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Milton R. Krasner
Highest Rated: 100% The Bank Dick (1940)
Lowest Rated: 20% Desiree (1954)
Birthday: Feb 17, 1904
Birthplace: New York, New York, USA
Began his film career at age 15 and graduated to director of photography in 1933. Although Krasner had shot nearly 90 films in nearly all genres before the end of WWII, it was in the post-war period that Krasner distinguished himself as a highly versatile cinematographer. He is best remembered for his neorealist-influenced, black-and-white work in the late 40s (especially the Fritz Lang's noir thrillers "The Woman in the Window" 1944 and "Scarlet Street" 1945 and the stark fight picture "The Set Up" 1949), the Bette Davis classic "All About Eve" (1950), and his glossy CinemaScope compositions--particularly his collaborations with Vincente Minnelli--in the mid-50s.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 37% | 38% | Beneath the Planet of the Apes | Cinematographer | - | 1970 |
| No Score Yet | 56% | The Ballad of Josie | Cinematographer | - | 1968 |
| No Score Yet | 33% | The Venetian Affair | Cinematographer | - | 1967 |
| 89% | 66% | The St. Valentine's Day Massacre | Cinematographer | - | 1967 |
| 22% | 30% | Hurry Sundown | Cinematographer | - | 1967 |
| No Score Yet | 60% | The Singing Nun | Cinematographer | - | 1966 |
| 21% | 43% | The Sandpiper | Cinematographer | - | 1965 |
| 60% | 33% | Red Line 7000 | Cinematographer | - | 1965 |
| No Score Yet | No Score Yet | Looking for Love | Cinematographer | - | 1964 |
| 40% | 62% | Fate Is the Hunter | Cinematographer | - | 1964 |
| 82% | 86% | Love With the Proper Stranger | Cinematographer | - | 1963 |
| 89% | 61% | Two Weeks in Another Town | Cinematographer | - | 1962 |
| No Score Yet | 47% | The Four Horsemen of the Apocalypse | Cinematographer | - | 1962 |
| 87% | 74% | How the West Was Won | Cinematographer | - | 1962 |
| 74% | 72% | Sweet Bird of Youth | Cinematographer | - | 1962 |
| 85% | 78% | King of Kings | Cinematographer | - | 1961 |
| No Score Yet | No Score Yet | The Remarkable Mr. Pennypacker | Cinematographer | - | 1959 |
| No Score Yet | 50% | The Gift of Love | Cinematographer | - | 1958 |
| 67% | 87% | An Affair to Remember | Cinematographer | - | 1957 |
| 84% | 76% | The Seven Year Itch | Cinematographer | - | 1955 |
| No Score Yet | 43% | The Girl in the Red Velvet Swing | Cinematographer | - | 1955 |
| No Score Yet | No Score Yet | How to Be Very, Very Popular | Cinematographer | - | 1955 |
| 20% | 68% | Desiree | Cinematographer | - | 1954 |
| 86% | 52% | Garden of Evil | Cinematographer | - | 1954 |
| 75% | 65% | Demetrius and the Gladiators | Cinematographer | - | 1954 |
| 60% | 43% | Three Coins in the Fountain | Cinematographer | - | 1954 |
| No Score Yet | 40% | Vicki | Cinematographer | - | 1953 |
| No Score Yet | No Score Yet | Taxi | Cinematographer | - | 1953 |
| No Score Yet | 36% | Dreamboat | Cinematographer | - | 1952 |
| No Score Yet | 50% | Phone Call From a Stranger | Cinematographer | - | 1952 |
| No Score Yet | 67% | O. Henry's Full House | Cinematographer | - | 1952 |
| No Score Yet | 17% | Half Angel | Cinematographer | - | 1951 |
| No Score Yet | 50% | I Can Get It for You Wholesale | Cinematographer | - | 1951 |
| No Score Yet | 60% | Rawhide | Cinematographer | - | 1951 |
| 99% | 94% | All About Eve | Cinematographer | $10.2K | 1950 |
| 71% | 75% | House of Strangers | Cinematographer | - | 1949 |
| No Score Yet | 68% | Holiday Affair | Cinematographer | - | 1949 |
| No Score Yet | 33% | Up in Central Park | Cinematographer | - | 1948 |
| No Score Yet | No Score Yet | The Saxon Charm | Cinematographer | - | 1948 |
| 78% | 65% | A Double Life | Cinematographer | - | 1947 |
| 75% | 58% | The Dark Mirror | Cinematographer | - | 1946 |
| 40% | 52% | Along Came Jones | Cinematographer | - | 1945 |
| No Score Yet | 0% | Delightfully Dangerous | Cinematographer | - | 1945 |
| 40% | 23% | The Invisible Man's Revenge | Cinematographer | - | 1944 |
| 88% | 83% | The Woman in the Window | Cinematographer | - | 1944 |
| No Score Yet | 9% | The Mad Ghoul | Cinematographer | - | 1943 |
| No Score Yet | 49% | Gung Ho! | Cinematographer | - | 1943 |
| No Score Yet | No Score Yet | To the People of the United States | Cinematographer | - | 1943 |
| 75% | 80% | Arabian Nights | Cinematographer | - | 1942 |
| No Score Yet | 47% | The Spoilers | Cinematographer | - | 1942 |
| 73% | 41% | The Ghost of Frankenstein | Cinematographer | - | 1942 |
| 80% | 77% | The House of the Seven Gables | Cinematographer | - | 1940 |
| 100% | 74% | The Bank Dick | Cinematographer | - | 1940 |
| 87% | 59% | The Invisible Man Returns | Cinematographer | - | 1940 |
| No Score Yet | No Score Yet | Trail of the Vigilantes | Cinematographer | - | 1940 |
| No Score Yet | No Score Yet | Nurse from Brooklyn | Cinematographer | - | 1938 |
| No Score Yet | No Score Yet | She's Dangerous | Cinematographer | - | 1937 |
| No Score Yet | No Score Yet | Yellowstone | Cinematographer | - | 1936 |
| No Score Yet | No Score Yet | Murder in the Fleet | Cinematographer | - | 1935 |