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The Lower Depths Photos

Movie Info

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man (Bokuzen Hidari) and an aging actor (Kamatari Fujiwara), get drawn into a love triangle that turns violent. When amoral thief Sutekichi (Toshirô Mifune) breaks off his affair with landlady Osugi (Isuzu Yamada) to romance her younger sister, Okayo (Kyoko Kagawa), Osugi extracts her revenge by revealing her infidelity to her jealous husband (Ganjirô Nakamura).

Cast & Crew

Toshirô Mifune
Sutekichi the Thief
Isuzu Yamada
Osugi the Landlady
Akemi Negishi
Osen the Prostitute
Nijiko Kiyokawa
Otaki the Candy-Seller
Kôji Mitsui
Yoshisaburo the Gambler
Eijirô Tôno
Tomekichi the Tinker
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Critic Reviews for The Lower Depths

All Critics (6) | Top Critics (1) | Fresh (5) | Rotten (1)

  • This is the purpose of the picture, to make one suffer and sympathize with them. Kurosawa's darkly imagistic technique achieves this depressing aim.

    September 10, 2005 | Rating: 5/5 | Full Review…
  • [The Lower Depths] falls short of his other Mifune successes, ie: Rashomon, Seven Samurais. Nonetheless, it is Kurosawa through and through, and if you are one of his ardent public, you will want to include this on the list of "have seens."

    July 17, 2019 | Full Review…
  • Bleak comedy about a virtual flophouse in Edo-period Japan based on Gorky's play. Top-flight ensemble performance.

    September 2, 2010 | Full Review…
  • Quote not available.

    November 3, 2005 | Rating: 5/5
  • Quote not available.

    September 25, 2005 | Rating: 4/5
  • For the first hour and fifteen minutes of the movie, we make only limited excursions out of the tenement, and it begins to feel as though we've moved in ourselves. Kurosawa may have intended this, but it doesn't make for very satisfying viewing.

    September 10, 2005 | Rating: 2.5/5

Audience Reviews for The Lower Depths

  • Nov 29, 2016
    At one point the sage in this story, an elderly man who has happened across the denizens of a slum, tells them that they must ask themselves why a young girl has chosen to tell a particular story. And so I think we must ask ourselves why Kurosawa has chosen to tell Gorky's drab story, which is one of squalor and desolation. He says it was a comedy, but I don't believe it. The film was made twelve years after WWII, the aftermath of which had people all over the world horrified at what man was capable of doing to man. Japan has been brought to its knees, reeling after a devastating defeat, and awareness of its atrocities were in an unspoken part of the national consciousness. Existentialism was a natural reaction here and elsewhere. Why be good to others? Is there a god? Why live a conventional life? Why not enjoy getting drunk and living day to day, in the now? To be clear, the poor people living in their hovel at the base of a garbage dump are not there by choice, but these are some of the questions they ask. They all claim to have known better times, and want to get back to them, but there is a sense of doom over all of them. To see their mad, improvisational dancing and singing at the end of the film, you might think they would fit in perfectly with the Beats in America. The sage who appears has no definitive answers, and in fact alludes to his own ribald past, but acts with such gentleness and empathy towards the others that he seems enlightened. Tellingly, he slips away when the action heats up in a jealous love triangle; like Buddha (or Christ, or any other religious teacher), he's provided his teaching, and now it's up to them to apply or ignore it. Unfortunately, there is such dreariness here, and the film feels flat - all of the action takes place in a very confined space, and most of it is consumed with dialog. That could be the point, but it doesn't make for an enjoyable experience. Toshiro Mifune is over-the-top in his role of thief and lady's man, but Isuzu Yamada turns in a good performance as his spurned lover who plots revenge, openly mocking him. Overall, though, I think the story would have better in written form, and I suspect the higher review scores are due more to loyalty to Kurosawa, and his prestige. It's watchable, but don't say I didn't warn you.
    Antonius B Super Reviewer
  • Nov 28, 2011
    Confusing at the beginning, but around the hour mark everything begins to make sense. It's a shame I have not read Maxim Gorky's story that this film is based off of, but I read that it is a faithful adaptation of the original material. This film is very dialogue driven and through language and words, morals and values of society are analyzed. Also very interesting because blunt truth-telling vs sugar coated lying are also explored in this film. Very dark and pessimistic, but also some funny moments between the drunks and layabouts in the film. Overall, it was a very strange and intriguing film, much like Kurosawa's earlier Russian adaptation The Idiot. This film had a unique setting and quirky characters, however, was hard to sit through at times. Competent performances and strong dialogue kept this movie from being rated any lower.
    G S Super Reviewer
  • May 24, 2010
    This is part of the criterion collection, a early Black and White from Japan, with English subtitles, Kind of boring at first but as it plays out you can't help but to stay with it, about a houseful of beggars and lower lower class and there daily lives, Its worth 2 stars
    Bruce B Super Reviewer
  • Apr 24, 2007
    really intersting film. a movie by kurosawa about poverty and the people who live in it. there are some very profound things in this film and i think it really helps one to understand an impoverished mind set. to see people living like this is troubling, and kurosawa did a great job with the diologue as usual. very similar to reniors version of the same story made 21 years earlier.
    danny d Super Reviewer

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