Jean-Pierre Léaud
Jean-Pierre Léaud
BED AND BOARD, (aka DOMICILE CONJUGAL), from left, Claude Jade, Jean-Pierre Leaud, 1970
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959.
LA CHINOISE, Jean-Pierre Leaud, Anne Wiazemsky, 1967
LE DEPART, Jean-Pierre Leaud, 1967
LA CHINOISE, Jean-Pierre Leaud, 1967
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
THE RISE AND FALL OF A SMALL FILM COMPANY, (AKA GRANDEUR ET DECADENCE D'UN PETIT COMMERCE DE CINEMA), JEAN-PIERRE LEAUD (RIGHT), 1986. © CAPRICCI FILMS
THE RISE AND FALL OF A SMALL FILM COMPANY, (AKA GRANDEUR ET DECADENCE D'UN PETIT COMMERCE DE CINEMA), FROM LEFT: JEAN-PIERRE LEAUD, MARIE VALERA, 1986. © CAPRICCI FILMS
THE RISE AND FALL OF A SMALL FILM COMPANY, (AKA GRANDEUR ET DECADENCE D'UN PETIT COMMERCE DE CINEMA), JEAN-PIERRE LEAUD (LEFT), 1986. © CAPRICCI FILMS
BED AND BOARD, (aka DOMICILE CONJUGAL), from left, Jean-Pierre Leaud, Claude Jade, 1970
BED AND BOARD, Jean-Pierre Leaud, 1970
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Dani, Jean-Pierre Leaud, 1973
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), from left: Jean-Pierre Leaud, Bernard Menez, 1973
MASCULIN FEMININ, Jean-Pierre Leaud, Catherine-Isabelle Duport, 1966
BED AND BOARD, (aka DOMICILE CONJUGAL), from left, Claude Jade, Jean-Pierre Leaud, 1970
MASCULIN FEMININ, Jean-Pierre Leaud, Chantel Goya, Catherine-Isabelle Duport, 1966
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Nathalie Baye (r), 1973.
MASCULINE FEMININE, Jean-Pierre Leaud, Chantal Goya, Marlene Jobert, 1966.
MASCULINE FEMININE, Jean-Pierre Leaud, Chantal Goya, 1966.
LA CHINOISE, FROM LEFT: LEX DE BRUIJN, JEAN-PIERRE LEAUD, 1967
DAY FOR NIGHT, (aka, LA NUIT AMERICAINE), from left: Jean Pierre Leaud, Jacqueline Bisset, Francois Truffaut, 1973
LE GAI SAVOIR, (AKA JOY OF LEARNING), JEAN-PIERRE LEAUD, 1969.
LE GAI SAVOIR, (AKA JOY OF LEARNING), FROM LEFT, JULIET BERTO, JEAN-PIERRE LEAUD, 1969.
LE GAI SAVOIR, (AKA JOY OF LEARNING), FROM LEFT, JEAN-PIERRE LEAUD, JULIET BERTO, 1969.
LE GAI SAVOIR, (AKA JOY OF LEARNING), FROM LEFT, JULIET BERTO, JEAN-PIERRE LEAUD, 1969.
LE GAI SAVOIR, (AKA JOY OF LEARNING), JEAN-PIERRE LEAUD, 1969.
LE GAI SAVOIR, (AKA JOY OF LEARNING), JEAN-PIERRE LEAUD, 1969.
LA CHINOISE, FROM LEFT: JEAN-PIERRE LEAUD, ANNE WIAZEMSKY, 1967
LA CHINOISE, JEAN-PIERRE LEAUD, 1967
LOVE ON THE RUN, (aka L'AMOUR EN FUITE), Daniel Mesguich, Marie-France Pisier, Jean-Pierre Leaud, 1979, (c) New World Pictures
LA CHINOISE, FROM LEFT: JEAN-PIERRE LEAUD, JULIET BERTO, 1967
MASCULIN FEMININ, Jean-Pierre Leaud, Catherine-Isabelle Duport, 1966
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Valentina Cortese, Jean-Pierre Leaud, 1973.
LA CHINOISE, FROM LEFT: ANNE WIAZEMSKY, JEAN-PIERRE LEAUD, 1967
LA CHINOISE, JEAN-PIERRE LEAUD, 1967
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Jacqueline Bisset, 1973.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Guy Decomble, Jean-Pierre Leaud, 1959
LE DEPART, Catherine Duport, Jean-Pierre Leaud, 1967
LOVE ON THE RUN, (aka L'AMOUR EN FUITE), Jean-Pierre Leaud, 1979, (c) New World Pictures
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Dani, Jean-Pierre Leaud, 1973.
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, 1973.
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1970
OUT 1, (aka OUT 1, NOLI ME TANGERE), Jean-Pierre Leaud, 1971. ©Carlotta Films US
OUT 1, (aka OUT 1, NOLI ME TANGERE), Jean-Pierre Leaud, 1971. ©Carlotta Films US
BED AND BOARD, from left: Hiroko Berghauer (aka Mademoiselle Hiroko), Jean-Pierre Leaud, 1970
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1970
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, 1973.
THE MOTHER AND THE WHORE, (aka LA MAMAN ET LA PUTAIN), Jean-Pierre Leaud, Francoise Lebrun, Bernadette Lafont, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Claire Maurier, Jean-Pierre Leaud, Albert Remy, 1959.
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1970
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jacqueline Bisset, Jean-Pierre Leaud, 1973
MASCULINE FEMININE, Jean-Pierre Leaud, Chantal Goya, Catherine-Isabelle Duport (far right), 1966.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Piere Leaud, 1959
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, Stacey, Tendeter, 1971
LE DEPART, Jean-Pierre Leaud, Catherine Duport, 1967
MASCULIN FEMININ, Jean-Pierre Leaud, Chantal Goya, Marlene Jobert, 1966.
