Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (10)
| Fresh (10)
| Rotten (0)
| DVD (2)
Darker looks have never been cast on celluloid.
Bogart's breakout, and for good reason.
The screen version is still a play, but it's aturning point in the movie career of Humphrey Bogart, who had played the gangster's role on stage and then in a TV version with his wife (in Bette davis role)
Huch of what's on display here evokes a society on the decline.
Bogie's breakout film still impresses.
Gangster Existentialism deluxe.
Stagebound and very literary, but still good,
What if college educated types ruminated on the soullessness of society and chose to broadcast those thoughts to the world at large? Boring, right? How to "get 'er done" then? By making those ruminations palatable, even poetic, and hiding them in the story of a gangster-on-the-run! So Leslie Howard spouts poetic musings left and right, college professorial pipe thoughtfully in the side of his mouth. A young Bette Davis gazes at him soulfully, her eyes never so big (and yet there is zero heat between them). Bogie is on hand simply as the heavy, the Angel of Death, only present to promise a cessation of Howard's character's unending poetic ramble, and (by my reckoning) he takes too long. High-end drama, decently presented, if obviously.
An interesting love story wrapped up in a crime thriller story. A bit long and talky, though, but pretty good.
a very diologue driven gangster picture that delivers. the acting was very good and the story well told despite the fact that it was incredibly simple. the entire film essentially takes place on a single set and no "event" really takes place throughout the film, but the diologue was poetic. i just had a really good time watching people talk for 80 minutes, and the fate of these well planned characters really mattered to me. great movie.
a "classic" that really doesn't hold up. pretty bad, actually.
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