Gaspar Zimerman Movie Reviews & Previews - Rotten Tomatoes

Gaspar Zimerman

Gaspar Zimerman
Gaspar Zimerman's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Clarín

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet the Dread (El espanto) (2017) The Dread is an impeccable example of how much the limits between documentary and fiction can be blurred. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 20, 2018
46% Marrowbone (2018) Until the explanations begin to arrive... everything built up to that moment collapses. [Full review in Spanish] ‐ Clarín
Read More | Posted Jul 18, 2018
No Score Yet Bañeros 5: Lentos y cargosos (2018) The end result is trash to the highest extent, to the point that Bañeros 5 does not even qualify for ironic consumption. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 13, 2018
59% Hotel Transylvania 3: Summer Vacation (2018) Movies for children usually include moral or politically correct messages that are not too subtle, and here there are at least two: family comes first... [and] we must respect and accept the diversity of others. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 12, 2018
50% Skyscraper (2018) [The plot] falls too often into explanatory dialogue. [Full review in Spanish]‐ Clarín
Read More | Posted Jul 12, 2018
No Score Yet Dry Martina (2018) Geographically, Dry Martina reflects the move of the Chilean director to Buenos Aires: in this co-production, the story begins here and continues on the other side of the mountain range. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 21, 2018
No Score Yet A Voz do Silêncio (2018) A Voz do Silêncio is part of a just forgotten subgenre: the choral film, which had its peak back in the '90s, with City of Angels and Magnolia... [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
89% The Nile Hilton Incident (2017) The film being in Arabic and set in Cairo... displays the classical [Hollywood] elements in a new light. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
83% Blockers (2018) Blockers' approach... is so old-fashioned that its makers - [debut director] Kay Cannon and screenwriters Brian and Jim Kehoe - took advantage of political correctness to update it. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 15, 2018
No Score Yet Ábalos, una historia de 5 hermanos (2018) [Víctor Manuel] could be a character from the Buena Vista Social Club or Café de los Maestros: lovable, venerable, at 96 he keeps his musical talent intact. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 8, 2018
No Score Yet Beyond the Mountains and Hills (Me'ever Laharim Vehagvaot) (2016) There is a search for drama and depth that is all for naught because the tragedies that they present to us are overly artificial. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 8, 2018
94% Chavela (2017) Australian Catherine Gund and American Daresha Kyi cover [Chavela Vargas'] fascinating story from beginning to end. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 7, 2018
71% The Mercy (2017) There is no emotion in seeing Colin Firth aboard a fake ship in a fake ocean, or in the zenith shots of toy boats floating in pools. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 7, 2018
89% Hereditary (2018) It's a family drama tinged with an ominous climate, built by disturbing details that lead in crescendo. [Full review in Spanish]‐ Clarín
Read More | Posted Jun 7, 2018
17% Midnight Sun (2018) The emotional manipulation [Midnight Sun] wants to subject us to is crude. [Full review in Spanish]‐ Clarín
Read More | Posted May 31, 2018
No Score Yet One Sister (2016) What we see is the loneliness and despair of this girl on her pilgrimage in search of the truth. [Full review in Spanish]‐ Clarín
Read More | Posted May 31, 2018
No Score Yet The Little Match Girl (La vendedora de fósforos) (2017) As in some of [director] Alejo Moguillansky's previous films - El Loro y el Cisne, El Escarabajo De Oro - the lines between reality and fiction are blurred in La Vendedora de Fósforos. [Full review in Spanish]‐ Clarín
Read More | Posted May 31, 2018
No Score Yet Animal (2018) Animal is a curious case: it's a good film that's difficult to recommend. [Full review in Spanish]‐ Clarín
Read More | Posted May 24, 2018
No Score Yet The Apparition (L'apparition) (2018) [Director] Xavier Giannoli... shows the commodification of faith, without shutting down the possibility that this exploitation starts from a genuine phenomenon. [Full review in Spanish]‐ Clarín
Read More | Posted May 24, 2018
90% Lady Macbeth (2017) But the film escapes the mere denunciation of patriarchy and is transformed into a tragedy that honors its Shakespearian roots. [Full review in Spanish]‐ Clarín
Read More | Posted May 18, 2018
82% Deadpool 2 (2018) Indeed: if the sequels' eternal challenge is how to live up to the original without repeating itself, let's say that Deadpool 2 is a worthy second part, but it does not have the advantage of [surprise]. [Full review in Spanish]‐ Clarín
Read More | Posted May 17, 2018
33% I Feel Pretty (2018) Self-confidence is everything, they tell us again and again, and leave us with the feeling of having attended a self-help sermon disguised as comedy. [Full review Spanish]‐ Clarín
Read More | Posted May 10, 2018
63% Please Stand By (2018) It's a minimal story, whose utmost originality and magic lies in the trekkie factor... [Full review in Spanish]‐ Clarín
Read More | Posted May 10, 2018
25% 7 Days in Entebbe (2018) Here [director José Padilha] divides the narrative into multiple points of view, and manages to imbricate them with enough skill so that the suspense is never lost. [Full review in Spanish]‐ Clarín
Read More | Posted May 10, 2018