MASCULIN FEMININ, Chantel Goya, Jean-Pierre Leaud, 1966
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Patrick Auffay, Jean-Pierre Leaud, Claire Maurier, 1959.
BED AND BOARD, from left, Jean-Pierre Leaud, Claude Jade, 1970
TWO ENGLISH GIRLS, Jean-Pierre Leaud, Kika Markham, 1971
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Patrick Auffay, Jean-Pierre Leaud, 1959.
THE MOTHER AND THE WHORE, (aka LA MAMAN ET LA PUTAIN), Jean-Pierre Leaud, Francoise Lebrun, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, Henri Virlojeux, 1959.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, Patrick Auffay, 1959, movie theater
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959.
LE DEPART, Jean-Pierre Leaud, 1967
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, 1971
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959.
MASCULINE FEMININE, Yves Afonso, Jean-Pierre Leaud, 1966.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959, stealing milk
THE MOTHER AND THE WHORE, (aka LA MAMAN ET LA PUTAIN), Jean-Pierre Leaud, 1973
MADE IN U.S.A., Jean-Pierre Leaud (center), Anna Karina (right), 1966
THE MOTHER AND THE WHORE, (aka LA MAMAN ET LA PUTAIN), Jean-Pierre Leaud, Bernadette Lafont, 1973
LA CHINOISE, from left: Anne Wiazemsky, Jean-Pierre Leaud, 1967
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Jean-Pierre Aumont, Jacqueline Bisset, Valentina Cortese, 1973.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, Claire Maurier, Albert Remy, 1959
THE MOTHER AND THE WHORE, (aka LA MAMAN ET LA PUTAIN), Jean-Pierre Leaud, Bernadette Lafont, Francoise Lebrun, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Albert Remy, Claire Maurier, Jean-Pierre Leaud, 1959.
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Jean-Pierre Aumont, Jacqueline Bisset, Valentina Cortese, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, Guy Decomble, 1959.
DIARY OF A SEDUCER, (aka JOURNAL DU SEDUCTEUR) Jean-Pierre Leaud, Chiara Mastroianni, 1996
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, Stacey Tendeter, 1971
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1971
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, 1971
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
BED AND BOARD, Jean-Pierre Leaud, 1970
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Jean-Pierre Aumont, Jacqueline Bisset, Valentina Cortese, 1973
THE 400 BLOWS, (aka LES QUATRE CENTS COUPS), Jean-Pierre Leaud, 1959
FACE, (aka VISAGE), Jean-Pierre Leaud, 2009. ph: W.Laxton/©Rezo Films
FACE, (aka VISAGE), Jean-Pierre Leaud, 2009. ph: W.Laxton/©Rezo Films
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jacqueline Bisset, Jean-Pierre Leaud, 1973
CAMILLE REWINDS, (aka CAMILLE REDOUBLE), Jean-Pierre Leaud, 2012. ph: Arnaud Borrel/©Gaumont
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1971
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jean-Pierre Leaud, Francois Truffaut, 1973
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1971
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, 1971
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jacqueline Bisset, Jean-Pierre Leaud, 1973
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, Stacey Tendeter, 1971
TWO ENGLISH GIRLS, Jean-Pierre Leaud, Kika Markham, 1971
BED AND BOARD, Claude Jade, Jean-Pierre Leaud, 1971
I HIRED A CONTRACT KILLER, Jean-Pierre Leaud, 1990.
DAY FOR NIGHT, (aka LA NUIT AMERICAINE), Jacqueline Bisset, Jean-Pierre Leaud, 1973
LAST TANGO IN PARIS, (aka ULTIMO TANGO A PARIGI), Maria Schneider, Jean-Pierre Leaud, 1972
LOVE ON THE RUN, Dorothee, Jean-Pierre Leaud, 1979.
FACE, (aka VISAGE), director TSAI Ming-liang (left), Jean-Pierre Leaud (right), on set, 2009. ph: W.Laxton/©Rezo Films
LAST TANGO IN PARIS, (aka ULTIMO TANGO A PARIGI), Jean-Pierre Leaud, Maria Schneider, 1972
TWO ENGLISH GIRLS, Kika Markham, Jean-Pierre Leaud, 1971
LOVE ON THE RUN, (aka L'AMOUR EN FUITE), from left, Jean-Pierre Leaud, Marie-France Pisier, 1979, ©New World Pictures
WHAT TIME IS IT THERE, (NI NEIBIAN JIDIAN), Jean-Pierre Leaud, Shiang-chyi Chen, 2001, (c) WinStar
LOVE ON THE RUN, Dani, Jean-Pierre Leaud, Claude Jade, 1979.
LOVE ON THE RUN, (aka L'AMOUR EN FUITE), Jean-Pierre Leaud, Dorothee, 1979, (c) New World Pictures
LOVE ON THE RUN, Jean-Pierre Leaud, Julien Dubois, 1979.
THE DEATH OF LOUIS XIV, (aka LA MORT DE LOUIS XIV), Jean-Pierre Leaud, as Louis XIV (left), 2016. ©Cinema Guild
THE DEATH OF LOUIS XIV, (AKA LA MORT DE LOUIS XIV), FROM LEFT, CLEMENT CENSIER, JEAN-PIERRE LEAUD, MARC SUSINI, 2016. ©CINEMA GUILD
FACE, (aka VISAGE), from left: Jean-Pierre Leaud, Fanny Ardant, 2009. ph: W.Laxton/©Rezo Films
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