Átame! (Tie Me Up! Tie Me Down!)

1990

Átame! (Tie Me Up! Tie Me Down!)

Critics Consensus

Tie Me Up! Tie Me Down! undermines its own effectiveness with an excess of camp, but writer-director Pedro Almodóvar and an attractive cast make it all worth watching.

70%

TOMATOMETER

Total Count: 27

79%

Audience Score

User Ratings: 17,039
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Movie Info

Upon his release from a psychiatric hospital, Ricky visits a film set to watch the object of his love and desire, Marina -- a drug-addicted actress -- who does not even remember him from a previous escapade. He is determined to make her love him, so he kidnaps her.

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Cast

Critic Reviews for Átame! (Tie Me Up! Tie Me Down!)

All Critics (27) | Top Critics (4) | Fresh (19) | Rotten (8)

Audience Reviews for Átame! (Tie Me Up! Tie Me Down!)

  • Mar 18, 2014
    So Almodóvar's Thesis is that if you're good in bed, the girl will fall for you even if... you know... you kidnap, enslave, rape, stalk, and beat her. Quality movie.
    Jason 123 D Super Reviewer
  • Oct 15, 2013
    By now I have started to understand the methodology of director Pedro Almodovar, though why certain things are supposed to be funny oftentimes get lost in translation. With this feature film there didn't seem to be anything funny about the situations detailed in the film and yet it's categorized as a comedy. There may have been some strange and effortlessly eccentric characters that could seem funny to a Spanish audience, but I didn't see the parallels in my own culture. As for the explicit nature of the film's content and the sexual nature that exists within the narrative, I had no problem with it. What I did find fault with was how the narrative is framed and the eventual ending. The film combines elements of horror and romantic comedy, featuring Antonio Banderas as Ricky, a maddened former mental patient. He leaves the institute and goes off to find a former porn actress now making a horror film for an acclaimed Spanish director. Ricky follows her, finds her inside her apartment, hits her unconscious, ties her up, and tells her he wants to marry her and have children with her. The film progresses as Ricky realizes she is a heroin addict, she realizes that he has had a troubled past, and they both slowly but surely fall in love. Almodovar uses the metaphor of binding together through the emotional responses of love for the ropes. The love story between Ricky and Marina (Abril) is supposed to mirror "Beauty ad the Beast" and "Frankenstein." Though not sadomasochistic with its representations of being tied up, there is obviously a lack of tenderness when it comes to Ricky's abuse. Though he "doesn't intend to hurt her" he chips her tooth, binds her, handcuffs her to him when they go in public, and threatens her sister. Even if they could fall in love, would we as the audience want them to? It's definitely in the realm of icky, and to forgive that would be misguided. Everything else about the film is entertaining, from Abril and Banderas' performances to the supporting characters to the somewhat understandable comedic aspects. It just wasn't a film with an understandable end, which threw the rest of my opinion of this into disarray.
    Spencer S Super Reviewer
  • Jan 28, 2012
    A good movie overall, but, and I don't know what, I didn't like it as much as I was expecting. The movie can be funny and it is a pretty offbeat love story, but there was something missing. The acting was strong, but I never really found myself that invested in the characters past a certain point. Of all Almodovar films I've seen, this has to be the weakest, but not bad by any means.
    Jesse O Super Reviewer
  • Jun 02, 2009
    Not Almodovar's best film - but still interesting & entertaining enough to be worth checking out. The performances by Victoria Abril and Antonio Banderas and the chemistry save an otherwise rather contrived plot that struggles between drama and comedy. Almodovar's visual narrative works well, as always, but the movie as a whole seems rather disjointed.
    Ina S Super Reviewer

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