Groucho Reviews

Groucho Reviews is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Peter Canavese
Rating Title/Year Author
3.5/4 Toy Story 4 (2019) Peter Canavese At a moment when studios and pundits have begun again to question the efficacy of sequels, Pixar's graceful follow-up justifies the practice, when executed with smarts and heart. EDIT
Posted Jun 19, 2019
2/4 () Peter Canavese Outside of the win for representation represented by the likeable Tessa Thompson's leading role, there's no creatively compelling reason to tell this story, which-not for nothing-drags on seventeen minutes longer than the 1997 original. EDIT
Posted Jun 12, 2019
3/4 Crystal City (2019) Peter Canavese Potent... Crawford's empathy and care for his subjects shine through, inevitably taking the audience on an emotional journey. EDIT
Posted Jun 10, 2019
2.5/4 Godzilla: King of the Monsters (2019) Peter Canavese The CGI creatures impress--a star is reborn in Mothra...It's just unfortunate that the picture as a whole lumbers a lot like its forty-story star. EDIT
Posted Jun 4, 2019
3/4 Double Lives (2018) Peter Canavese Slyly we think and how we consume media, how we tell stories to each other and ourselves, and what we need out of our personal connections. EDIT
Posted May 31, 2019
2/4 Aladdin (2019) Peter Canavese The results aren't exactly magical...Heck, I'd even take a low-rent theme-park version if it spared me this film's descent into the uncanny valley. EDIT
Posted May 22, 2019
3/4 All Is True (2018) Peter Canavese An elegiac valediction for Shakespeare's genius...a celebration of the centuries of scholarship that got us here...[and] an ode to parental love, complicated as it is by ego. EDIT
Posted May 16, 2019
2/4 Pokémon Detective Pikachu (2019) Peter Canavese With Reynolds cracking wise and a number of frantic action sequences, this looks like an effective enough franchise launcher. all feels a little too much like work. EDIT
Posted May 8, 2019
2.5/4 Long Shot (2019) Peter Canavese Diverting enough for date night...good enough for government work. EDIT
Posted May 1, 2019
3.5/4 Avengers: Endgame (2019) Peter Canavese Marvel tourists may surprise themselves how much they care...while fanatics will have a geekgasm of heretofore undiscovered proportions at what amounts to the biggest series finale ever. To put it more politely, they'll love it "times 3000." EDIT
Posted Apr 24, 2019
2.5/4 Teen Spirit (2018) Peter Canavese Serves mostly as a vehicle for star Elle Fanning, who provides her own vocals in the film's multiple vocal-performance sequences and, more importantly, provides the film its soul of quietly defiant determination. EDIT
Posted Apr 17, 2019
3.5/4 Peterloo (2018) Peter Canavese [Leigh] bustles his audience into a time machine and transplants them to a time and place--1819 England--for full immersion into the physical and social landscape where a politically charged tragedy played out. EDIT
Posted Apr 10, 2019
3/4 Shazam! (2019) Peter Canavese DC's answer to Marvel's Ant-Man: a family-friendly, comical comic-book adventure that never crosses the line into camp. EDIT
Posted Apr 3, 2019
2.5/4 Dumbo (2019) Peter Canavese Dumbo has morphed into an fable of modernized entertainment business models and the handling and packaging of IP...strange thematic material for a PG Disney movie aimed at families...and it gets stranger. EDIT
Posted Mar 27, 2019
3.5/4 Us (2019) Peter Canavese Peele's messy stew of allusive ingredients and jokey allusions...can taste overwhelming, but it gives us a helluva lot more to chew on than a Halloween reboot. EDIT
Posted Mar 20, 2019
1.5/4 The Wedding Guest (2018) Peter Canavese I'll be damned if I can detect a pulse...Proves deliberately withholding, as if to punish us, along with its unlikeable characters, for expecting too much. EDIT
Posted Mar 13, 2019
3/4 Captain Marvel (2019) Peter Canavese To watch another obscure hero beget a franchise-building smash-hit movie means marveling at Marvel once again. EDIT
Posted Mar 6, 2019
