Ugly, Dirty and Bad (Brutti, sporchi e cattivi) Reviews

  • Dec 05, 2014

    Very amusing in an offensive sort of way.

    Very amusing in an offensive sort of way.

  • Sep 17, 2013

    Tuesday, September 17, 2013 (1976) Ugly, Dirty and Bad (In Italian with English subtitles) DRAMA Although, the movie doesn't have a plot, it does however, introduces us to a family living together in a cardboard shack in one of the most poorest locations in Italy. It's located high on a hill near a highway which can be labelled as your average dumping ground. The head of the household is Giacinto Mazzatella (Nino Manfredi) who appears to own this little shack along with his wife and older sons and their kids scrunched sleeping together on whatever small spaces s/he could find. And each one of the members are throwing fits with one another especially the head of the household who is the father who throws the biggest fit of them all who sleeps with a loaded shotgun beside his bed getting all paranoid about his bundle of money which he hides it on different locations wherever he could find. His mother whose like the oldest member of this family does nothing but watch TV whereas each morning everybody else leaves doing what hoodlums do which is thieving and loitering. Much of the movie showcases the father with his one good eye grumbling about his no good kids and neighbors and then clash at them. As we the viewers observe the family squabbles with one another particularly against the father, it is still fascinating to see how each of them cope with another this long for although their lifestyle is routine, it's still enough to keep our interests from sticking to them until the very end. 3 out of 4 stars

    Tuesday, September 17, 2013 (1976) Ugly, Dirty and Bad (In Italian with English subtitles) DRAMA Although, the movie doesn't have a plot, it does however, introduces us to a family living together in a cardboard shack in one of the most poorest locations in Italy. It's located high on a hill near a highway which can be labelled as your average dumping ground. The head of the household is Giacinto Mazzatella (Nino Manfredi) who appears to own this little shack along with his wife and older sons and their kids scrunched sleeping together on whatever small spaces s/he could find. And each one of the members are throwing fits with one another especially the head of the household who is the father who throws the biggest fit of them all who sleeps with a loaded shotgun beside his bed getting all paranoid about his bundle of money which he hides it on different locations wherever he could find. His mother whose like the oldest member of this family does nothing but watch TV whereas each morning everybody else leaves doing what hoodlums do which is thieving and loitering. Much of the movie showcases the father with his one good eye grumbling about his no good kids and neighbors and then clash at them. As we the viewers observe the family squabbles with one another particularly against the father, it is still fascinating to see how each of them cope with another this long for although their lifestyle is routine, it's still enough to keep our interests from sticking to them until the very end. 3 out of 4 stars

  • Mar 27, 2012

    This is an interesting film, part comedy, part social depicton of a family living in a slum in roma during the 70's! It's quite dry & bleak but somehow it's catchy and entertaining! It's a film from an other era that's for sure, when families where big & life was not turning around social recognition or facebook to say the least! It was a time of toughness & economic harship for italy and maybe for Europe in General. This film has a radical view point & is in complete osmosis with it's subject! It's a gritty & dirty film, filled with incredible chracters & too many truth about what the future holds for these unfortunate kids growing in such a bad environement! Wait for the last shot, when the image freezes, you will understand all the bitterness this film holds under the appearance of a dark comedy!

    This is an interesting film, part comedy, part social depicton of a family living in a slum in roma during the 70's! It's quite dry & bleak but somehow it's catchy and entertaining! It's a film from an other era that's for sure, when families where big & life was not turning around social recognition or facebook to say the least! It was a time of toughness & economic harship for italy and maybe for Europe in General. This film has a radical view point & is in complete osmosis with it's subject! It's a gritty & dirty film, filled with incredible chracters & too many truth about what the future holds for these unfortunate kids growing in such a bad environement! Wait for the last shot, when the image freezes, you will understand all the bitterness this film holds under the appearance of a dark comedy!

