Celebrity Photo

Mervyn LeRoy

Highest Rated: 100% Thirty Seconds Over Tokyo (1944)

Lowest Rated: 14% Any Number Can Play (1949)

Birthday: Oct 15, 1900

Birthplace: Not Available

In his time, which lasted from the '20s until the '60s, Mervyn LeRoy was one of the movie business's heavy hitters, a director/producer whose name evoked quality and entertainment in successful portions, and was associated with some of the more challenging and popular projects ever to come out of the old Hollywood. His life might have made a good movie -- born in San Francisco at the opening of the 20th century to a well-to-do, totally assimilated Jewish family, he spent the first five years of his life in comfort -- then, at age five, his mother abandoned the marriage and her only child for the arms of another man; and not too much later, much of San Francisco (including his father's business) was destroyed by the 1906 earthquake. His father never got over it, and long after their extended stay at the refugee camp set up by the army at the Presidio, they were not much better than homeless, and little more than impoverished. The younger LeRoy took to selling newspapers to help support the two of them, and became good at it -- he got his introduction to performing one day when a patron, Theodore Roberts, a stage actor and future screen star, buying a paper from him outside the theater where he had a play running, offered him the part of a newsboy in the play Barbara Frietchie. It was the beginning of a show business career that would last more than 50 years. LeRoy entered vaudeville in 1915, and did well for a time, but after four years, he found his options dried up, and he was left impoverished once again. It was then that fate took a hand -- LeRoy had an older cousin, Jesse L. Lasky, who had gone into the movie business in the teens and enjoyed phenomenal success with what became known as Famous Players-Lasky, later much more familiar as Paramount Pictures. He co-scripted the successful 1926 film Ella Cinders, and graduated to the director's chair the following year with No Place to Go. His major breakthrough as a filmmaker took place in 1930 with Little Caesar, a gangster film starring Edward G. Robinson that started a decade-long cycle of crime pictures at Warner Bros. It was while preparing to shoot Little Caesar and searching for an actor to play the essential role of the second male lead (which went to Douglas Fairbanks Jr.), that LeRoy attended a play called The Last Mile. The leading man, playing a convict on death row, had such a compelling stage presence that LeRoy approached him about doing a screen test, and the man agreed. Thus was Clark Gable's entrée to the film world that would make him a star and an icon, although LeRoy could not use Gable in the picture, because Warner production chief Darryl F. Zanuck was convinced that Gable's somewhat large ears would photograph poorly and mar his screen appearance. That was how Warner Bros. lost Clark Gable, though the actor was forever grateful to LeRoy for giving him his first shot at a movie career. During the next seven years, LeRoy was responsible for several of the studio's most successful and celebrated movies, including the groundbreaking social-crime drama I Am a Fugitive from a Chain Gang, Gold Diggers of 1933, the comedy Three Men on a Horse, and the big budget adventure drama Anthony Adverse; additionally, on loan-out to MGM, he made the hit comedy Tugboat Annie, starring Marie Dressler. He began producing in 1937, but a dispute with the studio brought LeRoy to MGM in 1938, where he barely broke stride. Among the movies for which he was responsible was The Wizard of Oz (1939); it was LeRoy who convinced the studio to make the movie, although MGM's Louis B. Mayer talked him out of directing it, something he sorely wanted to do, having been a fan of the L. Frank Baum Oz stories since childhood. Instead, he produced it, and it became perhaps the most popular film with which LeRoy was associated of his entire career, although it was not to be considered a financial success for another quarter century, after television had re-introduced it to the world, and baby-b

Highest Rated Movies



No Score Yet The Yellow Brick Road and Beyond Actor 2009
No Score Yet Moment to Moment Director Producer 1966
No Score Yet Mary, Mary Producer Director 1963
64% Gypsy Director Producer 1962
60% A Majority of One Producer Director 1961
80% The Devil at 4 O'clock Director 1961
No Score Yet Wake Me When It's Over Director Producer 1960
No Score Yet The FBI Story Producer Director 1959
No Score Yet Home Before Dark Producer Director 1958
No Score Yet No Time for Sergeants Producer Director 1958
No Score Yet Toward the Unknown Producer Director 1956
63% The Bad Seed Producer Director 1956
92% Mister Roberts Director 1955
No Score Yet Strange Lady in Town Producer Director 1955
No Score Yet Rose Marie Producer Director 1954
No Score Yet Latin Lovers Director 1953
No Score Yet Million Dollar Mermaid Director 1952
No Score Yet Lovely to Look At Director 1952
88% Quo Vadis? Director 1951
33% East Side, West Side Director 1949
71% Little Women Director Producer 1949
14% Any Number Can Play Actor 1949
No Score Yet Homecoming Director 1948
No Score Yet Desire Me Director 1947
No Score Yet Without Reservations Director Diner 1946
No Score Yet The House I Live In Producer Director 1945
100% Thirty Seconds Over Tokyo Director 1944
86% Madame Curie Director 1943
89% Random Harvest Director 1942
No Score Yet Johnny Eager Director 1942
No Score Yet Unholy Partners Director 1941
33% Blossoms in the Dust Producer Director 1941
No Score Yet Escape Director Producer 1940
80% Waterloo Bridge Director 1940
98% The Wizard of Oz Producer $3.9M 1939
100% At the Circus Producer 1939
No Score Yet Stand Up and Fight Producer 1939
No Score Yet Fools for Scandal Producer Director 1938
No Score Yet The Great Garrick Producer 1937
No Score Yet They Won't Forget Director Producer 1937
No Score Yet Marry the Girl Producer 1937
No Score Yet The King and the Chorus Girl Producer Director 1937
No Score Yet Three Men on a Horse Director Producer 1936
20% Anthony Adverse Director 1936
No Score Yet Page Miss Glory Director 1935
No Score Yet Oil for the Lamps of China Director 1935
No Score Yet Sweet Adeline Director 1935
No Score Yet I Found Stella Parish Director 1935
No Score Yet Heat Lightning Director 1934
No Score Yet Hi, Nellie! Director 1934
No Score Yet Happiness Ahead Director 1934
No Score Yet The World Changes Director 1933
No Score Yet Tugboat Annie Director 1933
100% Gold Diggers of 1933 Director 1933
No Score Yet Elmer, the Great Director 1933
No Score Yet Hard to Handle Director 1933
No Score Yet Three on a Match Director 1932
No Score Yet Two Seconds Director 1932
No Score Yet High Pressure Director 1932
No Score Yet Tonight or Never Director 1931
No Score Yet Local Boy Makes Good Director 1931
91% Five Star Final Director 1931
No Score Yet Gentleman's Fate Director 1931
91% Little Caesar Director 1931
No Score Yet Playing Around Director 1930
No Score Yet Show Girl in Hollywood Director 1930
No Score Yet Numbered Men Director 1930
No Score Yet Little Johnny Jones Director 1930
No Score Yet Naughty Baby Director 1928
No Score Yet Orchids and Ermine Screenwriter 1927
No Score Yet Irene Screenwriter 1926
No Score Yet Little Johnny Jones His jockey 1923


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