B-Side may not rank with Morris' best films, but it stands as an introduction to Dorfman's approach and work. Think of it as a revealing miniature about a woman who made very large photographs. Posted by Robert Dene

[Elsa] Dorfman's a fascinating character whose sunny demeanor, much like her generally cheerful photos, contains hidden depths.

Perhaps the subject isn't for every taste, but Morris appears to understand inherent exclusivity, keeping "The B-Side" biographical but also visual, allowing time for the audience to grasp the specificity and serenity of Dorfman's work.