Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (23)
| Top Critics (9)
| Fresh (20)
| Rotten (3)
| DVD (3)
In her feature debut, Adler shapes her film gracefully and elicits a scorching no-holds-barred, totally selfless portrayal from Morton.
While Ms. Morton embodies the role with furious intensity and with a raw yet waifish presence that brings both Emily Watson and Claire Danes to mind, Ms. Adler directs the film in ways that live up to its title.
It is buoyed by an unflinching performance from newcomer Samantha Morton, a young British actress who is willing to expose not only her body but her inner being as well.
Although Iris has no idea who she is, Morton is utterly certain, and inhabits her temporarily defeated soul with an ease that knocks you out.
Morton's Iris keeps going in circles... It's a spooky, movie-dominating performance.
Made with a novelist's eye for detail and a quietly impassioned visual flair.
... a raw and occasionally depressing first film with moments of chilling recognition and a remarkable young star.
Reminds us what it's like to see an actress go to work when she has a juicy role to play.
After a promising beginning ... the crux of the story ... is taken for granted and any established empathy for Iris' sad plight dwindles fast.
Adler's portrait of emotional disintegration is in many ways as harrowing as Roman Polanski's Repulsion, thanks in large part to Morton's terrifying performance.
Adler's screenplay is excellent; it isn't often that a film takes an insightful look at how people can become unraveled.
It isn't often that a film offers a heroine who is this aggressive, angry and self-punishing, and the filmmaker and her star work in perfect harmony to get at all the complexity behind it.
This film was shown last night on UK TV. Unfortunately I missed the first 20 minutes or so but the rest was so good I feel it is still worth commenting on. The film centres around the different reactions of two sisters to their mother's death - don't however get the impression that this is a film to be endured rather than enjoyed. Although the subject matter is serious and the film very emotionally moving, there are flashes of humour throughout and it is not boringly earnest for one moment. I read somewhere that the director is an admirer of Mike Leigh's "Naked". While it is no poor relation, if you appreciate the work of Mike Leigh you would probably also enjoy "Under the Skin".
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