Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (27) | Top Critics (10) | Fresh (20) | Rotten (7)
Quote not available. September 14, 2010 | Rating: 3/4
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Liam Lacey
This is mostly an unusual and imaginative, if overlong, love story. January 5, 2010 | Rating: 3/5 | Full Review…
This is mostly an unusual and imaginative, if overlong, love story.
Dave Calhoun
Anger, rebellion, romance and despair are the keynotes of this freewheeling if self-conscious picture. January 5, 2010 | Rating: 3/5 | Full Review…
Anger, rebellion, romance and despair are the keynotes of this freewheeling if self-conscious picture.
Peter Bradshaw
It's a tad too long, but beguiling nonetheless. January 5, 2010 | Rating: 4/5 | Full Review…
It's a tad too long, but beguiling nonetheless.
Wendy Ide
Naranjo tells his story like a real film-maker, refusing either sentiment or melodrama. But Godard looms large over the whole, as if Naranjo has digested so many classics that he isn't quite able to do his own thing without copious references. January 5, 2010 | Rating: 3/5 | Full Review…
Naranjo tells his story like a real film-maker, refusing either sentiment or melodrama. But Godard looms large over the whole, as if Naranjo has digested so many classics that he isn't quite able to do his own thing without copious references.
Shot in the jerky, jolting fashion that is the default setting of so much television and cinema aimed at younger viewers, it's actually too familiar. January 1, 2010 | Rating: 2/5 | Full Review…
Shot in the jerky, jolting fashion that is the default setting of so much television and cinema aimed at younger viewers, it's actually too familiar.
Sukhdev Sandhu
Spent a little too much time focusing on the ennui, and the writing played into predictability just a bit too easily. March 12, 2019 | Full Review…
Spent a little too much time focusing on the ennui, and the writing played into predictability just a bit too easily.
Amie Simon
The jazzy jump cuts and dissolves and cutesy imagery of the opening give way to long talks in a pup tent about what really bothers kids today. January 7, 2010 | Rating: 2.5/4 | Full Review…
The jazzy jump cuts and dissolves and cutesy imagery of the opening give way to long talks in a pup tent about what really bothers kids today.
Peter Keough
Engrossing in parts, Naranjo does a decent job of transposing his source material. January 5, 2010 | Rating: 3/5 | Full Review…
Engrossing in parts, Naranjo does a decent job of transposing his source material.
David Parkinson
Naranjo strikes a nice balance between recognising the couple's naivety and honouring their romanticism, but when, in the film's later stages, they leave the rooftop behind, the plot meanders. January 5, 2010 | Rating: 3/5 | Full Review…
Naranjo strikes a nice balance between recognising the couple's naivety and honouring their romanticism, but when, in the film's later stages, they leave the rooftop behind, the plot meanders.
Edward Porter
This confused film has its moments, but they are fewer than its longueurs. January 5, 2010 | Full Review…
This confused film has its moments, but they are fewer than its longueurs.
Philip French
If ultimately little more than an extended riff on Jean-Luc Godard's Pierrot Le Fou, the startling vistas, sexual awakenings and a storming soundtrack ensure it's never dull. January 5, 2010 | Rating: 3/5 | Full Review…
If ultimately little more than an extended riff on Jean-Luc Godard's Pierrot Le Fou, the startling vistas, sexual awakenings and a storming soundtrack ensure it's never dull.
Josh Winning
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