Katie Goh

Katie Goh
Tomatometer-approved critic

movie Reviews Only

T-Meter Title | Year Review
50% Vita & Virginia (2018) The film never delves beneath its surfaces. - Sight and Sound EDIT
Read More | Posted Jan 2, 2019
69% Beautiful Boy (2018) As a narrative Beautiful Boy falters, but as a character study of a father and son relationship it excels. - Sight and Sound EDIT
Read More | Posted Jan 2, 2019
2/5 84% Disobedience (2018) Disobedience's lesbian lovers lack passion, and more frustratingly, they become increasingly passive. - The Skinny EDIT
Read More | Posted Dec 12, 2018
2/5 50% Touch Me Not (2019) Pintilie's film has nothing but good intentions - to hold up all sex as normal sex - but Touch Me Not's coldness ironically blocks any intimacy between film and audience. - The Skinny EDIT
Read More | Posted Dec 12, 2018
3/5 88% First Man (2018) First Man is a technically accomplished story of how far one man will go to avoid handling his emotions, dressed up as the story of mankind's mission to the moon. - The Skinny EDIT
Read More | Posted Sep 13, 2018
4/5 79% Halloween (2018) Myers isn't the scariest thing in town anymore. Instead it's Laurie's paranoia and alienation that is the film's real horror. - The Skinny EDIT
Read More | Posted Sep 13, 2018
4/5 80% Hotel Mumbai (2019) Hotel Mumbai is an excellent, white-knuckle thriller - and an unlikely crowd-pleaser. - Guardian EDIT
Read More | Posted Sep 10, 2018
4/5 87% The Miseducation of Cameron Post (2018) Desiree Akhavan has spoken at length about growing up without a queer John Hughes film, and the influence of 80s teen cinema is all over ... Cameron Post. - The Skinny EDIT
Read More | Posted Sep 4, 2018
89% You Were Never Really Here (2018) Pulls the rug out from under the hyper-masculine action genre. - Another Gaze EDIT
Read More | Posted Aug 8, 2018
2/5 70% Double Lover (L'amant double) (2018) An uneven film that's neither as sexy nor as smart as it thinks it is - one part a nastier Fifty Shades of Grey and one part an introduction to Freud. - The Skinny EDIT
Read More | Posted Jun 27, 2018
4/5 96% Zama (2018) Martel masterfully creates a vivid, sensuous, and unbearable world from which Zama and the audience can't wait to escape. Yet we also can't seem to take our eyes off it. - The Skinny EDIT
Read More | Posted Jun 27, 2018
4/5 92% Beast (2018) An exploration of just how flimsy the boundary is between man and animal, Beast is a thriller with a nasty bite. - The Skinny EDIT
Read More | Posted Jun 27, 2018
97% Mudbound (2017) While it occasionally threatens to get away from itself with its numerous subplots, Dee Rees's controlled direction gives Mudbound a focused narrative trajectory. - Another Gaze EDIT
Read More | Posted Jan 17, 2018
91% On the Beach at Night Alone (Bamui haebyun-eoseo honja) (2017) On the Beach Alone At Night is not about plot or even about action. Instead the film is a portrait of the mourning process that follows lost love. Like the sea, which bookends the film, Young-hee's emotions come in waves. - Another Gaze EDIT
Read More | Posted Oct 11, 2017