59% Jungle (2017) In its best passages, the film manages to raise our adrenaline by showing the unpredictability that nature and man have in common. [Full review in Spanish]‐ Clarín
Read More | Posted May 3, 2018
38% The Strangers: Prey At Night (2018) There are a couple of winks to icons of the genre (Scream, for example)... but the rest is the usual: running, screams and torrents of blood without rhyme or reason. [Full review in Spanish]‐ Clarín
Read More | Posted May 3, 2018
No Score Yet Soldado (2017) [Director] Manuel Abramovich's camera... will leave to the spectator not only the task of drawing conclusions, but also finding some kind of dramatic progression and deciphering the emotions of this undaunted young man. [Full review in Spanish]‐ Clarín
Read More | Posted Apr 26, 2018
80% Film Stars Don't Die in Liverpool (2017) As in [Gloria] Grahame's life, Film Stars Don't Die in Liverpool's best moments happen in the past, when the love affair between the woman in her fifties and twenty-year-old Turner flourishes... [Full review in Spanish]‐ Clarín
Read More | Posted Apr 26, 2018
No Score Yet The Mimic (Jang-san-beom) (2017) Clichés are the order of the day... [Full review in Spanish]‐ Clarín
Read More | Posted Apr 19, 2018
No Score Yet Perdida (2018) Perdidais so impersonal that it could happen in Buenos Aires, Malmö, Milwaukee or anywhere, except in the mind and body of the public. [Full review in Spanish]‐ Clarín
Read More | Posted Apr 19, 2018
52% Rampage (2018) With a pair of caricatured villains and improbable situations, everything is halfway between parody and action in earnest. [Full review in Spanish]‐ Clarín
Read More | Posted Apr 17, 2018
No Score Yet Mazinger Z: Infinity (2018) The conclusion is that it is likely that the beloved anime was as absurd as this movie. [Full review in Spanish]‐ Clarín
Read More | Posted Apr 5, 2018
88% A Ciambra (2018) In this coming-of-age adventure, Pio is the bridge between the parallel realities of both communities. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 29, 2018
89% The Insult (L'insulte) (2018) It's too evident that the entire narrative exists with the sole purpose of dispensing a moral: there are wounds that never heal... [Full review in Spanish]‐ Clarín
Read More | Posted Mar 29, 2018
96% The Florida Project (2017) [The film] achieves something very difficult and rare: the harmonious coexistence of beauty with ugliness, of the sublime with the abject. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 29, 2018
No Score Yet Moglie e marito (2017) In any case, the worst comes when humor is set aside and there is a sort of serious reflection on the role of each one in the couple and how they feel when occupying each other's shoes... [Full review in Spanish]‐ Clarín
Read More | Posted Mar 22, 2018
63% Peter Rabbit (2018) Everything is based on physical humor and gags characteristic of the old and dear animated Merrie Melodies cartoons... [Full review in Spanish]‐ Clarín
Read More | Posted Mar 22, 2018
92% Stronger (2017) Quite effectively, the film describes the voracity of a society hungry for idols, sick with patriotism and capable of turning everything into merchandise. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 22, 2018
No Score Yet El Padre de Mis Hijos (2017) The biggest objection to El Padre de Mis Hijos in is that it cannot build really create any entertaining situations. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 15, 2018
70% Back to Burgundy (Ce qui nous lie) (2018) ... these brothers' conflicts do not have the necessary depth to generate empathy, they are stretched unnecessarily and the film fails in its repeated attempts to elicit emotion. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 15, 2018
19% Father Figures (2017) ... the strengthening of the bond between the brothers as an axis, is poor and predictable. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 15, 2018
49% Tomb Raider (2018) There are some notable scenes... but that adventure doesn't have anything that hasn't been seen before with more grace in any predecessor of the sort, starting with Indiana Jones. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 15, 2018
18% Death Wish (2018) ...a wasted opportunity: the 2018 version does not add anything to the story of the successful professional whose family is destroyed in a home robbery and discovers that the best way to grieve is to become a vigilante. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 9, 2018
No Score Yet What the Waters Left Behind (Los olvidados) (2017) ... a reproduction of situations already seen an infinite number of times. [Full review in Spanish]‐ Clarín
Read More | Posted Mar 8, 2018
98% Moonlight (2016) ... a detailed description of how helplessness leads to the construction of shells to survive. And how this armor can serve the outside world and the inner, blocking the desire and the ability to communicate, maybe forever. [Full review in Spanish]‐ Clarín
Read More | Posted Feb 26, 2018
No Score Yet We Need To Talk (Dobbiamo parlare) (2015) ... everything is so forced... [Full review in Spanish]‐ Clarín
Read More | Posted Feb 1, 2018
No Score Yet Vergel (2017) It's not easy to go from the deepest drama to the comedy of everyday life, and Kris Niklison manages to do it with elegance... [Full review in Spanish]‐ Clarín
Read More | Posted Feb 1, 2018
No Score Yet La Obra Secreta (2018) ... [La Obra Secreta] allows you to admire it even at a distance. [Full review in Spanish]‐ Clarín
Read More | Posted Jan 26, 2018
80% Victoria (2016) ... a decent dramatic comedy... [Full review in Spanish]‐ Clarín
Read More | Posted Jan 25, 2018
98% The Big Sick (2017) ... Kumail's scenes with his parents, his brother and his sister-in-law are the best in the film. [Full review in Spanish]‐ Clarín
Read More | Posted Jan 25, 2018