The Garden of the Finzi-Continis (Il Giardino dei Finzi-Contini) (1971)

For its story moment before the gathering storm broke, this film is a garden wall held up, a finger in the dyke, just before the deluge and fall into darkness.

a highly effective piece of work by an always interesting and thoughtful filmmaker

The garden is IDYLLIC. Giorgio (Capolicchio) is from a middle class Jewish Italian family. He has the pleasure of spending some leisurely time inside the gates of an upper class Jewish family's property. Micol (Sanda) and Alberto (Berger) Finzi Contini, sister and brother, play tennis, ride bikes and talk about politics with their young friends. Bruno (Testi) is also there though he is not Jewish. It is the late 1930's. Giorgio observes as Italian laws in his town begin restricting the rights of Jews. His father (Valli) doesn't think that the Fascists in Italy will let the treatment of the Jews get as bad as the Nazis in Germany have. But Giorgio sees things spiraling out of control, the situation getting ready to fall like the seasonal fall leaves captured in the opening credits. Giorgio and his younger brother may not be able to finish their college education. Meanwhile Alberto gets sick with pneumonia, or is it some other mysterious disease. Micol flirts with and teases Giorgio and Bruno. Giorgio falls in love, but Micol keeps him at a distance. Perhaps it is their class difference or the fact that because the Finzi-Continis have lived such a privileged life they hardly consider themselves Jewish anymore. Maybe Micol's attraction to Bruno is an effort to blend in with the Aryan, non-Jewish, population. Sadly, very few escape history. The movie starts with lots of sunshine and the pristine white preppy clothes of the young adults as well as the spotless condition of the interior of the Finzi-Contini mansion. By the end we see many more drab grays. Yet the movie keeps reminding the audience to look up toward the tree tops and the sun in hope.