The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Zhang's moments of visual splendor-a battalion of hot-air balloonists, the queen-monster and her royal guard of fan-frilled monstrosities-are weighed down by a script and performances almost dutiful in their dullness.
Director Zhang Yimou, the darling of art-house cinemas the world over, tries his hand at a fantasy adventure epic and achieves only low camp, albeit with his customary eye for brilliant color and striking tableaux.
In these days when so-called resistance, from D.C. to the streets, uses dishonorable methods, The Great Wall offers a conscientious reminder of artistic principle, the respite of an aesthetically powerful comic book.
Zhang's enviable eye for color and composition is somewhat occluded by the gargantuan scale; still, he finds beauty in the chaos (a climactic interior action sequence is splashed with rainbow beams from stained-glass windows).
[At first,] we learn the Great Wall of China was originally erected to protect the Chinese from marauding forces embodying the depths of human greed. Shortly afterward, we realize The Great Wall was made for precisely opposite reasons.
Ultimately, a handful of eye-popping Yimou flourishes can't compensate for filmmaking so line-toeing and occasionally cartoonish that it makes the idea of a wall between Hollywood and Chinese interests actually sound kinda great.