The Two Escobars
2010, Crime/History, 1h 15m13 Reviews 500+ Ratings
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Critic Reviews for The Two Escobars
A chilling cautionary tale about what can happen when success becomes a drug ... once you're hooked, the only thing that matters is maintaining the high at any cost.December 21, 2010 | Rating: B+ | Full Review…
The documentary provides an insightful means of eulogizing its chief subjects in mythological terms with its vaguely optimistic conclusion: The game continues, and thus so does the struggle.
Escobars captures the passion and personality of a group of exceptional athletes and their ecstatic bond with fans.
Pic pulses with the same rhythmic mastery achieved in the filmmakers' earlier Favela Rising.
One of the best sports docs in recent memory.October 28, 2010 | Rating: 4/5 | Full Review…
The company behind The Two Escobars is ESPN Films, and the influence, coincidentally or not, is tangible.October 18, 2010 | Rating: 2.5/4 | Full Review…
Audience Reviews for The Two Escobars
Jan 11, 2017A sad and shocking documentary that looks back at the monstrous impact of narcotraffic on politics and sports in Colombia in the 1990s, as well as how the fate of drug lord Pablo Escobar was tragically interwoven with that of soccer star Andrés Escobar.Carlos M Super Reviewer
Jul 01, 2012<i>"Life doesn't end here".</i> The Two Escobars, by directors Jeff and Michael Zimbalist, looks back at Colombia's World Cup run and the relationship of association football and the country's criminal gangs - notably the Medellín Cartel run by Pablo Escobar. <center><font size=+2 face="Century Schoolbook"><b><u>REVIEW</u></b></font></center> The title is important to note. This is a strictly structured and carefully trimmed story, grafted out of real events. It is probably mostly true, but what we see is a heavily controlled emotional piece of filmmaking, designed to tug our heartstrings and send a message. It's a bit more "based on a true story" than a documentary. Still, it's very ambitious and covers a lot of material in an efficient way. Football wonder-child Andres Escobar is not really the main character, but rather the glue that holds the story of Colombia together. The twin narrative is fast-paced, cutting from one story to the other, with contributions by interested parties, especially on the football side. The viewer is left in no doubt as to the lawlessness of the country and the delicate position its sportsmen were placed in by having to cooperate with the drug-lord paymasters. Verite footage of the rise and fall of the national football team and Pablo Escobar are interspersed with the interviewees to tell a shocking story. I found it fascinating and found myself feeling naturally sorry for the gentleman footballer so senselessly killed but much more ambivalent, as I believe I was meant to over the Robin Hood-type figure of the altogether more complex Pablo Escobar.Lorenzo v Super Reviewer
May 18, 2012Despite being more than a little overproduced, "Two Escobars" has a very good starting point of one coincidence, that of two very disparate and not-related individuals in Colombia named Escobar, Pablo, drug kingpin and murderer, and Andres, star soccer player. That's not to mention some very good home footage that I would like to know how the filmmakers got their hands on. However, even after hearing from friends and relatives(some of whom you would not take home to meet your parents while others work on their image) of both men, we get little depth on Andres, outside of a petition for beatification. As for a connection, that comes down to soccer in Colombia in the 1980's which became a prime point for money laundering which helped the sport thrive there, climaxing with the country's sole World Cup berth in 1994 in the United States. That's not to mention the speculation that Pablo's death led indirectly to Andres' death. Those deaths and many others "Two Escobars" wants to desperately pin on the evil of drugs but it is never that simple. In fact, I think it has more to do with escalation and how violence never solves anything. To start, Pablo becomes a hero to the poor despite his unsavory profession and body count, because the Colombian government does very little to alleviate poverty in its own country while he builds housing and helps in other ways. Instead said government takes a lot of American money to get rid of Pablo which ups the body count. Along these same lines, an interesting line of thought that is never explored is Colombia's relation to the United States and how that affected the lives of both men.Walter M Super Reviewer
Jul 19, 2010One of the best documentaries I have seen. The film was very engaging, and very heartbreaking.Jason R Super Reviewer
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