  • Mar 14, 2012

    Frankly, this outcast and good taste disturbing humor made me laugh - it surely has its hilarious moments. After few long uncut camera takes I've put big hopes in the art side of the movie but the closer to end the worse it gets. Some kind of Italian version of "Pink Flamingos" or Dutch flick "Flodder" from the 80's. Nevertheless worth to see.

    Frankly, this outcast and good taste disturbing humor made me laugh - it surely has its hilarious moments. After few long uncut camera takes I've put big hopes in the art side of the movie but the closer to end the worse it gets. Some kind of Italian version of "Pink Flamingos" or Dutch flick "Flodder" from the 80's. Nevertheless worth to see.

  • Edgar C Super Reviewer
    Sep 26, 2011

    Imagine Fellini's neorealistic <i>Miracolo a Milano</i> (1951) with its humor twisted into a John Waters / Marco Ferreri celebration of political incorrectness. Almost literally, there is cannibalism within this unconventional family, and Nino Manfredi acknowledges this as the "head" of them all. Scola never attempted something similar in his career as far as I'm concerned (he'd later proceed with a non-serious, self-spoofing failed romantic movie called <i>Passion d'Amore</i> [1981] with an unintentional(?) reference to Nosferatu), yet his remarkable direction propels a unique twist in any genre this rare hybrid possesses. 97/100

    Imagine Fellini's neorealistic <i>Miracolo a Milano</i> (1951) with its humor twisted into a John Waters / Marco Ferreri celebration of political incorrectness. Almost literally, there is cannibalism within this unconventional family, and Nino Manfredi acknowledges this as the "head" of them all. Scola never attempted something similar in his career as far as I'm concerned (he'd later proceed with a non-serious, self-spoofing failed romantic movie called <i>Passion d'Amore</i> [1981] with an unintentional(?) reference to Nosferatu), yet his remarkable direction propels a unique twist in any genre this rare hybrid possesses. 97/100

  • Jan 22, 2011

    Meio cinema artístico pra mim, mas não à (C) de todo mal.

    Meio cinema artístico pra mim, mas não à (C) de todo mal.

  • Sep 11, 2010

    Oh my goodness. I really didn't see this coming. Scola created an overwhelmingly funny fresco of the Roman slums bursting with life amidst shacks over-the-top filled with children, parents, grandparents, nephews, cousins....Nino Manfredi is Giacinto, the family patriarch constantly aimed at hiding his savings from the rest of his numerous family. At moments, this seems like "Married With Children" taken to the extreme, except for the fact that Ed O'Neill is nowhere near Manfredi when it comes to the embodiment of Moliere's archetype of a cheap, strict,albeit funny father figure. In Scola's film, incest really is a kind of family entertainment, and sex is a no-frills thing, something one wants to get over with, without any dramatic introduction or romantic feelings. The film reduces sex to an urge which needs to be satisfied, but you're too busy laughing your ass of to actually concentrate on any kind of serious criticism. Giacinto's grotesquely mega-breasted lover is a far cry from the idealized vision of Sofia Loren's Ciociara, she's more akin to the Venus of Willendorf. He lets her move in with the family and share the bed with him and his wife(to his wife's strong reluctance). Actually, talking about "Ugly,Dirty And Bad" doesn't do this little masterpiece justice. Just see it.

    Oh my goodness. I really didn't see this coming. Scola created an overwhelmingly funny fresco of the Roman slums bursting with life amidst shacks over-the-top filled with children, parents, grandparents, nephews, cousins....Nino Manfredi is Giacinto, the family patriarch constantly aimed at hiding his savings from the rest of his numerous family. At moments, this seems like "Married With Children" taken to the extreme, except for the fact that Ed O'Neill is nowhere near Manfredi when it comes to the embodiment of Moliere's archetype of a cheap, strict,albeit funny father figure. In Scola's film, incest really is a kind of family entertainment, and sex is a no-frills thing, something one wants to get over with, without any dramatic introduction or romantic feelings. The film reduces sex to an urge which needs to be satisfied, but you're too busy laughing your ass of to actually concentrate on any kind of serious criticism. Giacinto's grotesquely mega-breasted lover is a far cry from the idealized vision of Sofia Loren's Ciociara, she's more akin to the Venus of Willendorf. He lets her move in with the family and share the bed with him and his wife(to his wife's strong reluctance). Actually, talking about "Ugly,Dirty And Bad" doesn't do this little masterpiece justice. Just see it.

