The Devil Doll

Critics Consensus

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78%

TOMATOMETER

Total Count: 18

69%

Audience Score

User Ratings: 1,226

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Movie Info

Wrongfully convicted of a robbery and murder, Paul Lavond (Lionel Barrymore) breaks out of prison with a genius scientist who has devised a way to shrink humans. When the scientist dies during the escape, Lavond heads for his lab, using the shrinking technology to get even with those who framed him, and vindicate himself in both the public eye and the eyes of his daughter, Lorraine (Maureen O'Sullivan). When an accident leaves a crazed assistant dead, however, Lavond must again make an escape.

Cast

Lionel Barrymore
as Paul Lavond / Madame Mandilip
Maureen O'Sullivan
as Lorraine Lavond
Robert Greig
as Emil Coulvet
Lucy Beaumont
as Mme. Lavond
Grace Ford
as Lachna
Pedro de Cordoba
as Charles Matin
Arthur Hohl
as Victor Radin
Juanita Quigley
as Marguerite Coulvet
Claire Du Brey
as Mme. Coulvet
Rollo Lloyd
as Detective
E. Alyn Warren
as Commissioner
Eily Malyon
as Laundry Proprietor
Wilfred Lucas
as Wilfred Lucas
Sherry Hall
as Detective
Edward Keene
as Gendarme
Nick Thompson
as Police Sergeant
Inez Palange
as Concierge
Evelyn Selbie
as Flower Woman
Paul Foltz
as Apache Dancer
Jean Alden
as Apache Dancer
King Baggott
as Det. Pierre
Egon Brecher
as Detective
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News & Interviews for The Devil-Doll

Critic Reviews for The Devil-Doll

All Critics (18) | Top Critics (4) | Fresh (14) | Rotten (4)

Audience Reviews for The Devil-Doll

  • Jan 10, 2018
    Tod Browning's second-to-last film is campy as hell, and ya gotta love Lionel Barrymore in drag exacting revenge on enemies of his using miniaturized people he can control (but of course). The effects were great for the time period, and they're still entertaining today, including the use of giant props and inserting cut-out footage of people (and animals) into other scenes. Browning had a great eye for weirdness and the macabre, and creates real suspense with the idea that a person a few inches tall could track someone down in their apartment. Those scenes in the middle of the film are fantastic. Barrymore is strong, and Maureen O'Sullivan is just fine too; she plays the daughter who hates him for having been sent to prison and bringing shame on the family. The idea is excellent, but both the beginning and ending of the film include moments that strain credibility. I don't mind it in the science fiction that creates the technology or even the creator keeling over at just the right moment, but the melodrama at the end is all artificial and relies on a character motivation that is absurd. I have to believe that Browning was impacted by the Hays Code, which wouldn't have allowed an alternate. (I'm being vague here to avoid spoilers). I considered a slightly higher rating because of that, as it seems unfair to Browning, but have to judge it for the end product. Regardless, the film is entertaining and unique, and I would enjoy watching it again some rainy night.
    Antonius B Super Reviewer
  • Sep 03, 2010
    Weird, silly movie. I didn't care for it.
    Aj V Super Reviewer
  • Jun 15, 2008
    A revenge-minded escaped convict lucks into a process for miniaturizing people, then controlling them with his mind. With it's shrunken murdering Frenchies and Lionel Barrymore in drag (!) this should have been a campy creep classic, but it flounders on the obtrusive subplot about the convict reconciling with his daughter (Maureen O'Sullivan).
    Greg S Super Reviewer
  • Feb 24, 2008
    Great Todd Browning film, the guy truly was a master of horror and the bizarre.
    Christopher B Super Reviewer

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