Taste of Cherry (Ta'm e Guilass) (1998) - Rotten Tomatoes

Taste of Cherry (Ta'm e Guilass) (1998)

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Movie Info

In this dark, intense, and emotional film, a depressed middle-aged man travels the Iranian countryside searching for someone to bury him after he commits suicide. Eventually, he encounters a Turkish taxidermist who tries to get him to see life's beauty.

Cast

Homayon Ershadi
as Mr. Baadi
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Critic Reviews for Taste of Cherry (Ta'm e Guilass)

All Critics (31) | Top Critics (9)

Has a visual style that seems rudimentary but becomes increasingly hypnotic and resonant.

July 24, 2001
Film.com
Top Critic

The film is such a lifeless drone that we experience it only as a movie.

Full Review… | January 1, 2000
Chicago Sun-Times
Top Critic

As the film's design becomes clear to us, a quiet spaciousness begins to inhabit it.

January 1, 2000
The New Republic
Top Critic

Kiarostami is in no rush, but the respect and love he shows for his characters, and the confidence and simplicity of his technique, make Taste of Cherry a satisfying experience.

Full Review… | January 1, 2000
San Francisco Chronicle
Top Critic

The talk flows persuasively; the picture pulses with art and humanity.

January 1, 2000
TIME Magazine
Top Critic

Kiarastomi, like no other filmmaker, has a vision of human scale that is simultaneously epic and precisely minuscule.

January 1, 2000
New York Times
Top Critic

Audience Reviews for Taste of Cherry (Ta'm e Guilass)

½

Abbas Kiarostami's 1997 film "Taste of Cherry" is a beautiful minimalist film composed mostly of long shots and close-ups of characters speaking to one another in a car. The story is relatively simple enough. Mr. Badii (Homayoun Ershadi) drives around Tehran looking for someone to burry him after he commits suicide. Badii is willing to pay whoever the man is. He has dug a hole in the hills somewhere and plans to lay in it and take some pills, he asks that whoever helps him to return at a certain time and call down to him, if he responds pull him up, if he doesn't cover him with dirt. Badii deliberately drives around areas of town where men are out of work and looking for odd jobs. At first it is implied that he is a homosexual looking for sexual favors, but that quickly does not seem to be the case. He finds a few men who seem they could use the money, but they refuse to help him. He finally finds a Turkish taxidermist to help. There is no mention of why Badii wants to committ suicide and there is little known about his character. Where did he come from? What does he do? Where did he get that money to offer these people? But, is all that really needed in a film this good? Does a film always need to develop characters and provide as much backstory for them as possible so the audience can identify with them? "Taste of Cherry" is an Iranian film and Iran is a country that doesn't receive a lot of attention for their cinema, but recently Asghar Farhardi won an Academy Award for Best Foreign Film for "A Separation" and even received a Best Original Screenplay Oscar nomination. It's safe to say that maybe Americans should consider more Iranian cinema.

Joseph Boomhower
Joseph Boomhower

Super Reviewer

½

*may contain small spoilers* Palm d'Ore winner, Taste of Cherry, is a profound story about a young man who wished to end his life, but needs some help in doing so. Despite not being in one stationary setting, this film takes place in mostly one location, his car. It's not immediately clear what his intents are, even though one could predict it, there's also the possibility of him being a hit man. But he's not, he's just ready to end his life premature. The film grapples with deep ethical questions, and how much man is willing to stick to his roots. Some would say they'd never partake in assisted suicide no matter the money involved, and some the opposite. Similarly when the opportunity approaches it's much different than just having it as a rhetoric. The film is head deep in symbolism, and despite not much being said, everything is clear. The ending didn't really connect with me. Like Close-up (also directed by Kiarostami) the ending is up to many interpretations, but I think one thing is clear, it shows at the end it's a film. A reenactment or just a crew member remembering his past, I'm not sure.

Daniel Dolgin
Daniel Dolgin

Super Reviewer

Another brilliant stroke from Abbas Kiarostami depicting a man seeking to end his life and taking a tour of characters in his community to ensure that he is buried. We get to see the reaction of characters to the main character's choice which leads to delightfully expected exchanges.

John Ballantine
John Ballantine

Super Reviewer

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