  • Jul 08, 2010

    Affreux, sales et mechants", ca c'est du titre cash, qui a le merite de resumer a la fois le film et ses principaux personnages, une plethorique famille de prolos entasses dans un bidonville de la banlieue de Rome. Pour Ettore Scola, la pauvrete n'est pas forcement synonyme de dignite et de valeurs traditionnelles severement preservees mais cree au contraire des etres frustes, envieux et mesquins. Entre le patriarche mauvais comme une teigne qui redoute qu'on le depouille de sa fortune et sa progeniture qui reve de le voir mort et, en attendant des jours meilleurs, survit de prostitution et de vol a la tire, l'incredulite va croissant face a cette mediocrite noire et satisfaite d'elle-meme qui s'etale sans complexes au gre de dysfonctionnements familiaux de plus en plus trash et orduriers. Pour autant, le propos etait moins de se moquer avec cynisme du lumpen-proletariat italien - et pourtant, difficile de ne pas rire franchement de la cruaute abjecte de leur quotidien ! - que de fustiger indirectement un systeme qui cree et laisse fleurir une telle misere (le film devait au depart prendre la forme d'un documentaire). Deconseille aux ames genereuses et idealistes, "Affreux, sales et mechants" est une oeuvre crue, brutale et choquante, a l'humour extremement noir et corrosif, comme le cinema italien savait sadiquement les mitonner a l'epoque.

    Affreux, sales et mechants", ca c'est du titre cash, qui a le merite de resumer a la fois le film et ses principaux personnages, une plethorique famille de prolos entasses dans un bidonville de la banlieue de Rome. Pour Ettore Scola, la pauvrete n'est pas forcement synonyme de dignite et de valeurs traditionnelles severement preservees mais cree au contraire des etres frustes, envieux et mesquins. Entre le patriarche mauvais comme une teigne qui redoute qu'on le depouille de sa fortune et sa progeniture qui reve de le voir mort et, en attendant des jours meilleurs, survit de prostitution et de vol a la tire, l'incredulite va croissant face a cette mediocrite noire et satisfaite d'elle-meme qui s'etale sans complexes au gre de dysfonctionnements familiaux de plus en plus trash et orduriers. Pour autant, le propos etait moins de se moquer avec cynisme du lumpen-proletariat italien - et pourtant, difficile de ne pas rire franchement de la cruaute abjecte de leur quotidien ! - que de fustiger indirectement un systeme qui cree et laisse fleurir une telle misere (le film devait au depart prendre la forme d'un documentaire). Deconseille aux ames genereuses et idealistes, "Affreux, sales et mechants" est une oeuvre crue, brutale et choquante, a l'humour extremement noir et corrosif, comme le cinema italien savait sadiquement les mitonner a l'epoque.

  • Jun 22, 2010

    Udda, minst sagt. Jag tror aldrig att jag sett en film där titeln stämmer in på varenda karaktär som dyker upp. En del tänkvärda moments, komiska poänger och uppfriskande djurplågeri. Bra men inte mer än så.

    Udda, minst sagt. Jag tror aldrig att jag sett en film där titeln stämmer in på varenda karaktär som dyker upp. En del tänkvärda moments, komiska poänger och uppfriskande djurplågeri. Bra men inte mer än så.

  • May 05, 2010

    En una palabra: Bizarra.

    En una palabra: Bizarra.