Feb 10, 2023
Damon Lindelof continues to flex his creative muscles in the series' second season that is anything but predictable. A change of scenery leads to a big shift in perspective as the gang heads to Jarden, Texas where no one vanished on the 14th, not a single soul of the 9,261 residents who live there. Called Miracle after the national park that surrounds the fictional Texas town, Kevin and company see quickly that things work differently here. Upon pulling into the visitor's entrance of Miracle the first thing one notices is the shanty town constructed in front of the gates that lead to the bridge that then leads into town. These people look like they're tailgating a jam band; unkempt masses just waiting for their turn to enter the miraculous town. So badly do people want to access Miracle that wrist bands are doled out to those who have accommodations already in town and access is strictly guarded. Busses full of people are constantly unloading inside of town keeping the tourism business afloat. Jarden, or Miracle, is simply different. Kevin, Nora and family (now including Lilly, the love child of one "Holy Wayne") eventually secure a house in Miracle. Nora's yearning to live in a place untouched by the 14th is on full display as she wantonly bids money to secure a property at auction that neither she nor Kevin had ever even seen. Nora's need for a fresh start pushes the early chapters of season 2, but of course it wouldn't be The Leftovers if everything worked out as planned. The new neighbors, to whom the season's first episode is dedicated entirely to introducing, seem functional enough. But John, the patriarch, is a firefighter with a mean streak and a conviction that no miracles happened in Miracle. Unlike his father Michael doesn't seem to have a mean bone, instead he is a kind and deeply religious young man. Erika, the mother, is a nurse who suffers from deafness but uses hearing aids, a plot point on more than one occasion. Evie, Michael's twin sister, suffers from a form of epilepsy wherein she spaces out and goes blank for a minute or two. The Murphys seem normal enough, but as the season develops Lindelof explores the other side of October 14th through the lens of the Murphys and shows us that 2% of the world's population disappearing moves the goal line for normalcy regardless how many of our loved ones were affected. A tragedy befalls Miracle by the end of episode two causing the town, and its residents, to question the theory that their town was spared. What results is the show's typical ability to increase its own sense of mystery while still, at a gradual pace, trying to explain the mysteries its already laid out. Season two brings the fascinating theory that the disappearances were a matter of location, or the Lens Theory in which the disappearances were related to a singular person's ability to magnify the effects of the 14th. Was Nora inadvertently responsible for her family's disappearance by being a lens, or did she miss her opportunity to be with them by being across the kitchen from them the moment it happened? The search for answers is addictive and compelling but ultimately, does it matter? Season two is a triumph in its ability to break its own mold and upend characters in a way that was believable and, in the end, necessary. It continues to ask difficult questions and play with challenging motifs using cinematography that is unmatched at its pinnacle. Damon Lindelof persists in offering entertainment that is thought-provoking and demands both patience and attention. And after season two of The Leftovers, I'm prepared to follow Mr. Lindelof wherever he may go.
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