humour and vigorous, experimental new wave direction.
Instead of dramatizing injustice, Van Peebles merchandizes it.
[It] brazenly kicked the door open for everything from direct imitators like Shaft, Superfly, and Dolemite to modern filmmakers like Tyler Perry and Ice Cube.
That a film released in 1971 remains accurate in its portrayal of the way the black community is persecuted by police in America in 2018 gives the film an added emotional heft.
Vinegar Syndrome's sterling Blu-ray of Sweet Sweetback's Baadasssss Song will satisfy any cinephile who's been awaiting the definitive restoration and release of this cult classic.
However you slice it, the original movie just isn't very good.
A landmark in Black filmmaking in the U.S., this angry, extravagant, loud, belligerent movie reaches a high pitch early on and stays there.
Even 30-odd years on, the picture still has more than a whiff of rebellion about it.
"Song" broke ground for minorities, not for filmmaking
Let's see: is this a good movie? Well, it's definitely an important film. As far as being "good" though, well...yeah, but it's really rough around the edges, and overall, it's a big mess. But I do applaud the effort, this film's impact, it's influence, and I do find it entertaining. When I say it's a mess though, I'm not kidding. Some of this is hard to watch, and at times, I had no idea what the hell was going on. I appreciate the techniques being used though, as they add to the tension and the experience of being chased, but I think that they could have done a better job of editing, and toned down the experimental stuff. This is a landmark film, and for a lot of reasons. It is often cited as the first Blaxploitation film, and, along with Shaft, and Super Fly, remains one of the highlights of that genre. It's also an important film for African American in general (and African American films and filmaking specifically), and is also a fine example of super low-budget independent guerrilla filmmaking. It's not without it's controversies (and for good reasons), but it's an important film that needs to be seen regardless, especially for those interested in film history and blaxploitation films. This is a wild, rough, and crazy mess, but it's also very interesting, entertaining, and just something where it's better to see it than to be talked to about.
Super Reviewer
This is a landmark film for many reasons, and although it is rough around the edges, I urge everyone to at least watch it once, and then watch the story of the making of this film, Baadasssss! (A.K.A. How to Get the Man's Foot Outta Your Ass), made by the directors son, Mario Van Peebles. It is very easy for a modern audience to perhaps overlook this film as one of the slew of 'Blaxpliotation' films produced in the 70s, however this stands out firstly as virtually the originator of that mode of films, and as a crusade for a young, talented black artist and director to make a film that is both honest and challenging about the representation of black people in cinema. If nothing else you must respect Melvin Van Peebles for the Guerrilla film making techniques that created this movie. This film is a great argument for the importance to minority groups within any society to gain access to and control of media production in order to challenge dominant ideologies and representations put forward in mainstream media. It is also virtually impossible to view Baadasssss! without a tear coming to your eyes, so difficult and harrowing was Melvin Van Peebles journey to get this film made.
Wow, I'm not sure what I was expecting, but I don't think it was this. A landmark of cinema, this film doesn't pull any punches, from the first memorable scene where young Sweetback gets his name, via a bunch of violence, sex and racism, through to the second half which mostly involves running a lot. An Earth Wind and Fire soundtrack, but you won't be hearing any of their hits. One of a kind. .
On one hand, a vibrant but muddled fugitive-on-the-run story... on the other, a remarkable cultural milestone. Independent, amazingly low-budget and experimental, Van Peebles work influenced the way in which African-Americans would break the color-barrier in film by directly spawning the Blaxploitation genre. That said, this movie is NOT Blaxploitation, instead having all the earmarks of an independent experimental film... Blaxploitation was merely Hollywood's response to this movies groundbreaking thematic content. To look at this movie without context, only looking at its technical execution, loses much of what made it powerful. While later films would also have low-budgets and deal with similar militant themes, they nowhere near reached the raw content and reality of this film: Peebles' actually contracted Gonorrhea from the sex-scenes in the film, for god sakes. There are some movies which would be impossible to ever duplicate, and Sweet Sweetback's Baadasssss Song proudly stands as one of them.
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