
Chris Menges
Highest Rated: 100% Local Hero (1983)
Lowest Rated: 37% London Boulevard (2010)
Birthday: Sep 15, 1940
Birthplace: Kington, Herefordshire, England, UK
As an Academy Award-winning cinematographer who made the successful segue to directing features, Chris Menges has carved out a successful, but understated career. Menges got his start as an assistant editor and camera operator and even worked as a sound recordist several times, before working his way up to director of photography. Menges had his first real break as a documentary cameraperson and editor in the 1960s and 1970s, traveling wherever there was war and insurrection - Burma, Angola, Vietnam and Tibet - while working with filmmaker Adrian Cowell. Once he made the permanent jump to feature films in the 1980s, Menges developed a style as a cinematographer that never overwhelmed audiences with gaudy colors or outlandish camera moves In fact, Menges understood the oft-accepted theory that color could be less realistic than black and white, because it focused the audience away from emotion to an object. Menges' work was defined by a low-key naturalism, plain composition, and a mix of lenses to tug at the audience at the appropriate moments, which helped him craft memorable images in several award-winning films, including "The Killing Fields" (1984), "Michael Collins" (1996) and "The Reader" (2008).
Photos
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
54% | 61% | Waiting for the Barbarians | Cinematographer | - | 2019 |
48% | 38% | Redemption | Cinematographer | $35.0K | 2013 |
45% | 61% | Extremely Loud & Incredibly Close | Cinematographer | $31.8M | 2011 |
73% | 52% | Route Irish | Cinematographer | - | 2010 |
37% | 30% | London Boulevard | Cinematographer | $10.5K | 2010 |
65% | 59% | The Yellow Handkerchief | Cinematographer | $317.0K | 2008 |
63% | 79% | The Reader | Cinematographer | $34.2M | 2008 |
65% | 26% | Stop-Loss | Cinematographer | $10.9M | 2008 |
88% | 83% | Notes on a Scandal | Cinematographer | $17.5M | 2006 |
85% | 81% | The Three Burials of Melquiades Estrada | Cinematographer | $5.0M | 2005 |
69% | 76% | North Country | Cinematographer | $18.3M | 2005 |
69% | 57% | Criminal | Cinematographer | $923.4K | 2004 |
No Score Yet | 75% | Concert for George | Cinematographer | $131.0K | 2003 |
77% | 62% | The Good Thief | Cinematographer | $3.5M | 2002 |
94% | 82% | Dirty Pretty Things | Cinematographer | $8.1M | 2002 |
78% | 59% | The Pledge | Cinematographer | $19.7M | 2001 |
No Score Yet | 40% | The Lost Son | Director | - | 1999 |
80% | 74% | The Boxer | Cinematographer | $5.8M | 1997 |
78% | 84% | Michael Collins | Cinematographer | $11.1M | 1996 |
100% | 79% | Second Best | Director | $68.5K | 1994 |
No Score Yet | 24% | CrissCross | Director | $2.7M | 1992 |
91% | 82% | A World Apart | Director | $557.2K | 1988 |
64% | 77% | Shy People | Cinematographer | $7.4K | 1987 |
66% | 87% | The Mission | Cinematographer | $17.2M | 1986 |
No Score Yet | 33% | Marie: A True Story | Cinematographer | $1.9M | 1985 |
100% | 87% | Local Hero | Cinematographer | - | 1983 |
No Score Yet | 33% | Warlords of the 21st Century | Cinematographer | - | 1982 |
No Score Yet | No Score Yet | A Question of Leadership | Cinematographer | - | 1981 |
No Score Yet | 84% | Made in Britain | Cinematographer | - | 1980 |
No Score Yet | 67% | One Joke Too Many | Cinematographer | - | 1979 |
No Score Yet | 75% | A Sense of Freedom | Cinematographer | - | 1979 |
100% | 54% | Gumshoe | Cinematographer | - | 1972 |
No Score Yet | 53% | Black Beauty | Cinematographer | - | 1971 |
No Score Yet | 88% | Loving Memory | Cinematographer | - | 1971 |