Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (10)
| Top Critics (2)
| Fresh (8)
| Rotten (2)
Hammock may have begun his career making worlds for other directors, but given a chance to create his own here, he not only succeeds but excels.
Hammock's carefully composed widescreen shots of the parched landscape contribute to crafting the film's stripped-down, distinctly menacing visual aesthetic and emphasize the isolation of the inhabitants, forced to compete for water and survival.
At times, like its cast of characters, The Last Survivors looks a little rough around the edges, but it certainly achieves more than its glossy compatriots.
There's nothing really new on the thematic front here, but production designer-turned-director Tom Hammock does wonders with desert vistas and, along with Richardson, has created a sci-fi heroine as real as the girl next door.
It's a film that depends heavily on its central performance. Richardson shines in what was her first major film role, giving Kendal a roundedness rarely seen in either genre.
An attenuated plot (and some very questionable logic) leaves us with a long and wearying Road populated by people with luxurious hair and far-too-neatly-trimmed beards.
A smartly-crafted, lo-fi apocalypse that packs in substantial substance and care for its budget.
This is ultimately an interesting and pretty but rather vacuous failure.
A refreshingly novel take on a rather oft-told apocalypse tale.
The kind of serviceable yet lovingly crafted indie genre picture you wish was made more often.
There are no featured reviews for The Last Survivors (The Well) at this time.
There are no approved quotes yet for this movie.