Gaspar Zimerman Movie Reviews & Previews - Rotten Tomatoes

Gaspar Zimerman

Gaspar Zimerman
Gaspar Zimerman's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Clarín

Movie Reviews Only

Rating T-Meter Title | Year Review
100% Too Late to Die Young (2018) With a background of disoriented or frustrated adults, [director Dominga] Sotomayor puts the focus on young people and perfectly captures the decisive moments of adolescence. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 19, 2018
No Score Yet The Echo House (La casa del eco) (2018) If Hollywood has accustomed us to predigested stories, where nothing can be left to interpretation, the debut film from Cordoban Hugo Curletto - also the screenwriter - goes to the other extreme. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 18, 2018
69% Wildling (2018) The drawback is a script that, after an acceptable start, takes an erratic course. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 18, 2018
No Score Yet Immersed Family (Familia sumergida) (2018) In her first film, [director] María Alché painted her village with great skill: a middle-class Buenos Aires home. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 11, 2018
43% Goosebumps 2: Haunted Halloween (2018) Thus, with a well-oiled formula, this product fulfills the goal of entertaining, and not much more. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 11, 2018
No Score Yet Marilyn (2018) It is difficult to know what goes on in his head, but the character is never apathetic and communicates with his actions. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 11, 2018
No Score Yet El Potro: Lo mejor del amor (2018) The complement between drama and music works perfectly. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 5, 2018
38% Johnny English Strikes Again (2018) Rowan Atkinson, prince of slapstick, returns to deploy his full arsenal of physical blunders. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 5, 2018
No Score Yet Eterno Paraíso (2018) As a result of his anguish for what happened to Esperanza, Pablo becomes obsessed with the writings, videos and recordings left by his father. But there is no clear development of that mystical search. [Full review in Spanish]‐ Clarín
Read More | Posted Oct 5, 2018
8% Slender Man (2018) The tedium ends up surpassing the fear. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 28, 2018
75% Smallfoot (2018) Everything is told in a nimble and entertaining narrative. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 27, 2018
98% Lucky (2017) Lucky is, according to its creators, a "love letter" to Stanton. At times, this tribute exceeds the purpose of showing how lovable the honoree was. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 27, 2018
82% Ghost Stories (2018) Thanks to sinister elements... accompanied by a very British sense of humor, the three stories are successes. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 20, 2018
66% The House with a Clock in Its Walls (2018) [It's] hard to find better performers than Jack Black and Cate Blanchett as the odd couple of wizards. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 20, 2018
33% The Predator (2018) And as [Shane Black] mixes comedy and action... he manages to make The Predator a light and entertaining movie. Mission accomplished. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 20, 2018
No Score Yet Disculpas por la demora (2018) [The film] makes clear why "memory, truth and justice" is much more than a motto when it becomes a reality. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 13, 2018
No Score Yet No viajaré escondida (2018) With an exhaustive investigation, [director] Pablo Zubizarreta... passes through an exciting biography. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 13, 2018
57% Hotel Artemis (2018) The interactions between the characters are forced, and while there are some suspense-filled situations... everything is a mere excuse to get to the pure and tough action. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 13, 2018
80% Theatre of War (Teatro de guerra) (2018) This is a great opportunity for some theorist to shine with the comparison between theatrical and cinematographic fact. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 6, 2018
100% The House by the Sea (La villa) (2017) [Director Robert] Guédiguian's sensitivity... makes history envelop us with its framework of past and present. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 6, 2018
No Score Yet The Last Man (2018) It's a schematic plot, devoid of emotion and loaded with insubstantial plot excuses, whose only function is to make everything move towards a foreseeable outcome. [Full review in Spanish]‐ Clarín
Read More | Posted Sep 6, 2018
No Score Yet Get the Weed (Misión No Oficial) (2017) These immersions of the characters in "reality" completely erase the boundary between fiction and documentary and are the most successful moments of the film. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 30, 2018
49% The Spy Who Dumped Me (2018) In addition to the [film's] lazy formulaic gags, perhaps what fails in this comedy is that it ends up being a hybrid. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 30, 2018
71% Adrift (2018) [The film] is so focused on telling the facts as they were, that empathy is left along the way: it's shipwrecked long before the protagonist is. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 30, 2018
94% 24 Frames (2018) The posthumous film of Abbas Kiarostami is closer to video art than to conventional cinema. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 23, 2018
No Score Yet La educacion del Rey (2018) [La Educacion del Rey is] supported by a solid script and the credible performances of the entire cast, with Germán de Silva... and the debutante Matías Encinas in the lead. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 23, 2018