3/4 How to Train Your Dragon: The Hidden World (2019) Peter Canavese The little franchise that could is all grown up and ready to leave the nest, so wipe that tear away, and say your goodbyes, kids...For now... EDIT
Posted Feb 27, 2019
2.5/4 Alita: Battle Angel (2019) Peter Canavese Silly, but..big dumb fun. EDIT
Posted Feb 27, 2019
2.5/4 Arctic (2018) Peter Canavese While Penna shoots and edits the material well enough, its familiar paces probably wouldn't be tolerable were it not for Mikkelsen, whose grim visage crucially gives the film a racing mind and a beating heart. EDIT
Posted Feb 13, 2019
3/4 The LEGO Movie 2: The Second Part (2019) Peter Canavese While adults will probably find somewhat diminishing returns in The Second Part, its cheeky variations on all the constructions that worked so well the first time also work pretty darn well, and to a good end. EDIT
Posted Feb 6, 2019
3/4 Stan & Ollie (2018) Peter Canavese Labors a bit to create drama from what's essentially a gentle, wistful story of two artists together eking out a last hurrah, but there's a refreshing warmth to a family-friendly show business tale, one not about backbiting but about love... EDIT
Posted Jan 30, 2019
3.5/4 Cold War (2018) Peter Canavese A sweet romance this isn't, but Pawlikowski (Ida) balances the flatfooted realities of maddeningly thwarted love with swoony moments: smoky jazz clubs and songbird reveries. EDIT
Posted Jan 23, 2019
4/4 At Eternity's Gate (2018) Peter Canavese Memorable moments come from its series of penetrating philosophical conversations... Dafoe expertly plays the keenness of Van Gogh's intellect and creativity against his searing drive, his raw emotions, and the haunting that was his depression. EDIT
Posted Jan 16, 2019
4/4 If Beale Street Could Talk (2018) Peter Canavese In Jenkins' sure hands, Baldwin's novel becomes an exquisite, impeccable, indelible piece of cinema of the ages. EDIT
Posted Jan 9, 2019
3.5/4 Vice (2018) Peter Canavese As strikingly original in form as Oliver Stone's JFK...infotaining Hollywood history that's equal parts funny and horrifying in its high-stakes political gamesmanship... EDIT
Posted Dec 21, 2018
2.5/4 Ben Is Back (2018) Peter Canavese Roberts' role as an intense mama bear cleverly corrupts her famous smile to an "everything's okay" mask. Ultimately, Ben is Back is about the lies addicts tell their loved ones, and those their loved ones tell themselves. EDIT
Posted Dec 12, 2018
2.5/4 Green Book (2018) Peter Canavese Though breezily entertaining, this cinematic vehicle also lurches into and out of the usual racial potholes, making its song of the South--and North--catch in the throat. EDIT
Posted Dec 9, 2018
3.5/4 Can You Ever Forgive Me? (2018) Peter Canavese McCarthy clearly feels a connection to Israel's outsider artistry, her utter commitment to become someone else for a few stolen moments, and her pride in a job well done... EDIT
Posted Dec 9, 2018
3/4 Ralph Breaks the Internet (2018) Peter Canavese Productively acknowledge real-life dangers, with stellar animation and designs shoring up the storytelling of Johnston and Pamela Ribon's witty script...a useful all-ages fable for our time. EDIT
Posted Nov 20, 2018
1/4 Instant Family (2018) Peter Canavese Humor is subjective, of course, but the film offers this litmus test: do you laugh when a sane adult finally slaps Ellie ('You listen to me, you crazy woman!') and when another slaps cuffs on Pete? Or do you cheer? EDIT
Posted Nov 14, 2018
2.5/4 Boy Erased (2018) Peter Canavese On the side of truth, social justice, and human dignity...despite all that, Boy Erased never quite coalesces into the deeply moving and insightful film its pedigree seems to promise. EDIT
Posted Nov 7, 2018
3/4 Wildlife (2018) Peter Canavese First-time director Dano, who co-scripted with partner Zoe Kazan, has a knack for capturing quotidian daily struggles as well as moments of discovery that hearten or, more often, horrify. EDIT
Posted Oct 31, 2018
3/4 Beautiful Boy (2018) Peter Canavese Makes a good case for itself as the addiction movie America needs right now...[offers] a primal 'you are not alone' catharsis for sufferers under the powerful grip of addiction or with a front-row seat to it. EDIT
