The LEGO Movie 2: The Second Part
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Heavy on detail and melodrama but missing the spark from its remarkable real-life inspiration, The Fifth Estate mostly serves as a middling showcase for Benedict Cumberbatch's remarkable talent.
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As nervy and as excitable as the trade that it depicts.
The material covered in the production's 128 minutes is not only inherently non-cinematic but not remotely "thrilling," at least in the conventional sense.
The Fifth Estate is also as current as a news feed, filling in the disputed facts about Assange's life beyond the headlines and chronicling the revolution that has upended the media landscape in the last decade.
Director Bill Condon delivers an intelligent, dynamic, character-centered drama.
Condon and his screenwriter Josh Singer don't quite know what to make of this duo, perhaps because the men didn't quite know what to make of each other, either.
"The Fifth Estate" feels unfortunately small and safe.
Cumberbatch is by far The Fifth Estate's trump card, bequeathing us with a convincing impersonation of Assange. Sadly, that's all it is: an impersonation.
Given its own aggressive attention deficit disorder, The Fifth Estate is the sort of movie that might induce a migraine.
We understand and even sympathize with Daniel's crisis of conscience, but it is not enough to sustain the whole enterprise, and it would likely have been better to dramatize more of WikiLeaks' effects on the world and discuss them a bit less.
This noncommittal viewpoint of a "half WikiLeaks documentary/ half dramatic narrative" made for, ultimately, one mediocre film.
Nonetheless, this is an engaging portrayal of what will likely be a historical game changer in news and transparency.
Those in the know say Cumberbatch's performance captures the physical Assange perfectly, but the film fails to get a handle on him as a personality, or offer any kind of insight into what his true motivation might be.
Before this I really didn't know a lot about Wikileaks. I remember it being in the news, but honestly I didn't really care. This is the story(or at least Hollywood's version) of how it got started and essentially changed the way information is leaked to the masses. More than anything it's a portrait of Julian Assange(Benedict Cumberbatch) and how he is arrogant and pretty much an ass. More importantly the movie falls flat. It drags a lot and it's too jumbled up to be effective at anything it sets out to do. Cumberbatch is OK, but I've seen him in much better movies than this. Same with Daniel Bruhl, who was amazing in "Rush". It wants to be a techno thriller like "The Net", but ends up somewhere in the middle. I especially didn't care for the ending. The way it ends is just kind of like well that was stupid. SPOILER!
it's a little interview with Cumberbatch as Assange talking about a wikileaks movie(kind of), and it is just ridiculous. No one narrates the movie so it's not like a "this is my story", which honestly would have been better. But, I will say this, the movie does make me want to learn more about Wikileaks, so in that regard it is a success. I know there is a documentary out called "Wikileaks, we steal secrets", and after seeing this, I don't think I'm gonna put that off much longer. Anyway, I've seen much better and I'm not sure who this would be best suited for. You may like it, or you may hate it. Either way, let me know what you think about it. I thought(and hoped) for a better movie, but they can't all be winners now can they?
After watching "The Fifth Estate", I'm a little bit confused as to what the film is trying to accomplish. It apparently sets out to reveal secrets and expose deceptions, but there really is nothing new here. Just some tid-bits about Assange allegedly being a weirdo and behaving very self-important. But then, the debate between Daniel and the Guardian guy as well as the 'interview' Assange gives to the audience by the end of the film seem to contradict everything that the movie was going for. I suppose that the film may/will provoke debate but I think that if a film about Assange was being released I would like something with more depth to it.
There were several sub-plots that seemed unnecessary; like the girlfriend one and the one with actors Linney, Mackie, and Tucci about their supposed Lybian-informant Tarek who's life might be in peril because of the leaks. Tarek appropriate calls Linney's character after they've escaped Lybia and no answer is given as to what they should do next. Real fascinating story right there.
Despite its misgivings, I still enjoyed most of the film.
You can't expose the world's secrets without exposing yourself.
Good Film! The film was not bad. It was sort of an attempt to make a Facebook style film about Wikileaks and although it nowhere measured up to the quality of "Social Network." My conclusion is, that, this film is a good example of the new way of being critical. Pretend to be fair and at the last minute, throw up a bunch of negative facts. I believe that combining the positive portrayal of the U.S. state department with the crazy portrayal of Assange, was neither fair nor accurate. History will probably judge this film as just another propaganda piece of the corrupt powers that be. If I were to write this film, I think it would have been much more interesting to concentrate on the incidents of human rights abuses rather than on the Assange himself. It would have also had the positive effect of encouraging, rather than discouraging whistle-blowers. This film does not seem to inspire anything.
The story begins as WikiLeaks founder Julian Assange (Benedict Cumberbatch) and his colleague Daniel Domscheit-Berg (Daniel Brühl) team up to become underground watchdogs of the privileged and powerful. On a shoestring, they create a platform that allows whistle-blowers to anonymously leak covert data, shining a light on the dark recesses of government secrets and corporate crimes. Soon, they are breaking more hard news than the world's most legendary media organizations combined. But when Assange and Berg gain access to the biggest trove of confidential intelligence documents in U.S. history, they battle each other and a defining question of our time: what are the costs of keeping secrets in a free society-and what are the costs of exposing them?
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