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All Critics (16) | Top Critics (5) | Fresh (5) | Rotten (11)
Magisterially filmed, this movie demands at almost every instant to be regarded as a masterpiece, though for me it's too full of itself and its own virtue. Still, I can't deny it's an experience worth having. November 15, 2007 | Full Review…
Magisterially filmed, this movie demands at almost every instant to be regarded as a masterpiece, though for me it's too full of itself and its own virtue. Still, I can't deny it's an experience worth having.
Jonathan Rosenbaum
Constructed from long elegant takes, and moving fluidly between naturalism and tableaux-like theatricality, it's a mesmerising work of arresting beauty and impressive emotional power. February 9, 2006 | Full Review…
Constructed from long elegant takes, and moving fluidly between naturalism and tableaux-like theatricality, it's a mesmerising work of arresting beauty and impressive emotional power.
Geoff Andrew
The overall effect is genuinely entrancing, with a sense of tragic inevitability that gives meaning to the film's maddeningly attenuated rhythms. August 30, 2004 | Rating: 3.5/5
The overall effect is genuinely entrancing, with a sense of tragic inevitability that gives meaning to the film's maddeningly attenuated rhythms.
Janet Maslin
This grim travelogue through a landscape of despair lacks internal power. It feels labored and portentous. January 1, 2000 | Full Review…
This grim travelogue through a landscape of despair lacks internal power. It feels labored and portentous.
Desson Thomson
What arrogance and self-importance this film reveals. January 1, 2000 | Rating: 1/4 | Full Review…
What arrogance and self-importance this film reveals.
Roger Ebert
Many of the images have a searing melancholy beauty, but they can also seem hackneyed. Likewise, the ideas underpinning Angelopoulos's gargantuan enterprise -- of the universality of alienation and the impos-sibility of pure art -- are commonplace. December 7, 2017 | Full Review…
Many of the images have a searing melancholy beauty, but they can also seem hackneyed. Likewise, the ideas underpinning Angelopoulos's gargantuan enterprise -- of the universality of alienation and the impos-sibility of pure art -- are commonplace.
Quentin Curtis
Modernist stylization has its place in narrative film, but in this case less would have meant much more. November 15, 2007 | Rating: 2.5/4 | Full Review…
Modernist stylization has its place in narrative film, but in this case less would have meant much more.
Quote not available. October 21, 2005 | Rating: 2/5
Quote not available.
Thomas Delapa
Quote not available. July 18, 2005 | Rating: C+
Emanuel Levy
If you looked up in a reference book why most people hate foreign films you would probably see pictures of Ulysses’ Gaze staring back at you. June 10, 2005 | Rating: 3/5
If you looked up in a reference book why most people hate foreign films you would probably see pictures of Ulysses’ Gaze staring back at you.
Douglas Pratt
This ambitious film fails to compel. Too many closeups of disposed Lenin statues. September 30, 2003 | Rating: 2/5
This ambitious film fails to compel. Too many closeups of disposed Lenin statues.
Moira Sullivan
Angelopoulos' film is lyrically evocative but painfully self-important. May 2, 2001 | Rating: 2/4 | Full Review…
Angelopoulos' film is lyrically evocative but painfully self-important.
Ed Gonzalez
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