The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The comet-like starring career of German actress Luise Rainer began at the age of 16, when she gave a spectacular audition and was hired on the spot by famed impresario Max Reinhardt. She starred in several Reinhardt stage productions, and also appeared in a few Austro/German films. An MGM talent scout "discovered" Rainer while she was touring Europe in Pirandello's Six Characters in Search of an Author. Because she dressed in comfortable old clothes, disdained makeup, and told American reporters that she hated movies, Ms. Rainer was quickly labeled a "new Garbo" and the "next Hepburn." She won an Oscar for her second film appearance in The Great Ziegfeld (1936), in which, as Florenz Ziegfeld's castaway wife Anna Held, she enacted perhaps the most famous "telephone scene" in cinema history. Though she seemed a shoe-in for the Oscar, Rainer refused to show up at the ceremony unless she could be assured ahead of time that she'd win; when she finally did agree to make an appearance, she was several hours late and her hair was a mess. In 1937, Rainer became the first actress to win two Academy Awards in a row; this time she was being honored for her portrayal of Chinese peasant bride O-Lan in The Good Earth. Hoping to cash in on Rainer's Oscar double-header, MGM rushed her through a series of second-rate roles in forgettable films. Her husband at the time, playwright Clifford Odets, urged her to quit movies cold and confine her "brilliance" to the stage. But after several theatrical flops, Rainer was back in Hollywood in the 1943 Paramount programmer Hostages. After the failure of this film, Rainer left Hollywood for keeps, moving to England with her second husband, publisher Robert Knittel. Some 50 years after her triumphant twin-Oscar win, Luise Rainer was coaxed before the cameras once more by producer Aaron Spelling, who cast her in an episode of his TV anthology The Love Boat. ~ Hal Erickson, Rovi