No Score Yet Liliane Susewind (Liliane Susewind - Ein tierisches Abenteuer) (2018) Everything is done with minimal resources, and it shows. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 17, 2018
No Score Yet La otra piel (2018) The result is a patina of solemnity that adds to the tedium and moroseness of a film that never finds its way. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 17, 2018
45% The Meg (2018) The vacillations of the script are as constant as the boats attacked by the shark. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 17, 2018
No Score Yet Regreso a Coronel Vallejos (2018) If the theme is already attractive, there is a detail that enriches the documentary: his co-star... could just as well have been a character in a [Manuel] Puig novel. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 15, 2018
No Score Yet La trans de patria (2017) The true protagonist of this story is none other than [director Diego] Recalde himself, who with his enthusiasm and sympathy brings his joy to the final conclusions (that is, this unclassifiable film). [Full review in Spanish]‐ Clarín
Read More | Posted Aug 10, 2018
No Score Yet El camino de Santiago (2018) The Road to Santiago makes a solid account of the facts. And, as befits an event whose research is still in progress, it raises more questions than certainties. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 9, 2018
No Score Yet Pabellon 4 (2018) [Pabellon 4] is an observation documentary: without interviews, the different situations that we are seeing tell us the stories of its protagonists and, also, those of the prisoners. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 9, 2018
70% Still/Born (2018) The closed circuit images worked in the first Paranormal Activity... But these resources are already spent. Or they are not used effectively by this new director named Brandon Christensen. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 9, 2018
100% My Own Place (Casa propia) (2018) [Director Rosendo] Ruiz created an unfriendly character, with whom it is not always easy to empathize, but who finds himself in recognizable situations. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 2, 2018
85% Disobedience (2018) The best thing about the film is Ronit's estrangement by being in a familiar place in which she no longer belongs and no longer has a place; her dealings with people near and far at the same time. [Full review in Spanish]‐ Clarín
Read More | Posted Aug 2, 2018
No Score Yet Il colore nascosto delle cose (2017) Selfishness, superficiality, hypocrisy, are reserved for those who lack ophthalmological difficulties. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 27, 2018
63% Every Day (2018) Every Day... manages to be an exception to the rule thanks to its ingenious premise, a twist to the old soul-swapping trick in the style of All of Me. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 27, 2018
No Score Yet Toda esta sangre en el monte (2013) There are heartbreaking scenes starring [Cristian] Ferreyra's relatives. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 26, 2018
91% Teen Titans Go! To the Movies (2018) With the same team of creators, directors and producers from the series... the film maintains the [same] characteristics as the animated television cartoon. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 26, 2018
No Score Yet the Dread (El espanto) (2017) The Dread is an impeccable example of how much the limits between documentary and fiction can be blurred. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 20, 2018
46% Marrowbone (2018) Until the explanations begin to arrive... everything built up to that moment collapses. [Full review in Spanish] ‐ Clarín
Read More | Posted Jul 18, 2018
No Score Yet Bañeros 5: Lentos y cargosos (2018) The end result is trash to the highest extent, to the point that Bañeros 5 does not even qualify for ironic consumption. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 13, 2018
59% Hotel Transylvania 3: Summer Vacation (2018) Movies for children usually include moral or politically correct messages that are not too subtle, and here there are at least two: family comes first... [and] we must respect and accept the diversity of others. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 12, 2018
46% Skyscraper (2018) [The plot] falls too often into explanatory dialogue. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 12, 2018
No Score Yet Dry Martina (2018) Geographically, Dry Martina reflects the move of the Chilean director to Buenos Aires: in this co-production, the story begins here and continues on the other side of the mountain range. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 21, 2018
No Score Yet A Voz do Silêncio (2018) A Voz do Silêncio is part of a just forgotten subgenre: the choral film, which had its peak back in the '90s, with City of Angels and Magnolia... [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
89% The Nile Hilton Incident (2017) The film being in Arabic and set in Cairo... displays the classical [Hollywood] elements in a new light. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
83% Blockers (2018) Blockers' approach... is so old-fashioned that its makers - [debut director] Kay Cannon and screenwriters Brian and Jim Kehoe - took advantage of political correctness to update it. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
No Score Yet Ábalos, una historia de 5 hermanos (2018) [Víctor Manuel] could be a character from the Buena Vista Social Club or Café de los Maestros: lovable, venerable, at 96 he keeps his musical talent intact. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 8, 2018