The Rules of the Game

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Cast & Crew

Marcel Dalio
Robert de la Cheyniest

Nora Gregor
Christine de la Cheyniest

Mila Parély
Geneviève de Marras

Roland Toutain
André Jurieux

Jean Renoir
Octave

Paulette Dubost
Lisette, sa Camériste

Gaston Modot
Schumacher, le garde-chasse

Julien Carette
Marceau, le braconnier

Odette Talazac
Mme. de la Plante

Pierre Magnier
Le Général

Pierre Nay
Monsieur de St. Aubin

Richard Francoeur
Monsieur La Bruyère

Jean Renoir
Director

Carl Koch
Writer

Jean Renoir
Writer

Claude Renoir
Producer

Roger Désormières
Original Music

Jean-Paul Alphen
Cinematographer

Jean Bachelet
Cinematographer

Jacques Lemare
Cinematographer

Alain Renoir
Cinematographer

Marthe Huguet
Film Editing

Marguerite Renoir
Film Editing

Max Douy
Production Design

Eugène Lourié
Production Design

Coco Chanel
Costume Design

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Audience Reviews for The Rules of the Game

• Sep 24, 2018

  A mostly average film, with average acting and plot (3 stars), plus half a star for its social satire (3.5 stars), minus half a star for its extended bunny/pheasant massacre (3 stars, and good lord, I don't care if this is commentary on man's cruelty, it's awful). At its best, director Jean Renoir gives us brilliant criticism of just how vapid and morally bereft the bourgeoisie of his day were, putting the mirror up so close to French society that audiences were outraged and booing in the cinema. While his characters are jovial enough in various social gatherings, they have no scruples, sincerity, or intellectual depth, and spouses cheat on one another not so much out of real passion or love for someone else, but out of ennui. "Sincere people are such bores," one says, reflecting a lack of values. They calmly slaughter bunnies that have been driven towards them, considering it a "hunt", one laughs as he relates the story of a man who died in a self-inflicted gun accident, and later there is a remarkable lack of real concern or empathy when someone else is hurt (being vague on purpose). They goof around sophomorically in front of servants, who clearly don't respect them, but the servants themselves also have their own infidelities. In 'The Rules of the Game', there are very few real rules, just the entitlement to make up the rules that comes with wealth. The characters are maddeningly unlikeable, and of course, that's the point. Renoir does some interesting work with the camera in the film, putting it in motion almost as if it's a character or we're voyeurs into these scenes as the audience, but I think more is made of this than it should be. Similarly, I don't put much in the fact that the film was made in 1939 and released less than a year before Germany invaded France; to me that seems more coincidence than Renoir's statement that it is a "war film and yet there is no reference to the war." As the action picks up in the second half, with guests scurrying around the chateau either to arrange for or break up trysts, it feels very much like a Hollywood screwball comedy from the period, with farcical elements and attempts at humor which aren't all that funny (e.g. the bear suit). There's enough here to make the film watchable, but it's hard to understand how it ended up so highly regarded.
  Super Reviewer
• May 02, 2013

  I hope I managed to see the restored director's cut but even if it was not, I still appreciated the camera work in this film. The humour only serves to punctuate the tragedy.
  

  Super Reviewer
• Oct 20, 2012

  Concealing a lot of complexity in its apparently simple plot, this fabulous tragicomedy (which almost got lost in History) is a witty and clever commentary on the rules of bourgeoisie and social relations - a classic of French Cinema to be seen and re-seen many times.
  Carlos M Super Reviewer
• Jul 14, 2012

  The Rules of the Game goes down as an instant classic, much like the effect Citizen Kane or The Godfather had on me. Although the first bit of the movie is quite confusing, once you learn the faces and names of the characters, The Rules of the Game is a masterpiece. The characters are magnificently built and overall, this is one of the most well made films I have ever seen. Favorite Scene: The hunting scene
  Anthony L Super Reviewer