Posted Oct 24, 2018
3.5/4 Fail State (2018) Peter Canavese Takes a cogent look at the issues, making comprehensible the complex history of American higher education, the government's shifting role in supporting it, and the increasingly corporate exploitation of the American-Dreaming underclass. EDIT
Posted Oct 19, 2018
3/4 Halloween (2018) Peter Canavese Because Green loves the material enough to have some good, old-fashioned fun in this playground, he's able to bring the audience along with him. EDIT
Posted Oct 17, 2018
3.5/4 First Man (2018) Peter Canavese By focusing on Armstrong's human perspective, First Man gives us a new window into the costs and benefits of taking 'one small step for a man, one giant leap for mankind.' EDIT
Posted Oct 9, 2018
2.5/4 A Star Is Born (2018) Peter Canavese Unabashed melodrama...the film's strongest moments are acoustic, not plugged-in...intimate, truth-telling exchanges between lovers who want the best for each other. EDIT
Posted Oct 4, 2018
3/4 Fahrenheit 11/9 (2018) Peter Canavese [A] dire accounting of the corruption of the Republican Party, the sell-out centrism of the Democratic Party, and the victimization of working-class Americans...[and] an urgent call to action. EDIT
Posted Sep 25, 2018
2/4 Smallfoot (2018) Peter Canavese Bland... something of a thinker, even a subversive one, but it's dubious that kids will pick up on the provocation between the pratfalls and the pop songs. EDIT
Posted Sep 25, 2018
3.5/4 Pick of the Litter (2018) Peter Canavese Informs and entertains in equal measure...not only proves thoroughly family friendly, but it's that rare moviegoing option likely to please everyone in any group. EDIT
Posted Sep 11, 2018
3/4 Operation Finale (2018) Peter Canavese A functional spy thriller and, more importantly, an intriguing character study of two men shaped by hatred. EDIT
Posted Sep 11, 2018
2.5/4 Searching (2018) Peter Canavese Twisty thrills also result in a climactic pileup, a resolution that strains credibility...with a dynamic leading performance by Cho, Chaganty manages an engaging popcorn suspense picture that also speaks to technology enabling and frustrating... EDIT
Posted Aug 29, 2018
3/4 The Wife (2017) Peter Canavese The ultimate secret of the Castlemans' marriage isn't entirely convincing in Joan's every rationale, but Close's sheer force of acting makes it possible to believe in the character, at minimum in the emotional broad strokes. EDIT
Posted Aug 29, 2018
2.5/4 Crazy Rich Asians (2018) Peter Canavese By the film's climax, a $40 million wedding, conspicuous consumerism has been glamorized beyond the point of no return, and the difference between romance and showmanship becomes, at least momentarily, irrelevant. EDIT
Posted Aug 15, 2018
3.5/4 BlacKkKlansman (2018) Peter Canavese Can be overtly funny in its absurdity. For the most part, however, BlacKkKlansman isn't a comedy at all, but an earnest, vintage Spike Lee joint recounting history and projecting it onto our present. EDIT
Posted Aug 8, 2018
3.5/4 Eighth Grade (2018) Peter Canavese With Fisher's endearingly open face projecting every insecurity along the way, Kayla's journey of baby-steps self-empowerment resonates. EDIT
Posted Jul 27, 2018
3.5/4 Mission: Impossible -- Fallout (2018) Peter Canavese Fallout proves deliberately dizzying, not just with its oft-vertiginous action, but in its outrageous plotting, its deliriously absurd entanglements of double agents, double crosses, and just plain doubles... EDIT
Posted Jul 24, 2018
2/4 The Equalizer 2 (2018) Peter Canavese Suggests intriguing questions about the moral and ethical imperatives of justice...answers these questions with an Old Testament zeal: evil must be smitten by self-appointed good men. EDIT
Posted Jul 19, 2018
2/4 Hotel Transylvania 3: Summer Vacation (2018) Peter Canavese This is the kind of lackluster animated movie at which you'll lose count of how many times the characters randomly break into dance--and that's in addition to the...not one but two dance parties incorporated into the plot. EDIT
Posted Jul 11, 2018